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    Movie Review

    Stronger is a weak excuse for an inspirational movie

    Alex Bentley
    Sep 21, 2017 | 4:20 pm
    Stronger is a weak excuse for an inspirational movie
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    Less than five years removed from the Boston Marathon bombing in 2013, Hollywood has decided that now is the time to relive the event and/or honor the people who were affected by it. Patriots Day, released earlier this year, overreached, trying to tell the story of the entire city. Stronger goes in the opposite direction, telling the story of one specific survivor, Jeff Bauman.

    As presented in the film, Bauman (played by Jake Gyllenhaal) is a rough-around-the edges kind of guy, someone who screws up at work, drinks way too much, and is never really there for his on-again, off-again girlfriend, Erin (Tatiana Maslany). The one time he does show up for her just so happens to be when she runs the Boston Marathon. And he happens to stand next to one of the two bombs detonated near the finish line that fateful day.

    The bomb obliterates the lower half of both of his legs, leaving him to face months of recovery with help from Erin and from his family. However, his family members, including his mom, Patti (Miranda Richardson), had been kind of a mess before he lost his legs, and they don’t improve much after the incident. Their relative lack of support puts Erin on an island with Bauman, who, as one could imagine, has a lot of trouble dealing with the aftermath of the bombing.

    The traditional trajectory of a movie like this is that we meet our hero, who then gets knocked down a time or three, only to rise up due to sheer perseverance and possibly the help of someone who never leaves his side. Director David Gordon Green and writer John Pollono, working from Bauman’s book, seem uninterested in making Bauman into a traditional hero. In fact, they go so far in the opposite direction that it’s almost shocking.

    Instead of appreciating Erin and other people trying to help him, Bauman lashes out on multiple occasions. It would be easy to chalk this up to the post-traumatic stress he’s enduring, but the manner in which it’s portrayed makes it seem more like a character flaw. Things reach a head during an ill-conceived drunk driving scene with Bauman at the wheel. The moment appears to be played for laughs, ending with a cop asking for Bauman’s autograph, with no apparent punishment coming.

    Similar to Patriots Day, Green and Pollono have a lot of trouble figuring out the tone of the film. Bauman and his family are so aggressively “Boston” that it becomes ridiculous. The drinking, the accents, and the belligerent behavior are so constant that it’s impossible to take them seriously. The audience’s natural instinct is to root for Bauman and his family, but the storyline we’re presented makes it almost impossible to do so.

    One could say that Green and Pollono are merely showing the people with warts and all, but the problem is that doesn’t make for a very good movie. It may be the truth, but it’s about as far from inspirational as you can get. It’s difficult to feel inspired when many of the characters are off-putting and uninteresting.

    Gyllenhaal seems to specialize in characters with questionable morals, and Bauman certainly fits in with others he’s played. The most impressive part of the film, both technically and acting-wise, is presenting Gyllenhaal without legs. There’s not one moment you question that fact, and it’s due to both the CGI work and Gyllenhaal’s acting skills, which are second to none.

    Also impressive are Richardson and Maslany. Richardson, an English actress who often plays upper crust English roles, absolutely disappears into the role of Patti. Maslany, an Emmy winner for playing multiple roles on Orphan Black, acquits herself well in her first major film role.

    Despite some good acting, Stronger is the most feel-bad feel-good movie of the year. Jeff Bauman actually may be an inspiring figure, but this film does everything it can not to show it.

    Patty O’Neil, Jake Gyllenhaal, and Miranda Richardson in Stronger.

    Patty O\u2019Neil, Jake Gyllenhaal, and Miranda Richardson in Stronger
    Photo courtesy of Lionsgate and Roadside Attractions
    Patty O’Neil, Jake Gyllenhaal, and Miranda Richardson in Stronger.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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