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    Starring Texas!

    Texas twists and Cheryl Tiegs highlight Gulf Coast Film Fest

    Cynthia Neely
    Sep 25, 2010 | 12:00 am
    • Cheryl Tiegs at the podium, with Jody Haselbarth and Hal Wixon, festival founderand director, at right
      Photo by Andrew Olson/A.T. Olson Photography
    • Neal Hamil, left, and Ernie Manouse
      Photo by Cynthia Neely
    • From left, Jody Haelbarth, Bay Area Houston Magazine columnist Pat Patton andmodel Kathryn McNeil
      Photo by Andrew Olson/A.T. Olson Photography

    There was a reunion of sorts in Clear Lake last weekend. More than 200 film industry professionals, and those up-and-coming, overtook the NASA Hilton’s Marina ballroom to recognize and celebrate winners of the 11th Gulf Coast Film and Video Festival. While it may not be as big or famous as some film festivals, in Texas it surely has to be the one with the biggest heart.

    Founding director Hal Wixon, an actor himself, says the fest has rightly been dubbed “the little festival that could.” Considering that it was literally wiped out last year due to the aftermath of Hurricane Ike (significant supporting sponsor businesses in Kemah and Seabrook were swept away by the storm), it’s a miracle that only one year had to be skipped. Now it’s back, strong as ever, and partiers at the sell-out awards event relished the return of the film community’s annual bash.

    There were surprises and some definitely Texas twists. In true Academy Awards fashion, the winners were revealed by the ceremonial opening of envelopes —however, their trophies were presented by a real Texas stuntwoman, Jody Haselbarth. The petite blonde, dazzling in her emerald green dress and shoes, most recently worked in the seven-Emmy-winning HBO film Temple Grandin (shot in Texas). I’ve seen Jody’s stunt work first-hand – including a rough-and-tumble stint in the indie horror film, Mr. Hell, shot in Houston (and available on DVD). She’s one tough little cookie!

    There was a brief hush when supermodel icon Cheryl Tiegs, the festival’s Cascade Excellence Award recipient, walked into the ballroom during the opening cocktail party. Like flies drawn to honey, guests gravitated to the tall, striking woman who graciously posed for photo after photo with admirers. She is perhaps the most famous American model of the 1970s-1980s and is renowned for her cover photos on Sports Illustrated magazine’s swimsuit issues.

    Tiegs has long been more than a pretty face and enviable body. She is an author, businesswoman, clothing designer, public speaker, and avid spokesperson for health, fitness, the environment, and underprivileged children. Philanthropy is very important to her and she serves on two boards: C.O.A.C.H. for Kids and the Earth Conservation Corps.

    Her signature Cheryl Tiegs clothing line for Sears sold nearly a billion dollars of merchandise in its 10-year span and is credited for helping turn the company around. That accomplishment landed her on the cover of Time magazine— a result of her brainpower and talent, not her physical beauty.

    Currently, Tiegs’ attention has turned to the environment as she explored the effects of global warming while on an Arctic expedition. She is committed to “going green” and educating the public on indoor air quality, having completed a nationwide radio campaign to bring awareness to this issue. Recently, Access Hollywood named her their “Green Star of the Week.”

    A poignant moment during her award acceptance was prompted by event designer Karen Wixon’s glam table decorations featuring cowboy hats and vintage movie posters. Some posters were of films with Tieg’s former father-in-law, the late film star Gregory Peck. She remains close to the Peck family and speaking of them brought tears and a lump in her throat that took a few seconds to get under control. Peck, a legendary leading man of the John Wayne era, is perhaps best known for his Oscar-winning role as Atticus Finch in the film version of Harper Lee’s To Kill a Mockingbird (1962). Tieg’s son, Zach, is Peck’s grandson.

    Tiegs was happily surprised to see Houston native Neal Hamil at the event. He represented her at Ford Models when executive vp for the agency. Hamil, who spent 20 years in Manhattan before moving back home last fall, was attending the film festival awards for the first time. Ironically, it reunited him with his erstwhile client. He laughed, “I was definitely out of context for Cheryl!” (She’d forgotten he was from Texas.) When she learned Hamil was spearheading Audi’s Houston Fashion Week next month at the Wortham Theatre, she promised him a return visit.

    “I loved attending this year's awards dinner,” said Hamil, “and seeing my friend and former client who came from LA to receive the festival’s award. It always surprises me (delightfully so) at the amazing talent in Houston and the Gulf Coast region. The writers, actors, directors and all the other creative talents in the film arts who live and work here are as good as can be found anywhere.”

    Kemah, Seabrook, League City and Deer Park apparently understand the economic value of a film festival and of film production to their areas. Officials from each city were on hand, including Seabrook’s Mayor Gary Renola and Mayor Toni Randall of League City.

    Since there was no physical festival or awards ceremony in 2009 due to Hurricane Ike, those winners were at long last recognized and most were on hand as this year’s award presenters: Clayton Miller, Shawn S. Welling, Gordon S. Williams, Randy Chapman, Paul Zienty, Carlos A. Pagan and yours truely.

    It was an honor to present the Best of Festival Award for the film Eternal Peace. it was shot in Houston and made possible by an Emerging Filmmaker Grant from Houston’s Southwest Alternate Media Project (SWAMP). Eternal Peace is a gripping, 10-minute short film of importance that, while I watched, made me hold my breath. Twice. It is the dramatic story of a mother trapped in an abusive relationship and the lengths she’ll go through to protect her daughter. I urge you to watch it and to share it with others.

    The film’s writer and director, Jason Clemons, was unable to attend the awards ceremony as he was on location in Waller, shooting his latest film Forever and After. However, he was quick to point out when I spoke with him a few days later, “It’s not one person that makes a film; it is such a collaborative effort.” Credit is shared with producer Michael Darling, actors Caroline Parker (also executive producer), Neal Gage, Robyn Drake (also associate producer) and Gwyneth Stevens. Composer Dave Billingsley’s music was perfect and haunting. There were many others behind the scenes that made the film magic happen. Congratulations to all these Houston filmmakers who took home the top prize.

    Entries to this year’s competition came from Europe and the Far East, as well as the United States. (Texans won in five categories.) Wixon estimates around 2,000 were sold during the two days of screenings.

    Unique to the festival are its screening venues: the Kemah Holiday Inn and the Butler Longhorn Museum in League City. (Move over longhorns, we’ve got movies to watch.)

    And the 2010 Gulf Coast Film & Video Film Festival winners are:

    Best of the Festival: Eternal Peace, Jason Clemons, Houston

    Best Drama:TOW, Adam Newell, Indianapolis, Indiana

    Best Short: Taco! Taco! Taco!, John Estrada, Austin

    Best Student Project: TheCold Day in Hell, Eric Achoa, Houston

    Best Documentary: Humble Trash, Debbie Finely, Austin

    Best Comedy:Audrey the Trainwreck, Frank Ross, Chicago, Illinois

    Best Foreign Film: Why There are Things That are Never Forgotten, Lucas Figueroa, Madrid, Spain

    Best Screenplay: Blaze of Glory, John G. Updike, Houston

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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