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    At the Arthouse

    Sit Watch Enjoy: Egyptian capital is the star of bittersweet Cairo Time

    David Theis
    Aug 28, 2010 | 10:31 am
    • At times, "Cairo Time" feels like the forgotten older sister of the glitzyblockbuster "Eat Pray Love."
    • Cairo and its surroundings are the real star of the movie

    Maybe the fact that Cairo Time was released around the same time as Eat Pray Love is pure coincidence, but the earlier, less trumpeted film does feel a bit like the forgotten older sister of the glitzy blockbuster.

    Like Julia Roberts’ Liz, Patricia Clarkson’s Juliette—Clarkson finally gets a starring role!—is a woman journalist alone in an exotic locale. Cairo, in case you didn’t read the title. An exotic man comes into her life who is damned near as appealing as Javier Bardem. Will the two of them be together when the final credits roll?

    Actually, I’m misrepresenting Cairo Time a bit here. The film is so low key, and its characters so circumspect, that a passion-driven ending seems out of the question.

    Alexander Siddig’s Tareq is perhaps as charismatic and romantic as Bardem’s Brazilian in Bali, but he’s a self-proclaimed fatalist who doesn’t want to “seize the day.” He did seize it once before and got burned, so now he plays it cool. Unlike Roberts’ Liz Gilbert, Tareq remains true to his self-imposed limitations, and his deep eyes well with sadness when the movie ends. Surprisingly, Cairo Time winds up being his story more than Juliette’s.

    But I’m continuing to misrepresent the movie. Because it’s not really any one character’s story. It’s about a sensual, if not exactly erotic threesome between a lonely American woman, an even lonelier Egyptian man, and the beautiful but melancholy city of the title.

    Juliette is in Cairo for the first time to vacation with her U.N.-official husband, Mark. Tareq is Mark’s former colleague. When Mark gets caught up in a humanitarian crisis in Gaza and can’t join his wife in Cairo, he asks Tareq to show her around.

    He was taking quite a chance, as Tareq has charm and looks to spare. But maybe Mark didn’t realize how close the chaotic and single-woman-adverse city would come to shattering his wife. She can’t walk through the intriguing casbah without being followed and harassed by men; she can’t really go anywhere without being stared at, so she has to turn to Tareq for nearly full-time companionship.

    He responds with a courtliness that seems to hint at something deeper, and I wondered how long Juliette (why that loaded name?) would be able to resist his abundant charms. But before long I stopped really caring how she would respond. That’s because, despite Clarkson’s nice calibrated performance, Juliette isn’t a well-developed character. The state of her marriage is never made clear, and for a journalist who deals with substantial issues she seems surprisingly uneasy in unfamiliar surroundings.

    The almost relationship and the regrets it inspires feel pleasingly real and down to earth, but it lacks that extra oomph that we go to the movies for.

    No, the title character itself is the best reason to see Cairo Time. Director Ruba Nadda has made a valentine to the city. Like a valentine, the film looks on the bright side. Cairo’s pressing urban problems get a quick glance, but its enduring beauty gets the long takes. Which is as it should be in an escapist movie like this.

    The Middle East’s bigger issues hover around the film’s edges, but Nadda never lets them in. Instead she gives us a city that is more romantic than her characters.

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    ACL News

    Sabrina Carpenter, The Strokes, and more revealed for 2025 ACL festival

    Brianna Caleri
    May 6, 2025 | 2:30 pm
    Sabrina Carpenter performing
    Photo by Frazer Harrison/Getty Images for Coachella
    Sabrina Carpenter is a headliner at ACL Music Festival in 2025.

    Austin City Limits Music Festival is back for another year of big names including Sabrina Carpenter, Hozier, Doja Cat, Luke Combs, The Strokes, John Summit, Doechii, and more. The event will take place at Austin's Zilker Park from October 3-5 and October 10-13.

    Ticket sales start with three-day wristbands at noon on May 6 at aclfestival.com.

    Just in terms of buzz alone, Sabrina Carpenter and Doechii are two big pulls that perhaps could have been expected, although there are never any guarantees. The pristine pop and artistic rap performers, respectively, are each on a meteoric rise. Their sets could echo Chappell Roan's last year, which stole headlines for sheer excitement and crowd size.

    Hozier, Doja Cat, Luke Combs, and The Strokes are all returning artists. That means nearly half of this year's headliners are making their ACL Fest debut right at the top. One of those newcomers is John Summit, who was speculated to show up in 2024 with Dom Dolla. Fans also expected to see Sabrina Carpenter in 2024 (in part thanks to a misleading advertisement on the "payphone" ACL Fest installed to tease its lineup), so thankfully they didn't have to wait long.

    After the actual headliners, the top line of performers include Colombian reggaeton star Feid, who has collaborated with Bad Bunny, J Balvin, Karol G, and more; alternative rock band Cage the Elephant, who are back from a tumultuous patch; R&B star T-Pain, in the middle of a personal renaissance to remind people he can sing without autotune; Australian electropop duo Empire of the Sun, with alien operatic stage sensibilities; nostalgic solo artist Djo, the nearly incognito solo project of actor Joe Keery from Stranger Things; and iconic post-hardcore band Pierce the Veil, who are back in the studio again.

    Attendees will have a second chance to see local favorite Passion Pit, the defining electropop group that recently dropped out of a 2025 South by Southwest showcase, leaving barely a trace. Japanese Breakfast also promises big crowds; a recent signing appearance at End of An Ear in South Austin created a line around the block for hours. Two more CultureMap favorites (if readers will indulge us) are Southern indie rock band Rainbow Kitten Surprise and British indie, post-punk band Wet Leg; respectively hyper sincere and deadpan, but both fun and high-energy.

    Among Austin artists, two stand out as recent festival favorites: Geto Gala and The Point. Geto Gala is a hip hop duo favoring smooth, nostalgic beats and a laid-back lyrical delivery. The Point, a rock group, spans many styles, but their live sets tend to show off high-energy, world-influenced, and mostly instrumental blues. Dylan Gossett, while not exactly a festival staple, is much higher up on the lineup and is becoming very well-respected as a country-folk songwriter.

    A press release pulls out some additional notable acts from the lineup:

    • Fujii Kaze (W2)
    • ROLE MODEL
    • Gigi Perez
    • CA7RIEL & Paco Amoroso (W2)
    • Olivia Dean
    • Yoke Lore
    • flowerovlove
    • Royal & The Serpent
    • Amble
    • Good Neighbours
    • Celeste (W1)

    And some from Texas:

    • Maren Morris (W1)
    • Dylan Gossett
    • Tanner Usrey
    • Asleep at the Wheel (W1)
    • INOHA (W1)
    • Johnny Stimson (W2)
    • SL Houser (W1)
    • Geto Gala (W1)
    • Farmer’s Wife (W2)
    • Alex Amen (W2)
    • Shallowater (W2)
    • Aaron Page (W1)
    • Huston-Tillotson University Jazz Collective (W2)
    • Disciples of Christ (W1)
    A full lineup can be viewed here:

    Austin City Limits Music Festival lineup 2025ACL's full 2025 lineup.Graphic courtesy of Austin City Limits Music Festival

    Folks who can't make the festival can once again tune in on Hulu, returning as the festival's official streaming partner for performances, interviews, and more. Hulu will stream the first weekend, only.

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