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    Aftershocks

    Lessons in grape stomping, party crashing & frenemy behavior with RealHousewives of D.C. (with video)

    Theodore Bale
    Joseph Campana
    Aug 27, 2010 | 10:33 am
    • Lucille Ball would have made a great Real Housewife
    • Party crasher Michaele

    When Lucille Ball climbed into a metal tub for her legendary grape-stomping scene, it didn’t matter what was real. It was funny. This week The Real Housewives of D.C. the grapes were real but they came from the grocery store, not the vineyard. It seems they were too busy sneaking past secret service agents to grow the grapes themselves.

    The antics were amusing in Orange County, outrageous in Atlanta, haughty in New York, and downright silly in New Jersey. But somehow the stakes are so much higher, the consequences so much more portentous in Washington, D.C. This week Michaele and Tareq Salahi taught the fine art of party-crashing, with the Congressional Black Caucus Foundation dinner as lesson number one. It’s easier than you might think.

    Here’s the plan. After sneaking your way in (try a service entrance or find a bribe-hungry busboy), you mill about and take a few napkins out of the glasses and then spread them out on the first vacant chairs. Social climbers Michaele and Tareq must be great at math, what with their power to turn one invitation into four. But be forewarned, novices, this technique might not work in the V.I.P. section, where you could actually run into the President. Or worse, his security detail.

    Of course, the shallow couple didn’t explain this themselves on Thursday night's episode. Instead we hear it from the snippy little Jason Backe, master colorist at Ted Gibson’s salon in Chevy Chase, Md. And who would know better? It’s an ancient rule that if you want to know what’s going on with a woman, talk to her stylist. Jason is one of those gay men always sporting an unfortunate scarf, but he’s useful.

    After all, Bravo’s cameras weren’t allowed at the Congressional Black Caucus Foundation dinner, so who’s to say for sure what really happened? But by now the news of Michaele and Tareq crashing a White House dinner party weeks later, and also getting booted, is old. And the focus on this crass pair takes a certain amount of attention away from several other fascinating threads on the new series, which is a shame.

    Any episode of The Real Housewives, no matter what the city, depends on frenemy relations. Of course, there also has to be a scapegoat, and here we get two birds in-the-hand with the delusional, former Nordstrum’s “associate” Michaele and her desperately vulgar hubby, Tareq. The only difference here is that even Stacie and Jason are growing suspicious of them. Michaele and Tareq are like a cheap toy your mother wishes she hadn't bought you for Christmas, but she knows it will fall apart in a short while.

    Better yet, they’re like an industrial sized bag of seedless grapes you pour in a metal tub so your pretentious friends can help you celebrate your legal victory over, say, a parent. That’s right, readers. Tareq is so popular with the ladies that his own mother apparently sued him to shut down Oasis Vineyards. Must be some holiday season at the Salahi home, what with everyone suing each other before the exchange of gifts.

    To celebrate their victory over dear old Ma, the couple arranges a grape harvest “stomping” afternoon. We were suspicious when Michaele described the event in her telephone invitations (hasn’t she heard of engraved stationery?), thinking that it sounded more like a party for “trampling” fetishists. Not that there’s anything wrong with that. We're huge fans of Lucille Ball's memorable foray into grape trampling on I Love Lucy.

    Lynda’s not so keen and declines the invitation, saying that her son has an important football game on Saturday. And in a pensive moment, she says she’d prefer a one-on-one, explaining that she misses “the old” Michaele. Funny, but to us she looks plenty old as she hangs up the phone with what seem like not-yet-botoxed wrinkles around her mouth and a furrowed brow.

    Stacie and her husband Jason accept the invite, but she seems pre-occupied with her own family problems. As she enjoys mimosas with former Howard University sorority sisters, she breaks the news that she’s located her birth-mother, who happens to be of German-Finnish descent and who refers to her own biological daughter as “the secret.” It seems like a shocking revelation to share on this form of reality television, but Stacie doesn’t back down and her sympathetic friends prove themselves real sisters. “Who was my people?” Stacie asks her friends. It’s without a doubt the most poignant moment so far on the series.

    But the episode lurches away from the serious. Soon it’s back to hilarity and viciousness. The grape-stomp is one long train-wreck that begins in the limo as details of the Salahi’s alleged party-crashing are interrupted by a call from Tareq. He warns the guests to approach the right side of the property so as to avoid the terrifying threat of an old woman (his mother) and a lone reporter. Thank the heavens he hired so many security guards.

    Cat’s the first to smell a rat: “We’re in the middle-of-nowhere in Virginia. Why should there be security?” We were also wondering why Cat only appears on camera this episode with varieties of dead animal clinging to her body. So much for PETA.

    But we are beginning to warm to Cat’s particular brand of social Tourette’s Syndrome. She can’t go anywhere without offending someone, and she’s often right. As Tareq tries to bully everyone into grape-stomping with a whistle, Cat just can’t hold back, saying, “Tareq, I know you’re American, but let’s have some manners.” And when it becomes clear that the grapes are as store-bought as Tareq and Michaele’s personalities, it’s no surprise Cat engineers her usual quick exit.

    If only she had stayed! It took only a little wine to air a lot of dirty laundry. At least Jason had a sense of humor about party-crashing when the tense subject was raised, saying to Tareq: “It’s a little difficult for white folks to sneak into the Black Congressional Caucus undetected. That’s like Stacie sneaking into the Daughters of the American Revolution dinner through the kitchen.”

    But that was all the humor to be had as the women left “passive” behind and headed straight for “aggressive.” Michaele was sharper than we imagined possible and only seconds later, promos featured Mary sobbing and Tareq apparently threatening Mary’s daughter with the FBI.

    It seems the Salahis are taking over the show. After the Black Congressional Foundation Dinner and the White House, what could be next?

    Here's the famous I Love Lucy grape-stomping scene:

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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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