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    Starring Texas!

    Texas twists and Cheryl Tiegs highlight Gulf Coast Film Fest

    Cynthia Neely
    Sep 25, 2010 | 12:00 am
    • Cheryl Tiegs at the podium, with Jody Haselbarth and Hal Wixon, festival founderand director, at right
      Photo by Andrew Olson/A.T. Olson Photography
    • Neal Hamil, left, and Ernie Manouse
      Photo by Cynthia Neely
    • From left, Jody Haelbarth, Bay Area Houston Magazine columnist Pat Patton andmodel Kathryn McNeil
      Photo by Andrew Olson/A.T. Olson Photography

    There was a reunion of sorts in Clear Lake last weekend. More than 200 film industry professionals, and those up-and-coming, overtook the NASA Hilton’s Marina ballroom to recognize and celebrate winners of the 11th Gulf Coast Film and Video Festival. While it may not be as big or famous as some film festivals, in Texas it surely has to be the one with the biggest heart.

    Founding director Hal Wixon, an actor himself, says the fest has rightly been dubbed “the little festival that could.” Considering that it was literally wiped out last year due to the aftermath of Hurricane Ike (significant supporting sponsor businesses in Kemah and Seabrook were swept away by the storm), it’s a miracle that only one year had to be skipped. Now it’s back, strong as ever, and partiers at the sell-out awards event relished the return of the film community’s annual bash.

    There were surprises and some definitely Texas twists. In true Academy Awards fashion, the winners were revealed by the ceremonial opening of envelopes —however, their trophies were presented by a real Texas stuntwoman, Jody Haselbarth. The petite blonde, dazzling in her emerald green dress and shoes, most recently worked in the seven-Emmy-winning HBO film Temple Grandin (shot in Texas). I’ve seen Jody’s stunt work first-hand – including a rough-and-tumble stint in the indie horror film, Mr. Hell, shot in Houston (and available on DVD). She’s one tough little cookie!

    There was a brief hush when supermodel icon Cheryl Tiegs, the festival’s Cascade Excellence Award recipient, walked into the ballroom during the opening cocktail party. Like flies drawn to honey, guests gravitated to the tall, striking woman who graciously posed for photo after photo with admirers. She is perhaps the most famous American model of the 1970s-1980s and is renowned for her cover photos on Sports Illustrated magazine’s swimsuit issues.

    Tiegs has long been more than a pretty face and enviable body. She is an author, businesswoman, clothing designer, public speaker, and avid spokesperson for health, fitness, the environment, and underprivileged children. Philanthropy is very important to her and she serves on two boards: C.O.A.C.H. for Kids and the Earth Conservation Corps.

    Her signature Cheryl Tiegs clothing line for Sears sold nearly a billion dollars of merchandise in its 10-year span and is credited for helping turn the company around. That accomplishment landed her on the cover of Time magazine— a result of her brainpower and talent, not her physical beauty.

    Currently, Tiegs’ attention has turned to the environment as she explored the effects of global warming while on an Arctic expedition. She is committed to “going green” and educating the public on indoor air quality, having completed a nationwide radio campaign to bring awareness to this issue. Recently, Access Hollywood named her their “Green Star of the Week.”

    A poignant moment during her award acceptance was prompted by event designer Karen Wixon’s glam table decorations featuring cowboy hats and vintage movie posters. Some posters were of films with Tieg’s former father-in-law, the late film star Gregory Peck. She remains close to the Peck family and speaking of them brought tears and a lump in her throat that took a few seconds to get under control. Peck, a legendary leading man of the John Wayne era, is perhaps best known for his Oscar-winning role as Atticus Finch in the film version of Harper Lee’s To Kill a Mockingbird (1962). Tieg’s son, Zach, is Peck’s grandson.

    Tiegs was happily surprised to see Houston native Neal Hamil at the event. He represented her at Ford Models when executive vp for the agency. Hamil, who spent 20 years in Manhattan before moving back home last fall, was attending the film festival awards for the first time. Ironically, it reunited him with his erstwhile client. He laughed, “I was definitely out of context for Cheryl!” (She’d forgotten he was from Texas.) When she learned Hamil was spearheading Audi’s Houston Fashion Week next month at the Wortham Theatre, she promised him a return visit.

    “I loved attending this year's awards dinner,” said Hamil, “and seeing my friend and former client who came from LA to receive the festival’s award. It always surprises me (delightfully so) at the amazing talent in Houston and the Gulf Coast region. The writers, actors, directors and all the other creative talents in the film arts who live and work here are as good as can be found anywhere.”

    Kemah, Seabrook, League City and Deer Park apparently understand the economic value of a film festival and of film production to their areas. Officials from each city were on hand, including Seabrook’s Mayor Gary Renola and Mayor Toni Randall of League City.

    Since there was no physical festival or awards ceremony in 2009 due to Hurricane Ike, those winners were at long last recognized and most were on hand as this year’s award presenters: Clayton Miller, Shawn S. Welling, Gordon S. Williams, Randy Chapman, Paul Zienty, Carlos A. Pagan and yours truely.

    It was an honor to present the Best of Festival Award for the film Eternal Peace. it was shot in Houston and made possible by an Emerging Filmmaker Grant from Houston’s Southwest Alternate Media Project (SWAMP). Eternal Peace is a gripping, 10-minute short film of importance that, while I watched, made me hold my breath. Twice. It is the dramatic story of a mother trapped in an abusive relationship and the lengths she’ll go through to protect her daughter. I urge you to watch it and to share it with others.

    The film’s writer and director, Jason Clemons, was unable to attend the awards ceremony as he was on location in Waller, shooting his latest film Forever and After. However, he was quick to point out when I spoke with him a few days later, “It’s not one person that makes a film; it is such a collaborative effort.” Credit is shared with producer Michael Darling, actors Caroline Parker (also executive producer), Neal Gage, Robyn Drake (also associate producer) and Gwyneth Stevens. Composer Dave Billingsley’s music was perfect and haunting. There were many others behind the scenes that made the film magic happen. Congratulations to all these Houston filmmakers who took home the top prize.

    Entries to this year’s competition came from Europe and the Far East, as well as the United States. (Texans won in five categories.) Wixon estimates around 2,000 were sold during the two days of screenings.

    Unique to the festival are its screening venues: the Kemah Holiday Inn and the Butler Longhorn Museum in League City. (Move over longhorns, we’ve got movies to watch.)

    And the 2010 Gulf Coast Film & Video Film Festival winners are:

    Best of the Festival: Eternal Peace, Jason Clemons, Houston

    Best Drama:TOW, Adam Newell, Indianapolis, Indiana

    Best Short: Taco! Taco! Taco!, John Estrada, Austin

    Best Student Project: TheCold Day in Hell, Eric Achoa, Houston

    Best Documentary: Humble Trash, Debbie Finely, Austin

    Best Comedy:Audrey the Trainwreck, Frank Ross, Chicago, Illinois

    Best Foreign Film: Why There are Things That are Never Forgotten, Lucas Figueroa, Madrid, Spain

    Best Screenplay: Blaze of Glory, John G. Updike, Houston

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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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