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    Concert Benefit for Venues

    Houston music stars rock out new festival to save local Houston venues

    Johnston Farrow
    Johnston Farrow
    Aug 21, 2020 | 3:15 pm

    For those about to rock, we salute you.

    More than 20 Houston acts will take to Wi-Fi to perform over the course of a week starting Monday, August 24 for Houston Benefit Week. The live stream festival curated by Houston-based, national music publication Closed Captioned and beloved local independent venue, Wonky Power, will raise money for hurting local music venues.

    The live stream concerts will take place from a variety of locations via live stream concert platform, Noon Chorus that has showcased revered artists such as Angel Olsen, Waxahatchee, Yo La Tengo, Surfer Blood, and upcoming shows by Bright Eyes and Dawes.

    Artists on the lineup include a who's-who of the Houston music scene, including The Suffers' lead singer Kam Franklin, fast-rising rapper Fat Tony, atmospheric Galveston alt-rockers El Lago, the hip-hop meets hardcore punk of Blackie, noise rocers Narrow Head, uber-producer John Allen Stephens, '90s alt-rock throwback act Good Girl, talented synth artist Tee Vee, country crooners Hayes Carll and Luba Dvorak, and many more.

    The concert series came about via David Garrick, founder of Closed Captioned, who sought to give back to the Houston music community in a time of need. Joining forces with Wonky Power owner, Mario Rodriguez, who had helped organize the first rooftop concert after the pandemic started at Axelrad Beer Garden back in May. Garrick then reached out to local acts to organize a week-long schedule of live performance. Some will take place at Wonky Power, some will take place in personal performance spaces.

    "I told Mario, hey, let's do this, we'll give all the money to venues, they'll all be independently owned," Garrick tells CultureMap. "I said let's use NoonChorus. I reached out to them and they've been the greatest partner and they embraced it 100 percent."

    The seven day and 22 artist roster will raise money for Houston venues Satellite Bar, Rudyard's, The Secret Group, Red Dwarf, Dan Electro's Guitar Bar, and the Old Quarter Cafe in Galveston. All together, they represent decades worth of shows and memories for local independent music.

    Garrick has experience with multi-day benefit concerts. Two years ago, he organized a seven day benefit sprawling across six venues to raise money for Christian Kidd of Houston punk band The Hates as he battled cancer. This time, he'll take it to the internet with closures of venues across the country.

    It couldn't come at a better time, as live music spaces face an unprecedented challenge to stay open with no way to generate revenue as the coronavirus ravages the arts world. This type of event could give momentary respite with federal aid legislation on hold — as lawmakers are on their summer recess without finding a deal to help independent venues.

    "I think it's good for everyone to see their favorite bands again," says electronic pop producer Rex Hudson, who is on the lineup. "I agreed to do it to keep the venues open until we get back to some sort of normalcy. Having played a lot of the Houston venues, it was an opportunity to give back."

    "The goal of this thing is to raise money for six independent venues and the reason why the cost of the series is $70 is because if you're going to donate to a GoFundMe, most people are going to donate around $50 to $100," Garrick says. "We thought, we'll make it $70 and divvy it up among the venues. You get a lot for it, you get plenty of content."

    Fans can buy tickets for the entire 22-show series for $70 and individual tickets for most shows are $5 or $10. For the full lineup and tickets, visit the NoonChorus website.

    The Suffers' lead singer and oft-solo artist Kam Franklin is a headliner with Benefit Week to aid Houston music venues.

    Kam_Franklin_Greg_Noire
    Greg Noire
    The Suffers' lead singer and oft-solo artist Kam Franklin is a headliner with Benefit Week to aid Houston music venues.
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    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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