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    Concert Benefit for Venues

    Houston music stars rock out new festival to save local Houston venues

    Johnston Farrow
    Johnston Farrow
    Aug 21, 2020 | 3:15 pm

    For those about to rock, we salute you.

    More than 20 Houston acts will take to Wi-Fi to perform over the course of a week starting Monday, August 24 for Houston Benefit Week. The live stream festival curated by Houston-based, national music publication Closed Captioned and beloved local independent venue, Wonky Power, will raise money for hurting local music venues.

    The live stream concerts will take place from a variety of locations via live stream concert platform, Noon Chorus that has showcased revered artists such as Angel Olsen, Waxahatchee, Yo La Tengo, Surfer Blood, and upcoming shows by Bright Eyes and Dawes.

    Artists on the lineup include a who's-who of the Houston music scene, including The Suffers' lead singer Kam Franklin, fast-rising rapper Fat Tony, atmospheric Galveston alt-rockers El Lago, the hip-hop meets hardcore punk of Blackie, noise rocers Narrow Head, uber-producer John Allen Stephens, '90s alt-rock throwback act Good Girl, talented synth artist Tee Vee, country crooners Hayes Carll and Luba Dvorak, and many more.

    The concert series came about via David Garrick, founder of Closed Captioned, who sought to give back to the Houston music community in a time of need. Joining forces with Wonky Power owner, Mario Rodriguez, who had helped organize the first rooftop concert after the pandemic started at Axelrad Beer Garden back in May. Garrick then reached out to local acts to organize a week-long schedule of live performance. Some will take place at Wonky Power, some will take place in personal performance spaces.

    "I told Mario, hey, let's do this, we'll give all the money to venues, they'll all be independently owned," Garrick tells CultureMap. "I said let's use NoonChorus. I reached out to them and they've been the greatest partner and they embraced it 100 percent."

    The seven day and 22 artist roster will raise money for Houston venues Satellite Bar, Rudyard's, The Secret Group, Red Dwarf, Dan Electro's Guitar Bar, and the Old Quarter Cafe in Galveston. All together, they represent decades worth of shows and memories for local independent music.

    Garrick has experience with multi-day benefit concerts. Two years ago, he organized a seven day benefit sprawling across six venues to raise money for Christian Kidd of Houston punk band The Hates as he battled cancer. This time, he'll take it to the internet with closures of venues across the country.

    It couldn't come at a better time, as live music spaces face an unprecedented challenge to stay open with no way to generate revenue as the coronavirus ravages the arts world. This type of event could give momentary respite with federal aid legislation on hold — as lawmakers are on their summer recess without finding a deal to help independent venues.

    "I think it's good for everyone to see their favorite bands again," says electronic pop producer Rex Hudson, who is on the lineup. "I agreed to do it to keep the venues open until we get back to some sort of normalcy. Having played a lot of the Houston venues, it was an opportunity to give back."

    "The goal of this thing is to raise money for six independent venues and the reason why the cost of the series is $70 is because if you're going to donate to a GoFundMe, most people are going to donate around $50 to $100," Garrick says. "We thought, we'll make it $70 and divvy it up among the venues. You get a lot for it, you get plenty of content."

    Fans can buy tickets for the entire 22-show series for $70 and individual tickets for most shows are $5 or $10. For the full lineup and tickets, visit the NoonChorus website.

    The Suffers' lead singer and oft-solo artist Kam Franklin is a headliner with Benefit Week to aid Houston music venues.

    Kam_Franklin_Greg_Noire
    Greg Noire
    The Suffers' lead singer and oft-solo artist Kam Franklin is a headliner with Benefit Week to aid Houston music venues.
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    Movie review

    Nick Jonas and Paul Rudd chase their dreams in music-heavy Power Ballad

    Alex Bentley
    Jun 8, 2026 | 10:30 am
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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