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    Princess no more

    Taylor Swift goes from annoying to hipster: Does John Mayer deserve credit fornew snarky, real view?

    Sarah Rufca
    Sep 1, 2012 | 9:35 pm
    Taylor Swift goes from annoying to hipster: Does John Mayer deserve credit fornew snarky, real view?
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    There was a point when Taylor Swift was becoming insufferable. It was around 2009, when her second album, Fearless, sold six million copies and won Album of the Year at the Grammys.

    Swift's music had been a guilty pleasure for me ever since I bonded with my much-younger cousin by listening to her first crossover single, "Teardrops on My Guitar," each of us taking one earbud and singing along. I will never be able to tolerate Justin Bieber but Swift's heartfelt take on unrequited love was a reminder of when every crush felt like life or death (do not miss that).

    The new music video also introduces us to Taylor Swift: Hipster, who wears animal pajamas and thick-rimmed glasses.

    On Fearless that wistful teenage romantic began to grate. Singles like "Love Story" and "White Horse" showed that Taylor had a bit of a fairy princess complex, singing about boys who should sweep her off her feet, marry her and live happily ever after.

    But for all her dreamy victimhood, Swift was only too quick to take down the popular girls who didn't deserve their adoration ("You Belong With Me") and serve up the ones who did more than dream and cry in bed ("And Abigail gave everything she had to a boy/Who changed his mind and we both cried") as cautionary tales. It's enough to make any grown woman want to barf, just a little bit.

    But with "We Are Never Ever Getting Back Together," the first single of her fourth album, Taylor Swift is showing that she's all grown up and done thinking about relationships as fairy tales (I guess dating John Mayer will do that to you.)

    The single is her poppiest yet, breaking records as the fastest-selling digital single ever for a woman. It's rocketed to No. 1 on the Billboard Hot 100, making it Swift's first No. 1 single ever.

    It's also self-aware and not afraid to be snarky, especially about an ex who listens to "some indie record that's much cooler than mine." No longer a princess or a victim, this is a girl who is singing about relationships as I know them — frustrating, messy, and yeah, exhausting.

    Welcome to adulthood, Taylor. This is why the gods invented riesling.

    The just-released music video also introduces us to Taylor Swift: Hipster, who wears animal pajamas and thick-rimmed glasses, crochets fake birds to put in a real tree and has kick-ass cable-knit walls and a band made up of furries who play instruments like square banjoes and keytars.

    This is like Hipster Music Videos 101, minus the PBR. With flouncy retro dresses, Swift's sartorial style is still good girl gone good, but at least she's finally out of those stuffy corsets.

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    Movie review

    Nerdy teen comedies make a comeback with new movie Summer of 69

    Alex Bentley
    May 9, 2025 | 10:45 am
    Sam Morelos and Chloe Fineman in Summer of 69
    Photo courtesy of Hulu
    Sam Morelos and Chloe Fineman in Summer of 69.

    There was a trend in the late 2010s/early 2020s of bawdy comedies featuring teenage female protagonists, including Blockers, Booksmart, and Yes, God, Yes. Those types of films seemed to go by the wayside in recent years, but they’re making a comeback with the new film Summer of 69.

    Abby (Sam Morelos) is a high school senior and video game streamer who has had a crush on her classmate Max (Matt Cornett) for her entire childhood. When she learns that Max has recently broken up with his longtime girlfriend, she’s determined to make her move. With advice from a confidant that Max likes a certain sexual position, Abby sets out to learn as much as she can about it, including hiring a stripper, Santa Monica (Chloe Fineman), to help her.

    Coincidentally, Santa Monica is facing a situation where the club at which she works, Diamond Dolls, will be closed if the owner doesn’t come up with $20,000 in a week. Abby, who comes from a well-to-do family, seems to offer the perfect solution, and so the two agree to a week of lessons for that amount. Naturally, all sorts of complications arise, as well as the two women forming an unexpected bond.

    Written and directed by Jillian Bell, with help from co-writers Jules Byrne and Liz Nico, the film is both suggestive and innocent at the same time. For all of the talk about sex and innuendo, having the nerdy and inexperienced Abby at the center of the film ensures that the story remains relatively chaste throughout. That includes scenes at the strip club, where Bell makes the choice to show almost no nudity.

    Most of the humor of the film stems from Abby’s lack of experience, highlighted by her having “sexual” fantasies about Max that never actually get to the sex part. The juxtaposition between Abby and Santa Monica is also used for laughs, although Bell and her co-writers make sure to include a side story for the dancer that makes her into a three-dimensional person.

    What ultimately makes the movie succeed is the way it keeps its characters relatable. Many high school films feel the need to play into a bunch of stereotypes, but those are kept to a minimum here. Instead, Bell upends expectations by delivering honest - sometimes to a fault for the characters - dialogue that acknowledges the spectrum of sexual realities for high schoolers, a version that differs from insatiable horniness of some other teen comedies.

    Morelos, one of the stars of Netflix’s That ‘90s Show, makes for a charming lead, someone who can convincingly take her character from awkward to confident over the course of the story. Fineman, best known for her current stint as a cast member on Saturday Night Live, complements her well, showing her comedic prowess in a number of physical scenes. A supporting cast that includes Nicole Byer, Paula Pell, Alex Moffat, and Natalie Morales keeps the energy level high.

    Despite its titillating title, Summer of 69 is much more sweet than naughty. Like most coming-of-age movies, it’s about a girl who’s trying to figure out where she fits in the world. The answers she finds aren’t always the ones she was expecting, but in the best possible way.

    ---

    Summer of 69 starts streaming on Hulu on May 9.

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