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    Aftershocks: Real Housewives of D.C.

    What did the Washington Redskins cheerleaders really think of Michaele Salahi?Let's not wine about it

    Theodore Bale
    Joseph Campana
    Sep 24, 2010 | 9:59 am
    • Michaele couldn't resist the chance to bond with the exclusive fraternity ofWashington Redskins cheerleaders.
    • Stylist Paul Wharton made it clear he's not going to be friends with anyone whodoesn't support gay marriage.
    • The Real Housewives of DC are already threatening to break the record for dumbthings said in a Housewives series. That's no small feat.

    If you couldn’t tell it was a full moon last night, all you had to do was tune it to The Real Housewives of D.C.

    It was lunacy and strange transformation everywhere. Formerly-cool Stacie and Jason morphed into arch-conservatives. Bit-player Erika drove Cat to tears in front of her kids. Mary madly misquoted the Constitution as she took a civics lesson from daughter Lolly, and Michaele and Tareq fancied themselves the chosen saviors of the Virginia wine industry.

    And it’s not even Halloween yet!

    We thought it best that you hear directly from the horses mouths, so here are a few of our favorite dumb sentiments uttered this week.

    Stacie says, “Jason and I understand that people have different lifestyles, but it’s way more black and white than that. Marriage is between a man and a woman.”

    Stacie’s magical words came at a meeting with D.C. Councilman-at-Large David Catania, who invited cast members to discuss the House “Marriage Equality” bill that would extend the right to marry to gays, lesbians, bisexuals, and transgendered people. Apparently for Stacie, the rainbow just doesn’t include pink.

    Readers, we weren’t the only ones who did a double-take. Stylist Paul Wharton wasn’t having any of it, and in a video interview made it clear that he wasn’t willing to be friends with anyone against gay marriage.

    When Jason tried to claim that the big problem in the debate was that conservatives feel unsafe expressing their opinions without being called homophobes, Paul wasn’t having any of that, either.

    “Maybe you are a homophobe,” he said to the shock of all. “You just don’t want to be called it.” And that was the smartest quote in the entire show.

    Later, when Stacie proposed civil unions for gays and marriage for heterosexuals, Catania reminded her that “separate but equal” didn’t work out so well in the past. This seemed to ring a bell, if faintly. Do Stacie and Jason really expect the apocalypse if their friend Paul marries a man or if hair stylist Ted Gibson and his partner tie the knot? We think Stacie should be more accepting. She needs gays in her life. Just look at her clothes and hair lately.

    “I wanna try and make some art, make some money for me,” says Mary’s lazy daughter Lolly during a family meeting.

    Twenty-three-year-old Lolly liked the business cards she got at her recent job as an executive assistant, but the excitement wore off after 10 minutes, so she eventually quit. And things didn’t work out with her last boyfriend, either, so she moved back home. Last time we checked, these were the obvious signs of a loser.

    In a voiceover, father Rich wonders why Lolly would want to actually work, since mom covers her mobile bill and auto expenses, not to mention her food and shelter.

    Haven’t we seen this scenario before? Both Ashley in New Jersey and Raquel in Orange County enjoyed loafing and sponging off the folks. Lolly negotiates another four months past her scheduled eviction from the nest, ostensibly to work on her paintings and photography. We never get to see any of this profitable art Lolly is talking about, but we imagine collectors everywhere will be clamoring to pay top dollar for it!

    “Now I’m cheering at a winery and meeting world leaders,” Michaele enthuses after a workout with the cheerleaders for the Washington Redskins. As a former cheer-practitioner herself, she likes to hang with the girls now and again. “I feel like I’m 20 again,” she tells the dour sycophant she employs as a personal assistant.

    Mary had another take on Michaele’s past: “I’ve known Michaele since the nineties when she sold me makeup. And she’s so full of shit.”

    But now, thanks to hubby Tareq, Michaele can meet world leaders by crashing political events and still have time to save wine-makers across the whole commonwealth of Virginia.

    Although legal injunctions seem to still prevent this dynamic duo from actually making wine, they meet with Virginia state delegate Dave Albo to discuss legislation that threatens vintners such as themselves. The irony is rich — like a full bodied Merlot — as Michaele describes Tareq as the elected savior of wine.

    “Even though we’re not active and open right now,” she confides, “there’s other wineries that need our help. And they’ve been reaching out to Tareq like every day saying ‘What are we gonna do? We’re lost without you man.' "

    Substitute “dude” for “man” and her transformation to California blonde would be complete!

    But the story doesn’t stop there. Tareq and Michaele approach ghost-writer Matt Carson for a book project about the trials and tribulations of not running Oasis, their failed winery. Tentatively titled Wine, War and Roses, the project sounds so tempting to Matt that he wants at least 20 percent of the book to be his own commentary. After all, he has plenty of insight to share, since he worked at Oasis before becoming a successful ghost writer.

    We have a better idea for saving the Virginia wine industry, which is obviously falling apart in the hands of straight couples. Let us get married in Virginia and we’ll agree to spruce up every last vineyard with disco balls and topiary. Stylish salons, charming bistros, and vintage boutiques will dot the landscape.

    Really, we’re so good at this sort of thing!

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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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