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    Good Lips

    Erica Rose dishes on kissing Jake, a Vegas threesome with Vienna & Bachelor Pad2 secret plastic surgery

    Caroline Gallay
    Aug 23, 2011 | 5:27 pm
    • It was all about synchronized swimming on "Bachelor Pad 2".
      Photo by Greg Zabilski/ABC
    • Erica Rose
    • Jake Pavelka
    • Photo by Greg Zabilski/ABC
    • Photo by Greg Zabilski/ABC
    • Photo by Greg Zabilski/ABC

    We hadn't seen much of Houston's own infamous Erica Rose on Bachelor Pad 2, but that changed in a major way in the third episode Monday night. Suddenly, the so-far unnaturally quiet reality starlet was all over the game — and all over fellow contestant and former Bachelor Jake Pavelka.

    Although the cast was back in bikinis first thing following a humiliating bikini incident for Rose last week, things went decidedly better for her this time around (and the guys were relegated to teeny Speedos for the synchronized swimming competition, which helped to level the playing — and posing — field.)

    When she wasn't toe-ing Jake's shorts or participating in sexy strategery, Rose was delivering some memorable quotes that support her self-proclaimed role as this season's comic relief.

    Choice quotes:

    "The closest thing I've done to synchronized swimming is laying out." - Erica Rose

    "Jake should win this competition alone just because he has such a big package." - Erica Rose

    "[Vienna] is more of a fame whore than Jake is." - Kasey Kahl (Vienna's boyfriend)

    "I get that he physically and mentally abused you, but that was a year ago; get over it. Do you know what I've been through?" - Kasey Kahl

    "I definitely have good lips that I maintain by getting injections every six months." - supposedly plastic surgery-free Erica Rose

    "I don't trust Melissa as far as I can throw her. And even though she's really tiny, that's not very far." - Erica Rose

    "Let me guess, they're being mean?" - Jake Pavelka, to a violently weeping Melissa

    "I'm gonna manipulate her a little bit, and ignore the fact that she's crazy." - Erica Rose, on Melissa

    "You should be ashamed of yourself." - Vienna Girardi, to current BFF Erica Rose

    "It's time for order to be restored in this house" - Erica Rose, with her new choice prop — a tiny crystal gavel — as she hammered on the voting box

    "I don't think Vienna and Kasey are good people, and they're not even cute" - Erica Rose

    Cheesy moments:

    Brett Michaels suddenly appearing and serenading Holly and Michael with "Every Rose has its Thorns," the smack-you-over-the-head imagery of which, as Holly fingered a long-stemmed red rose, was just. too. much.

    Kasey singing a song to Vienna that was either made up or butchered beyond all recognition. Something about loving you, you know I do when you're blue, let's go screw. Or something. Suddenly we found ourselves wondering how much camera-guy laughter has to be edited out.

    Status update:

    We chatted with Rose Tuesday afternoon, just after she touched down in Houston from an exclusive Los Angeles viewing party. It was the first time she'd been face to face with Pavelka since filming, and although she says the two are still flirtatious, things are a little awkward.

    "Obviously I think he's gorgeous and can't help but be attracted to him," Rose says, and calls Pavelka "definitely the most attractive guy I've ever kissed, hands down."

    But revelations about what went down during filming have made things a mite tense between the on-camera paramours. "I didn't know he had been upset about some things," Rose says, "it was hard to talk at the party."

    And Pavelka's not the only castmate Rose has kept contact with. She's still friends with cry-happy couple Vienna Girardi and Kasey Kahl — the threesome were in Las Vegas together just last weekend — and Rose was, as we spoke, picking up another unnamed cast member for a visit to the offices of her father, Dr. Franklin Rose.

    "She wants to get her breasts done and possibly her nose," Rose reveals. A People magazine feature on that procedure should be on supermarket shelves soon.

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    Movie Review

    Billie Eilish takes fans behind the scenes in immersive 3D tour film

    Alex Bentley
    May 7, 2026 | 3:30 pm
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D
    Photo by Henry Hwu/courtesy of Paramount Pictures
    Billie Eilish in Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    In 2021, at the tender age of 19, singer Billie Eilish was already the subject of a documentary, The World’s a Little Blurry. At that point, she had only released one album, so the film threatened to feel too early for such treatment. The ensuing five years have only made her a bigger star, though, so in many ways that movie now feels prescient for the person on display in the new concert documentary with the unwieldy title of Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D.

    Directed by Eilish and blockbuster filmmaker James Cameron, the film takes viewers inside Eilish’s 2024-2025 tour in support of her latest album, 2023’s Hit Me Hard and Soft. Filmed mostly at her series of shows in Manchester, England, the movie is a showcase for Eilish’s music, but it also serves as a smaller exploration of the type of person she is, as well as the impact she has had on her legion of fans.

    The draw of the film is the use of Cameron’s beloved 3D technology, which he has employed in each of the three Avatar films. Unlike in those films, where the 3D has the odd effect of making the visuals too realistic for their own good, the technique brings an intimacy to the large-scale show that underscores the unique bond the singer has with her supporters.

    Eilish and Cameron go back and forth between performances at the concert to behind-the-scenes sequences, detailing the enormous effort it takes to put on a show like that and how Eilish spends her time getting ready for it. As in The World’s a Little Blurry, this film continues to portray the singer as down-to-Earth, someone who yearns to maintain the connection to her fans that she’s had since she released her first single, “Ocean Eyes,” 10 years ago.

    And as the many emotional songs in Eilish’s concert playlist prove, the feeling from the crowd is mutual. While Eilish has multiple bangers like “Bad Guy,” “Therefore I Am,” and the Charli XCX collaboration “Guess,” it’s the sad songs like “Everything I Wanted,” “Happier Than Ever,” and the Oscar-winning Barbie anthem, “What Was I Made For?” that hit the hardest. The depth of feeling emanating from her many sobbing fans singing along to crushing songs cannot be understated.

    For audiences of the film, though, it’s the breadth of camera angles and shot choices that make it truly dynamic. There are cameras everywhere, including in the crowd, inside a cube at the center of the stage that rises and descends, following Eilish as she traipses every inch of the long, rectangular stage, and even a small one Eilish uses to bring an extra personal touch to the in-arena screen. Combined, they capture the complete energy of the concert, something that is not always the case in a film of this type.

    Eilish has almost as many movies — two — as she does albums — three — which borders on overkill for a singer of her age. But both her music and the movies show her to be a person who knows the responsibility of being a celebrity, someone who understands that her fans are the reason she’s famous at all. Her career may go up or down from here, but it’s clear she’s already made a huge impact on those who love her most.

    ---

    Billie Eilish: Hit Me Hard and Soft - The Tour Live in 3D opens in theaters on May 8.

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