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    Sex & Steely Dan

    Sex, drugs and jazz-rock: It's OK to admit you love Steely Dan — Houston concert surprises

    Tyler Rudick
    Aug 31, 2013 | 3:44 am
    Steely Dan
    Steely Dan's Walter Becker and Donald Fagen
    Steely Dan/Facebook

    Growing up in the grunge era, I've wasted a lot of years keeping my undying love of jazz-rock under wraps.

    To say the least, my first Steely Dan show at the Cynthia Woods Mitchell Pavilion Friday night was something of a personal milestone — a chance shout out my passion for quirky time signatures and saxophone solos from the rooftops, a moment to embrace guitar chords that would have left Kurt Cobain speechless (may he rest in peace).

    Founded in the early 1970s by core members Donald Fagan and Walter Becker, Steely Dan grew a loyal following as sort of the antidote to the decade's mainstream hard rock and disco. Not without some band conflict, their heady lyrics and complex writing style has survived well into the 21st century and continues to garner critical acclaim and even Grammy nominations.

    I freely admit to having built up the concert in my head, leaving me slightly disappointed with the overall set list.

    I freely admit to having built up Friday's concert in my head, leaving me slightly disappointed with the overall set list. No "Doctor Wu." No "Any Major Dude Will Tell You." And, much to my chagrin, no "Fez."

    That said, Steely Dan's choice of leaning towards later, more sophisticated songs was a nice surprise. The ultra-jazzy "Babylon Sisters" and "Time out of Mind" — both from 1980s' Gaucho, the band's last album before breaking up and reuniting more than a decade later — brought an mellow edge to a show that fit well with Becker's laid back conversations with the audience.

    The pervy-but-entertaining "Hey Nineteen" from the same album was easily one of the crowd's favorite songs of the night. Click here for Rashida Jones' childhood memories of the track, revealed during a recent NPR interview. A rockin' version of "Bodhisattva" (a snarky jab at the '70s-era new age movement) proved another highlight with concert-goers, along with a roadhouse blues version of "Black Friday."

    The evening closed with a greatest hits rundown that started with "Josie" and "Peg" from the Steely Dan's 1977 magnum opus Aja, an album the band has played in its entirely at a recent concert in Los Angeles. From there, it was "My Old School" about Becker and Fagan's time at Bard College in New York and then onto the '73 chart-topper "Reelin' in the Years."

    The encore made up for any qualms I had earlier in the show thanks to "Kid Charlemagne," a song chronicling the trials and tribulations of LSD chemist and counterculture icon Owsley "Bear" Stanley.

    New to Steely Dan? Give "The Fez" a listen — it'll change your life. Otherwise, check out this full concert playlist.

    unspecified
    news/entertainment

    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    rodeohoustonconcert review
    news/entertainment
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