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    Too Soon?

    Red Hot Chili Peppers among the surprising names on just-released list of Rockand Roll Hall of Fame nominees

    Samantha Pitchel
    Sep 27, 2011 | 12:05 pm
    • Red Hot Chili Peppers
    • Guns N' Roses
    • Donovan
    • The Cure
    • Joan Jett and The Blackhearts
    • Donna Summer
    • Heart

    The ballots are in (well, some of them, anyway) and Cleveland’s iconic Rock and Roll Hall of Fame has announced the shortlist of 15 artists nominated for induction next April.

    The nominees are selected by the Rock Hall’s official nominating committee, a 40-person roster of industry insiders including Steven Van Zandt, Paul Shaffer and Touré and chaired by legendary producer Jon Landau. Traditionally, at least five names from the initial list get a coveted spot in the Rock Hall of Fame. Who will it be this year? The nominees are:

    The Beastie Boys, The Cure, Donovan, Eric B. & Rakim, Guns ‘N Roses, Heart, Joan Jett and the Blackhearts, Freddie King, Laura Nyro, the Red Hot Chili Peppers, Rufus with Chaka Khan, The Small Faces / The Faces, The Spinners, Donna Summer and War.

    There’s no doubt that Donovan deserves the nom; the Scottish singer should have reached Dylan-level fame with his chart-topping singles but instead ended up a footnote in the rock doc Don’t Look Back (and was eventually busted for drugs, declared bankrupt and publicly shamed by his family). He still tours, belting out “Sunshine Superman” with as much enthusiasm as ever.

    The Beastie Boys and The Cure come as no surprise, either. It’s hard to find a pair of bands more often cited as influences among best-selling groups of the moment. Both are considered groundbreaking in their respective genres, and both have served as inspirations for their respective social stereotypes (white hip-hop enthusiasts and those on the emo/goth faultline, respectively).

    Joan Jett and Heart, representing the lady-rock portion of the ballot, are equally badass acts that deserve recognition for always unapologetically doing their own things. Is it interesting to anyone else that both recently got big screen tributes (Jett in the recent Runaways, Heart with a cameo in Bridesmaids)? It is to me! Rent them both and make your nominee pick accordingly.

    Laura Nyro, on the other hand, brings a softer sound to the ballot with her sweet jazz-infused sound. Seeing her on the ballot alongside blues legend (and Gilmer, Texas native) Freddie King makes us long for a duet between the two, mixing their modern takes on traditional styles.

    Similarly, The Spinners (sometimes known as The Motown Spinners) are another soul staple that still tour, albeit without former vocalist Philippe Wynne.

    Disco queen Donna Summer is a welcome addition to the list, and not just because we’re dying to see her induction day outfit; the unofficial Queen of the 70s, Summer's songs soundtrack countless memories as well as films from The Birdcage to Frost/Nixon.

    Rufus with Chaka Khan is an interesting choice. Technically two different artists, the band Rufus and the diva Chaka Khan were actually early collaborators, getting involved when Khan was only eighteen. Fun fact: Stevie Wonder wrote the song “Tell Me Something Good” specifically for Khan to sing with Rufus.

    Representing yet another genre shift on the ballot, Eric B. & Rakim were one of the first self-made NYC-based duos to shift the way the public saw and heard hip hop. While both have gone on to fruitful solo careers, their 1987 album Paid in Full still stands as one of the most solid debut albums ever.

    It’s no surprise that popular rock act Guns N' Roses got a nom. If the world’s willing to wait 15 years for Chinese Democracy, anything is possible. (I kid, ff course. GNR are the '80s, and a party’s not a party without someone throwing on “Paradise City” and rocking out Can’t Hardly Wait­-style.)

    War are also known for their anthems, in particular “Low Rider” and “Why Can’t We Be Friends?” If we’re judging by the number of times an artist’s songs appear in iconic films about the eras they represent, War is hands-down winning a spot in the Hall.

    The Small Faces (also known as The Faces) are another curious pick with the dual nomination of both incarnations of the group. The Small Faces proper produced blues-inspired Brit-rock from 1965 to1969, disbanding and reforming with Ronnie Wood and Rod Stewart to form The Faces (active from 1970 to 1975). Without The Faces, would we have Rod Stewart’s recent series of Songbooks? A thing to consider.

    Well, that’s about it—wait, there’s one more? Oh, the Red Hot Chili Peppers. Best of luck to them.

    While it’s certainly an honor just to be considered, the best news hasn’t come in yet — the final list of inductees will be announced in November after another review, this time by a broader network of 500 musicians, producers, press and music professionals.

    The chosen ones will join recent inductees of the Class of 2011: Alice Cooper, Neil Diamond, Jac Holzman, Dr. John, Darlene Love, Art Rupe, Leon Russell and Tom Waits.

    The official induction ceremony takes place at the Cleveland Convention Center in April.

    unspecified
    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

    moviesfilm
    news/entertainment

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