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    Ready to Move On

    With Bachelor Pad 2 finale, Erica Rose is in talks for another reality show:Crystal gavel & stunning dress come in handy

    Caroline Gallay
    Sep 13, 2011 | 1:45 pm
    • Erica Rose
      Photo by Priscilla Dickson
    • Holly and Michael
    • Kirk, from left, Vienna, Casey and Michelle
    • Photo via Reality Tea

    Houston's own Erica Rose was back front and center for the finale of Bachelor Pad 2, which unfolded Monday night in two back-to-back episodes of dramz.

    First came the final challenge, in which the final four couples competed in a physically demanding stunt performance on the Las Vegas set of Cirque du Soleil. Guest judges and ex-Bachelor contestants Trista Sutter, Jason Mesnick and Ali Fedotowsky were charged with declaring one couple the winner, who got immunity, and one couple the loser, who was voted off on the spot.

    Michael Stagliano's dance background paid off as he and partner Holly Durst outperformed the other couples and earned immunity for the night, along with two roses to hand off to another couple. Not so lucky were perpetual sob-story-seller Ella Nolan and hot-for-a-ginger Kirk Dewindt, who got sent home for their less-than-stellar attempt at acrobatic grace.

    "Everyone tells me I need my own show," Erica Rose tells CultureMap. "I've been on three successful reality shows, and think I need another one."

    With the competition down to three couples, it was up to Holly and Michael to effectively eliminate one couple in saving the other. Although keeping Jake and Vienna would guarantee the former fiances a better chance at winning when put to a jury of their peers, friendship won out in the end, and Holly and Michael opted to keep Graham and Michelle and send Kasey and Vienna home in a fit of alternate titters and tears. (We had to rewind Vienna's grin-turned-violent sob multiple times to fully grasp the absurdity.)

    But that was just the beginning of this silly three-hour spectacular.

    Next it was off to the final challenge, in which former castmates voted on the couple they thought most deserved the $250,000 grand prize. Although Michelle and Graham had managed to stay out of the drama and avoid making enemies, their castmates decided that keeping their hands clean was nothing to admire, and sent Holly and Michael on to the final round.

    But as anything Bachelor-related, it wasn't quite as clean as all that. First, Jake Pavelka and Kasey Kahl both spent time in host Chris Harrison's hot seat to discuss their manufactured love triangle with lazy-eyed Vienna Girardi. (May we just say that a new nose — hers, provided by Houston's Dr. Franklin Rose, Erica's father — can't fix everything. And Ella looked so different we had trouble recognizing her).

    Despite the accurate portrayal of Kasey and Vienna's relationship as fraught and unhealthy, Erica Rose — who looked the best she has all season at the finale, with her hair pulled back and a classic cobalt dress on — spoke out in support of the couple, whom she'd spent time with in Houston. Signature crystal gavel in hand, she declared that the two would make it.

    Next to the hot seat was Blake Julian, the infamous maker-outer of both Melissa AND Holly (the horror! He pinky swore!), who dropped a bomb on the audience that would only get bigger — and more awkward.

    As any faithful tabloid reader already knew, Blake and Holly are engaged. And while one might think it'd be polite to warn fellow castmate and Holly's former fiance, Michael, that the two had gotten engaged on-camera, complete with a (probably comped) ostentatious Neil Lane sparkler, one would think wrong.

    It's all about the dramz! Jason Mesnick dumping Melissa Rycroft on national television? Kid's stuff! Let's tell a guy that used to be engaged to his partner — with whom he's poised to win $250,000 and has pined for all season — that she's engaged to another contestant live on-air.

    "I knew from keeping in touch with them that Holly was moving to South Carolina, so I knew their relationship was serious, but no one expected them to be getting engaged so soon," Erica Rose tells CultureMap of the collective cast shock. Still, she expects a wedding invite. "I'm one of their closest friends in the house," she says of the couple she once told to keep away from each other. "Blake was my partner, and I really like Holly."

    To his credit, Michael handled it well. His initial shock was obvious and painful for anyone watching, but he broke it with his characteristic quippy humor: "Could I get a water? Maybe a commercial break?"

    Despite the obvious tension, the pair remained a team through the final round, which required each person to decide in an isolated deliberation room whether they wanted to keep or share the winnings. If both contestants picked share, the winnings would be split down the middle. If one picked keep, they'd take it all. And if both got greedy, neither got anything and the winnings would be divided among the other castmembers. No surprise here: The former lovers decided to split the winnings, and ultimately wished each other well, although Michael got in a final snark: "Weddings are expensive, last I checked."

    Bachelor Pad might be over, but we won't be seeing the last of its Houston star. Rose tells CultureMap that she has meetings in Los Angeles beginning Thursday with major networks to explore more Erica-centric concepts.

    "Everyone tells me I need my own show," Rose says of her deadpan comedic moments. "I've been on three successful reality shows, and think I need another one."

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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