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The real deal

Aftershocks: Sarah Palin's surprise guest appearance on Real Housewives of D.C.

Theodore Bale
Joseph Campana
Sep 10, 2010 | 10:55 am
  • On the Real Housewives of D.C.
  • Is that Cat of the Real Housewives of DC or ...
  • Sarah Palin.
    Photo by Ron Edmonds
  • No sight of Levi Johnston on ...

It was sad to see our Jersey girls go this week. What a blow out! And Bravo’s rolling out the housewives like cheap candy. Atlanta’s back and a new franchise in Beverly Hills is waiting in the wings

So The Real Housewives of D.C. has big shoes to fill.

Worry not, dear readers. It finally got real this week with the weirdest and ugliest moments we’ve seen on any of the franchises. In less than a D.C. second, the show went from polite networking, superficial politics, and bitchy parties to felony accusations, FBI involvement, reverse racism, and healthcare lobbying.

It’s almost too much to bear, and this week the stress of events shows. Stacie’s suddenly-cropped hairdo suggests she’s gunning for a stint in Afghanistan. Every time Lynda reaches for another high-ball, she can’t hide her old-lady hands. And Michaele Salahi wax museum body double is beginning to melt under the harsh glare of the public eye. Oh wait, that was the real Michaele.

Last week Bravo left us with the promise of a wine-tasting gone sour. Who couldn’t have seen disaster written on the label of every bottle the cast emptied? We knew Tareq Salahi was going to drive Mary Schmitt Ammons to tears and now we know why. With information allegedly relayed by the FBI, Tareq accuses Mary’s daughter Lolly of participating in the theft and joyride of his $90,000 vehicle stuffed with polo equipment.

Drunk, angry Tareq feels victimized. Mary leaves sobbing. Stacie and Jason are appalled at the accusation. So were we. Boy, this harvest celebration went Who’s Afraid of Virginia Woolf? fast.

Back in D.C., Stacie and Jason settle in for a relaxing dinner out with Lynda and Ebong. When the subject of Stacie’s birth parents comes up, however, Lynda delivers an aria of “ racial understanding.” Funny, though, it starts with tales of her being raised in South Georgia and experiencing reverse racism.

She couldn’t get served in a restaurant! Oh, how she must have suffered. Here’s where the pause button came in handy as we froze Ebong’s dismayed glance at Lynda and then Stacie’s barely contained contempt.

There’s a brief moment of comic relief at Cat’s high tea at The Mayflower with celebrated Republican lobbyist Edwina Roberts. You might recall Edwina of the queer black explosion of feathers some might call a hat, which she wore at the Salahi’s charity polo match.

Cat’s delighted to hear about Edwina’s work on healthcare reform and asks if the lobbyist would like to pay the $23,000 in healthcare costs she’s racked up since moving to D.C. Instead, Edwina giggles, slurps her tea, and tries to distract Cat with cucumber sandwiches. Surely everyone in England loves those.

But Cat isn’t done with Edwina. After telling Cat that Sarah Palin would have been “just fine” as Vice-President, the lobbyist invites her to a party of Washington insiders concerned with healthcare. Little did she know that Cat would show up dressed as Sarah Palin, in a cheap brunette wig, a pair of black reading glasses, and a name tag that reads “Alaska.” All she lacks is a moose and Levi Johnston.

We’re thrilled Cat took such a clever dump on this boring Republican soirée. Our only disappointment is that the hostess didn’t appear at her own party. Instead, a man in a bizarrely reflective pinstripe suit announces an unavoidable situation.

The camera cuts to EMTs wheeling a gurney to an ambulance. We availed ourselves of the freeze-frame once more to get a closer look. With her bandaged head, Edwina reminds us of Jane Wyman in Magnificent Obsession. Cat may be right that Republicans are “plain people” in “plain clothes,” but Edwina sure knows how to make an exit.

The Bravo producers have really outdone themselves with this action-packed, landmark episode. We’re hoping they’ve got more up their sleeves for the rest of the season. And we’re also hoping that Edwina has paid up her healthcare insurance premiums. If not, she might have to give her dear friend Cat a call.

unspecified
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From Fest to Screen

Alamo Drafthouse kicks off  film distribution with Butthole Surfers doc

Brianna Caleri
Jul 7, 2026 | 4:30 pm
Butthole Surfers
Photo by Pat Blashil
Alamo Drafthouse is going bold with the first of its picks for its new festival film distribution initiative.

The Austin-based movie theater chain Alamo Drafthouse Cinema is doing something about the great films that premiere at festivals and never make it to the general public. It's launching Alamo Exclusives, a theatrical distribution program specifically dedicated to getting more eyes on those films across the country for limited runs. The program will start with the South by Southwest-premiered documentary Butthole Surfers: The Hole Truth and Nothing Butt.

The documentary follows the rise and taming of Butthole Surfers, the wild '80s punk band from San Antonio and Austin. The film uses archival footage and interviews to go deep on the many band members over the years and their shock-and-awe performance style.

With gratuitous full-frontal nudity, questionable group ethics, and a penchant for always upping the ante, it's not surprising that this film hasn't become a mainstream hit, but it offers strangely beautiful and loving insight into what makes Austin so weird — and what that cost the people involved. It's an encouraging first choice to prove Alamo Drafthouse is committed to bringing interesting and unique films to light.

Tickets will go on sale July 21 for screenings scheduled for late this summer.

"I’m so grateful that Alamo Drafthouse believes in this film and chose it to kick off the Alamo Exclusives distribution program,” said director Tom Stern in a press release. “I love that Alamo audiences are passionate moviegoers who genuinely embrace great documentaries and independent cinema. Knowing this film will be experienced on big screens by that kind of audience makes this release especially meaningful.”

“Too many incredible films premiere at festivals and then never receive the theatrical life they deserve,” says Lisa Dreyer, director of Alamo's Fantastic Fest and film innovation. “We are actively searching for films across all genres, from horror to comedy, to everything in-between, to champion in this new, exciting way. We're thrilled to launch the program with BUTTHOLE SURFERS: THE HOLE TRUTH AND NOTHING BUTT, a film that’s bold, entertaining, unapologetically original, and deeply connected to Austin's creative DNA. We couldn't imagine a better film to kick off this new chapter.”

Alamo Exclusives will run titles without distribution from a variety of festivals including Sundance, South by Southwest (SXSW), Tribeca, TIFF, Cannes, Berlin, and Fantastic Fest. Those limited runs will also come with marketing support, and Alamo will work directly with filmmakers to make it happen.

One of Alamo's specialties as a chain is a wide selection of titles; the release says it plays "more movies than any other theater in the world." That includes repertory programming (showing old films), releasing new films in a way that highlights the filmmaker, special events, and more. Alamo Exclusives will fit right in, but they'll be clearly labeled so that they're easy to spot.

More titles will be announced "in the coming months," the release says. Alamo is taking submissions from filmmakers and sales agents via Film Freeway.

“From the very beginning, Alamo Drafthouse has championed independent film and built strong relationships with filmmakers because we know our audiences value discovering great cinema,” says Michael Kustermann, CEO of Alamo Drafthouse Cinema. “Time and again, they've shown they'll come out to support bold, original films when given the opportunity. ‘Alamo Exclusives’ is a natural extension of that. It gives us another way to champion filmmaker-driven films that deserve to be discovered and connect them with the wider Alamo Drafthouse audience.”

south by southwest sxsw film film festival movies documentaries music punk music
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