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    Beauty echo

    Blame Victoria Beckham for Miss Philippines' double major Miss Universe flub

    Steven Devadanam
    Aug 24, 2010 | 11:27 am
    • Miss Phillippines Venus Raj
    • The pizza!pizza! guy.
    • Mikey, another great linguist

    During the finals of the Miss Universe pageant, 22-year-old fourth runner-up Miss Philippines Venus Raj was asked by judge William Baldwin, "What is one big mistake that you've made in your life and what did you do to make it right?"

    Raj responded by thanking him for asking such a question, followed by, "You know what, Sir, in my 22 year of existence, I can say that there is nothing major major, I mean, problem that I have done in my life. Because I am very confident with my family, with the love that they are giving to me. So, thank you so much that I am here, thank you. Thank you so much."

    Not only did Raj (who graduated college with honors) avert any amount of introspection, but she also ran into some public speaking double trouble. Her repeated use of the word "major" makes one question if Raj was trying to impersonate the Little Caesars cartoon character, famous for his "Pizza! Pizza!" mantra, or emphasizing an affinity for American culture by mimicking a certain Life cereal commercial starring a finicky 4-year-old named Mikey.

    There is some speculation that the double word cost Miss Philippines a chance at the crown, which was won by Miss Mexico Jimena Navarrete.

    The unnecessary use of "major" (which is now a linguistic phenomenon of international proportions) may be attributed to Victoria Beckham. Posh first popularized the term in her reality show Victoria Beckham: Coming to America, in which she might refer to a pair of six-inch pumps as "major" or use the word to describe a Beverly Hills trophy wife doing her impression of a dolphin.

    In the new season of The Rachel Zoe Project, the neurotic celebrity stylist has replaced her token "literally" with the phrase "so major" ... also used in reference to six-inch pumps. Perhaps Raj's high heels were channeling the intellectual prowess of Beckham and Zoe, resulting in her regrettable major word vomit.

    unspecified
    news/entertainment

    Movie Review

    New Pixar film Elio is fun but falls short of Disney's top tier

    Alex Bentley
    Jun 19, 2025 | 6:00 pm
    Elio (Yonas Kibreab) and Glordon (Remy Edgerly) in Elio
    Photo courtesy of Pixar
    Elio (Yonas Kibreab) and Glordon (Remy Edgerly) in Elio.

    Pixar has done a ton of different things in the 28 feature films they’ve released over the past 30 years, but the one they’d never done is deal with aliens (and, no, the alien toys in Toy Story don’t count). Now they’re going where many storytellers have gone before, but in their own unique way, in the new film Elio.

    Elio (voiced by Yonas Kibreab) is a space fanatic who has recently lost both of his parents in an unnamed event. His Aunt Olga (Zoe Saldaña) is now his guardian, and because she happens to be a member of the U.S. Space Force, Elio finds himself tantalizingly close to communications from space. With a desire to be abducted by aliens for both curiosity and sentimental reasons, Elio sends a message into space, hoping for some kind of response.

    He gets that and more when a ship full of multiple types of beings takes him into space, believing him to be a leader instead of a child. An encounter with a hostile force led by Lord Grigon (Brad Garrett) gives Elio both a new friend, Grigon’s son Glordon (Remy Edgerly), and responsibility for maintaining peace during an unexpected galactic crisis.

    Pixar has not typically followed the route of many Disney movies of giving their child protagonist the trauma of dead parents, and doing so here is the first of a few minor missteps. Having Olga be his mom instead of his aunt would have altered their dynamic, but only slightly. While Elio is shown to miss his parents, his major focus is on making contact with aliens. Since the film only briefly deals with his grief, it would have been better served by excising it altogether.

    For the most part, the film is goofy, with Elio’s enthusiasm for aliens matched by the oddness of the creatures he meets in space. The filmmakers - there are three credited directors and three credited writers - seem to have taken inspiration from sea creatures and Pixar’s own history, as the main bad guy emulates Mike and Sully’s boss from Monsters, Inc. Almost every character in the film is heightened to a degree that makes for funny situations, but not as much sentimentality as other Pixar offerings.

    Surprisingly, especially since the film ends with a voiceover from notable astronomer Carl Sagan, the filmmakers play fast and loose with real-life science. Elio’s journeys to and from the alien spaceship are treated as close-to-instantaneous trips, even involving portals directly to Earth. The idea of the story doesn’t allow them to delve into things like relativistic time dilation, but there still could have been other scientific references to keep the story aboveboard.

    There are very few stars to be found among the film’s voice cast other than Saldaña and Garrett, who are each fine if unmemorable. Kibreab and Edgerly are given many more scenes than anyone else, and they each do a great job of bringing out both the joy and naivete of their characters. Some lesser-known actors like Jameela Jamil, Atsuko Okatsuka, and Brendan Hunt show up in minor roles, but they don’t stand out in any way.

    The story and characters in Elio are sweet and fun, but the film as a whole falls well short of the top tier Pixar movies. The filmmakers could have gone many different directions with a story about a boy who wants to be abducted by aliens, and the way they chose ended up being innocuous and less than compelling.

    ---

    Elio opens in theaters on June 20.

    moviesfilm
    news/entertainment

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