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    Live from New York

    Oh my Goth! Young Houston actors perform on the New York stage and remainKissless

    Jayme Lamm
    Oct 2, 2011 | 5:01 pm
    • The Kissless crew
    • The marquee at the Theater at St. Clement's in NYC includes the production ofKissless as part of the 2011 New York Musical Theatre Festival.
      Photo by Jayme Lamm

    NEW YORK — There’s an innate quality in most of us that tends to root for the underdog or the hometown team — both of which accurately represent the cast of Kissless during their world premiere this past week at the historically quaint Theatre at St. Clements.

    Not underdogs in a subpar kind of way, but in a we’re-bringing-Texas-honky-tonk-to-the-Big-Apple kind of way, where a homegrown cast of 27 fairly fresh faces hit the bright lit stages of the 2011 New York Musical Theatre Festival.

    The festival, now in its eighth season, is almost entirely comprised of New York-based actors and actresses, but thanks to Houston playwright Chance McClain (and many others), the city is flooded with cowboy boots, bedazzled extra-large belt buckles, chewing tobacco and a big ole country drawl.

    Seeing these Houston teens living their dreams on a New York City stage definitely breeds a sense of hometown pride you can’t help but cheer for. Loudly. And this comes from someone with no affiliation or prejudice to Kissless in any capacity.

    “Seeing Kissless on a New York stage with a New York audience is like watching your kid make his big-league debut. We knew it was good, but there’s a sense of validation now that says, ‘Yes, New York is where this show belongs,’” said Tony Moles, who headed up the production’s art design.

    Many of you were lucky enough to catch readings and performances in Houston, but seeing the hard work come alive on an off Broadway stage added a whole new element.

    “Seeing Kissless on a New York stage with a New York audience is like watching your kid make his big-league debut. We knew it was good, but there’s a sense of validation now that says, ‘Yes, New York is where this show belongs,’” said Tony Moles, who headed up the production’s art design.

    The premise of the musical is based on an “inconvenient love” developed over a summer between two high school students from painfully and stereotypically different cliques.

    Sadly, the love story doesn’t fall into regular societal norms we once knew in high school and football captain Derek West (played by Tyler Galindo) and goth-wannabe Summer Stokely (Teresa Zimmerman) never get the chance to experience the thrill of their first kiss. The lesson is one you’ve probably heard your whole life and you probably need to be reminded of —seize the day, as tomorrow may never come.

    A few early reviews of the show hit negatively on the play being overtly predictable, but here’s the thing — it is. And it should be. It’s high school – the land of where 99% of what happens is predictable and simple. It allowed the audience to focus more on the beautifully sung lyrics and the heart and soul from a cast with something to prove, rather than an intense confusing and thickening plot. I think the critics forgot the simplicity of high school compared to what life becomes as we get older – perhaps it’s been too long for them to remember.

    So I leave you with three things:

    1. Always root for the underdogs, because 9 times out of 10, they work harder to get there.

    2. Someone please notify Microsoft that Kissless should NOW be added to that spell-check arsenal of theirs. I think the cast and crew worked hard enough to forego those red squiggly spell-check lines every time I type it.

    3. The next time you want to kiss someone – DO IT! (unless of course they’re married because I don't condone that)

    ------------

    The Houston cast of Kissless continue their New York run tonight, Monday, Tuesday and Saturday. For information, click here.

    unspecified
    news/entertainment

    Movie Review

    Star-filled pickleball comedy The Dink aces on Apple TV+

    Alex Bentley
    Jul 27, 2026 | 9:15 am
    Mary Steenburgen and Jake Johnson in The Dink
    Photo courtesy of Apple TV+
    Mary Steenburgen and Jake Johnson in The Dink.

    While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV film The Dink provides the best way to honor and make fun of the divisive sport at the same time.

    Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.

    Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.

    Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players — Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) — are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.

    The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.

    Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.

    Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.

    It’s a shame that The Dink is only playing on a streaming service as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV subscription.

    ---

    The Dink is now streaming on Apple TV.

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