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    Festival Fever

    Who needs Jay-Z? At ACL, Kanye West is king of the Throne

    Thom Fain
    Sep 18, 2011 | 8:00 am
    • Photo by John Sallans
    • Photo by John Sallans
    • Photo by John Sallans

    I'm not sure what all the fuss was about with Kanye West headlining the Austin City Limits Music Festival this year.

    Though some might take offense to his oft-lofty attitude, many might agree that he is the most forward-thinking man in American music today. So it seemed only just for the king to take his rightful place on the throne: The main stage at the biggest music festival in the Live Music Capital. And King Kanye does it in grand style, without the much-anticipated help of Viceroy Jay-Z.

    In this, West is exceptional; while he and his dancers were acting, nobody in the crowd was thinking. They were just feeling, and the range of feelings he can bring about in a crowd are unmatched—the mark of a true artist.

    As the show began, choreographer Yemi Akinyemi’s dancers took the stage—you might recognize them as some of those exotic ballerinas from last year's avant-garde "Runaway" video—while West was covertly toted into the middle of a crowd inside of a giant red trunk. With the crowd’s attention diverted to the angels on stage, he was hoisted onto an electric platform and rose above the crowd, waiting expectantly for his dancers to bow to their leader.

    Eventually, along with the rest of the crowd, they did. And the set that followed was less like a traditional hip-hop performance and more like a Daft Punk or Justice show, with DJ Million Dollar Mano at the decks re-mixing and interweaving songs from all four of Kanye West’s solo studio albums to create a larger narrative.

    West entered the stage through the crowd and began his performance—a three-act show that casts him as a hero figure—autotune crooning "Pinnochio Story/Heartless" with an exuberance of emotion, dancing with excitement to songs like "Stronger" and "Flashing Lights" and, eventually, exciting the crowd with his second (and final) extended-version freestyle performance of "Runaway."

    In this, he is exceptional; while he and his dancers were acting, nobody in the crowd was thinking. They were just feeling, and the range of feelings he can bring about in a crowd are unmatched—the mark of a true artist (and probably America’s only truly unpredictable artist left in this muddled playground of 21st century social promotion). And it’s this ability which has allowed him to surpass “business, man” and branding genius Jay-Z to become the most influential hip-hop artist today.

    Watching the evolution of the two men (culminating in their recent collaboration) has been like seeing a modern day, real-life version of the story of Narcissus and Goldmund unfold—it is amazing that two egos as big as West’s and Carter’s were able to come together on one album.

    And regardless of what you may feel about it, Watch the Throne turned out to be the only thing that it could: a collab based on the reality of an outstretched American Dream, of two unlikely heroes with two very different personas rapping about their luxury goods and rich-boy problems.

    But if West would have turned Friday night’s ACL show into an extension of the Watch the Throne tour, I’m afraid it would not have been as much of a fanatical performance, but instead more like an arena-rock show with less melodrama and more swagger. And I suppose if that’s what festival-goers were really looking for, they would have walked across the lawn to see Coldplay.

    unspecified
    news/entertainment

    HOWDY, DOCTORS

    Grey's Anatomy spins off new medical drama led by Houston-born showrunner

    Kimberly Reeves
    May 22, 2026 | 1:00 pm
    Grey's Anatomy
    Photo via Meg Marinis/Instagram
    Showrunner Meg Marinis poses with actor Kevin McKidd, who recently exited Grey's Anatomy after more than a decade playing Dr. Owen Hunt.

    ABC is bringing the Grey's Anatomy universe to Texas with a new one-hour rural medical drama co-created by longtime showrunner Meg Marinis. Marinis was born in Houston and is an alum of both the Kinkaid School and the University of Texas at Austin.

    According to an exclusive report from Deadline, which production company Shondaland shared on social media, the untitled series has received a straight-to-series order from ABC and will follow a team at a rural West Texas medical center described as “the last chance for care before miles of nowhere.”

    The series marks the first Grey’s Anatomy franchise show set outside the West Coast, and it's the first that's not centered around an existing main character from the original series.

    The new drama will be co-created by Shonda Rhimes and Marinis, who has spent nearly two decades working on Grey’s Anatomy. She joined the series during its third season as a production assistant before rising through the ranks to become a researcher, writer, executive producer, and now showrunner.

    "This opportunity will bring new characters and stories to life that will embody the same heart, emotion, and connection audiences have loved from Grey’s for more than two decades, all set in my home state of Texas,” Marinis said in a statement announcing the series. "I am so grateful to Shonda Rhimes for creating this dynamic world and feel so fortunate that I get to be a part of it.”

    Marinis’ path to running one of television’s biggest franchises started in Austin. In an interview with Shondaland last year, she recounted moving to Los Angeles during her final semester at UT through the university’s UTLA entertainment program, which allows students to complete coursework while interning in the industry. While finishing school, she interned at Universal before landing a production assistant role on Grey’s Anatomy in 2006.

    Marinis has also woven Texas experiences into the flagship series itself in recent years. According to Deadline, she personally knew families affected by the Camp Mystic tragedy and rewrote part of a recent Grey’s Anatomy episode after becoming emotional while working on the script.

    The West Texas setting is particularly timely, as rural healthcare access remains a growing issue across the state. According to the Texas Hospital Association, more than 20 rural Texas hospitals have closed since 2010, while roughly a quarter of the state’s remaining rural hospitals are considered at risk of closure.

    By centering the new series on what ABC describes as “the last chance for care before miles of nowhere,” the franchise could bring national attention to healthcare access challenges facing communities across West Texas and other rural parts of the state.

    The new series joins a long lineage of Texas-set television dramas, though not all were actually filmed in the state. Grey’s Anatomy itself is famously set in Seattle while primarily filmed in the Los Angeles area. Friday Night Lights became closely associated with Austin through extensive local filming, while series like Dallas often recreated Texas from California sound stages, with exteriors of Southfork Ranch serving as the Ewings' fictitious home. Walker, Texas Ranger, meanwhile, became one of the best-known examples of a network drama heavily filmed across Texas itself.

    Even after more than 20 years on the air, Grey’s Anatomy remains one of television’s most durable franchises. According to ABC, the drama is now the longest-running primetime medical drama in television history and continues to rank among the network’s strongest scripted performers.

    Ellen Pompeo, who stars as Dr. Meredith Grey in the original series, is attached as an executive producer, and the new drama is expected to premiere in 2027.

    tv showshealthhospitals
    news/entertainment

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