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    Coldplay Concert Review

    Coldplay takes over Texas with a burst of confetti, fireworks and spectacular music

    Jane Howze
    Aug 29, 2016 | 12:10 pm

    Coldplay and its 'Head Full of Dreams Tour', the highest grossing concert tour of the year ($144 million so far), burst into Arlington's AT&T Stadium Saturday night with lights, love, lasers and good vibes. The U.S portion, with 22 concerts — sadly none in Houston, will wrap on September 3 in San Francisco before continuing on to Australia and New Zealand.

    Entering the stage to a stadium packed with mostly 30-to-50 year olds, the band launched into title track "A Head Full of Dreams" in a jaw-dropping display of color, confetti, fireworks and a light show generated by lasers as the audience waved LED wrist bands that changed colors depending on the song. Without pausing for the crowd to catch its breath, lead singer Chris Martin quickly moved into "Yellow," its first U.S. hit, accompanied by hundreds of yellow balloons dropping from the ceiling.

    Over the next two hours, the band performed 23 songs, eight of which were from the most recent album, A Head Full of Dreams. In addition to the main stage and a 50-yard runway which Martin dashed up and down throughout the night with a Texas flag flapping off his pants, the band performed three quieter songs on the end of the runway, including a moving version of "Magic," the best selling single of their 2014 Ghost Stories album.

    As a surprise the band moved to an even smaller stage in the back of the stadium that barely had enough room for all four to sing three more songs, including "In My Place" (from the band's second album Rush of Blood to the Head) that was chosen by the band's Instagram followers. As Martin launched into a stripped-down, hauntingly beautiful version of "Everglow" from the recent album, he asked that everyone in the audience send good vibes to those in other parts of the world who need it.

    Speaking of Martin, how can you not love a guy who thanks everyone for braving the traffic to come spend the evening with them and proclaims, "We are going to try and make this the best concert of the tour?" As is his trademark, he twirled, jumped, danced, laid on the stage and endearingly started Viva la Vida over, saying "This is not right, not up to standards" and ran to the end of the runway to restart the song.

    And he had everyone laughing and agreeing when he said, "If I lived in Texas I would just spend part of the summer in my refrigerator." Finally, he asked a favor of the audience, inquiring if they would help him surprise fifth band member, manager Phil Harvey, for his 40th birthday with a sing-a-long and an imitation of his smoothing his hair. Somehow that added to the good vibe feeling of the concert.

    All was not perfect however. While Coldplay's songs seemingly have been written for stadium-size audiences, I miss the days of smaller venues. Despite a world of talent and special effects, it is hard to connect with a band in a football stadium.

    There were so many fireworks that the stadium quickly became smoky. I wondered why the roof wasn't open — at least a little. And those who didn't love the new album Head Full of Dreams, which includes me, would have found themselves longing for the old days of tracks from albums X&Y and Viva la Vida.

    But these are tiny quibbles.The entire show was one high after another, with barely a moment to catch your breath before the next round of confetti, fireworks or lasers ensued along with spectacular music. And the band seems in a solid groove that reflects their two decades of playing together. I actually believe Chris Martin when he said they would try to make the Dallas show their best one. For this audience they did.

    Chris Martin dominated the stage at the Coldplay concert in Arlington.

    Chris Martin on stage at Coldplay concert
    Photo by Jane Howze
    Chris Martin dominated the stage at the Coldplay concert in Arlington.
    concertsmusic
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    In the spotlight

    Houston reels in new rank among 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 27, 2026 | 4:00 pm
    Filmmaking, best cities for filmmakers
    Photo by Kyle Loftus on Unsplash
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    Houston has just snapped up new recognition as the No. 10 best place to live and work as a filmmaker in North America, according to MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The Bayou City has made improvements after ranking 12th in the magazine's 2025 list.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The spotlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    For up-and-coming filmmakers that want to live in Texas, MovieMaker says doing it in Houston is "more sustainable than ever" thanks to incentives like the Texas Moving Image Industry Incentive Program, which increased its production grant rebate from 22.5 percent to up to 31 percent for qualified in-state spending. The report also said Houston has an "arms-wide-open" approach for filmmakers.

    "As the biggest city in Texas, and fourth biggest city in America, Houston has nearly every type of location, from cityscapes to piney woods to rolling hills to nearby farmland," the report said. "It’s close to Galveston Island and the Gulf of Mexico, and car commercials love the absence of billboard advertising."

    MovieMaker also highlighted Houston's diversity, its low cost of living compared to the national average, and its local festivals like the Houston Cinema Arts Festival and Houston Latino Film Festival.

    "The city has enough film crew for two to three sizable features, and recent shoots have included the thrillers Eleven Days, with Taylor Kitsch, and A Love, from director Courtney Glaude, Tyler Perry Studios’ executive creator of Scripted and Unscripted," the report said. "Houston is also notable for a strong contingent of films with budgets under $1 million."

    Elsewhere in Texas, Austin ranked as the No. 5 best place to live and work as a filmmaker in North America. Dallas ranked seventh, while neighboring Fort Worth ranked 12th. San Antonio appeared as No. 14, and El Paso landed 25th on the list.

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