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    Lessons from the EMFRL

    The real meaning of Jahvid Best and Michael Vick's Sunday: Why fantasy footballmatters

    Jim Beviglia
    Sep 20, 2010 | 11:02 am
    • Jahvid Best may have run into your heart.
    • But stories like Best and even Michael Vick are not what make fantasy footballgreat.
    • It's the brotherhood of a 20-year-old league named after a Calico cat. Yes, acat. Got a problem with that?

    I know all you fantasy football players out there are hunkered down in front of your computer trying to make sense of a wild week two and wondering what to make of Michael Vick and formerly relatively obscure Detroit Lions running back Jahvid Best going forward (while pitying the guy who didn't play Best this week).

    I invite you to take a break from all that, and let me tell you about the unique fantasy league that I’ve been running for the last 20 years.

    Yes, that’s right. 20 years. Long before there were fantasy write ups in every newspaper in the country, long before the Internet touted information like ADPs and receiver targets and all that other mumbo-jumbo, and long before ESPN actually devoted airtime to how many touchdowns Andre Johnson will score, I started the Milwaukee Avenue Rotisserie Football League with my brother, my cousin and my two next-door neighbors, named after the street on which we all resided.

    The name alone should tell you that we’re dealing with ancient times here. It wasn’t even called “fantasy” football yet, but rather was piggybacking off the name that baseball used. We had tried something similar in the '80s, but, armed with a book describing some rules to live by, we assembled in my basement in 1991 to choose our initial teams.

    A lot has changed since then. In 1995, we expanded to eight members, and, though some guys have come and gone, we’re still at eight. Four of the original members remain. The fifth, my brother Bobby, bowed out a few years back, although my other brother Rich is now a part of it, along with a few other relatives and lifelong friends. The league name has changed as well.

    In honor of a beloved, portly Calico cat who roamed the draft room for most of the league’s existence before passing way in ’03, I renamed it the EMRFL, the first two letters short for “Elsie Memorial”.

    More importantly though, a lot has remained the same. This is a league with rules and quirks that have become legend over the years. First of all, it is an auction league in which we bid on players while staying below a predetermined salary-cap for each team.

    This set-up allows us to protect players from year to year, adding on to their salary the longer you keep them. For instance, my buddy Rob heard crickets in the room when he brought up a then-unknown Marques Colston for a dollar a few years back, but he still has him at a very affordable price five years later.

    In this way, dynasties are possible as in no other league I know. My brother Bobby once won the title four years in a row. In the last nine years, my one buddy Art has four titles and four second-place finishes. We even have our own Bobby Cox, as my cousin Chuck, also known as Ground Chuck for his brilliance in finding bargain running backs, has made the playoffs in 15 of the last 16 years, but has just one championship to show for it due to his teams’ consistent struggles in the Week 15 semifinal round.

    Then there is the notoriously shallow talent pool to choose from. You see, when we started with five teams, we decided that it would be too easy to choose from the whole league, so we limited the picks to only NFC players, since all of our favorite teams are from that conference. As the league expanded, we never had the heart to change it, and so things get pretty dicey on draft day. The best players are bid up to unimaginable levels, and, due to league rules stipulating that each team draft seven running backs, players like Giants blocking back Madison Hedgecock and Cardinals backup Larod Stephens-Howling become hot commodities.

    Finally, there is the setting of the draft itself, still in the basement after all these years. My mom makes potato pancakes and wimpies for the whole lot of us. As we celebrated our 20th anniversary draft the other day, we joked that our truly majestic cholesterol intake over all of these draft days will probably prevent us from making it to our 40th anniversary.

    That passage of time is ultimately what makes the league so special. When we started, most of us were in our late teens or early twenties, in college or high school, without the faintest clue about the lives ahead of us even as we were damn sure we knew how about the statistical prospects of Erik Kramer or Vai Sikahema. When I looked around this year, I saw a bunch of guys with established careers, a few who have to travel hours now to get to the draft, most with wives and kids, and it’s hard to fathom where those 20 years went.

    Still, once the draft began, we were the same goofballs that we’ve always been. My pal Mike still bids on guys even though he’s not quite sure who they are. My cousin Gary still holds everything up endlessly by rifling through a bunch of cheat sheets that are hopelessly outdated. And they all still give me a hard time for my reluctance to budge even a little bit on rules changes.

    Whenever I hear someone snickering about what a waste of time fantasy football is, I laugh to think how wrong they are, at least in my case. This draft gives me the opportunity to reunite with my very own band of brothers, turn back the clock, and be transported back again to a time when life’s biggest concerns revolved around how much I should bid on Herschel Walker.

    So, instead of wishing you luck on the season ahead, I’m instead wishing that you all are fortunate enough to have a league half as near and dear to your heart as my league is to mine.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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