fall on the rooftop

Houston's Rooftop Cinema Club reveals long-awaited fall lineup full of fan faves, Halloween thrills, singalong series, and more

Fall on the rooftop is (finally) back.

Photo by J. Thomas Ford

Houston has withstood another scorching summer, and as we look ahead to cooler temps, plans trend to outdoors and al fresco fun. With that in mind, Houston’s first and hottest rooftop movie club is back with a highly anticipated lineup just in time for fall cinema season.

Rooftop Cinema Club, the red-hot venue boasting sweeping skyline views at BLVD Place in Uptown (1700 Post Oak Blvd.), revealed its new season on Tuesday, August 16, oen full of its trademark clever, signature series, events, and fan fests. The new schedule runs from September 6 through October 31; the full lineup can be found online, with tickets available at noon Tuesday.

Tickets range from $17.50 to $25.25 depending on the day of the week and choice of the venue’s new double Adirondack Love Seat, a single Adirondack, or Lounge Seat with or without popcorn. Fans can expect concessions and snacks, plus an extensive menu of beer, wine, and canned cocktails available for purchase. Notably, guests can bring outside food to enjoy on the Rooftop (a huge help to those with dietary restrictions or with kids); no outside drinks are permitted.

As for the films: Naturally, no cinema showcase would be complete without an homage to beloved pop icon Olivia Newton-John, who recently passed away after a 30-year battle with breast cancer. Rooftop will host a special sing-along screening (an audience favorite) of Grease at 7:30 pm Tuesday, August 23. In honor of the superstar, all ticket proceeds will benefit the Olivia Newton-John Cancer Wellness & Research Centre.

September will see a return of all-ages screenings, plus special Hispanic Heritage Month programming. Fans can also look forward to, per the club:

Love It or Hate It series
A must for hyper-critical movie fans (and there are many), Saturdays in September will shine a spotlight on some of cinema's most divisive movies. That means comedies that fell flat with critics, an ambitious, visionary feast that’s “not for everyone,” (uh-oh) and scoffed-at romps like White Chicks, La La Land, and more.

People’s Choice: Not a Girl, Not Yet a Woman
In this “Not a Girl, Not Yet a Woman” edition of the People’s Choice series, fans vote online for the female coming-of-age movie they want to see. Voting closes August 31, the winning film will be announced September 1.

Virgo/Libra/Scorpio Season
Rooftop has crafted yet another new tradition, this one centered around the Zodiac. From August 23 through September 22, the venue celebrates Virgos by screening movies made by or starring popular Virgos such as our queen Beyoncé, Keanu Reeves, and Jada Pinkett Smith.

From September 23 through October 22, Libras get their due, such as Zac Efron, Anthony Gonzalez, Susan Sarandon, and more.

Fiery Scorpios get some love from October 23 through November 22, with a showcase of scorpions starring Winona Ryder, Jamie Lee Curtis, and others.

October fun
In the club’s favorite month, fans can expect an eclectic mix of spooky favorites, film anniversaries, and fun events, such as:

People’s Choice: Best Horror Sequel
Vote which horror movie sequel to screen at the Rooftop online. Voting closes October 6, the winning film will be announced October 7.

Witches Weekender
Which witch? Find out on the penultimate weekend in October. Rooftop concocts a spell of movies that feature the most fun, scary, and awesome witches.

Hocus Pocus Madness
This event celebrates the beloved tradition of watching Hocus Pocus on during the Halloween season. This year, the club dedicates a whole day to screenings of the modern classic.

Halloween
Look for a double dose of Halloween classics (literally, in the titles) with screenings of the family fave Halloweentown and the chilling, OG slasher Halloween (1978) on October 31.

I Know What You Did Last Summer 25th anniversary
What’s your favorite scary movie? For many, it’s this ’90s slasher horror-comedy. Enjoy the superstar cast all over again October 12 at 9:45 pm.

The Ring 20th anniversary
The psychological horror movie that made many all scared toss those VHS tapes (for those who remember them, that is) turns 20 this year. Perfect time to spool together a celebratory (and terrifyingly creepy) screening. (A little advice: Watch out for long-haired ladies who climb ceilings and refuse to flip their hair off their faces.)

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Movie Review

George Clooney shines in Jay Kelly, a sharp and heartfelt look at fame

Photo by Peter Mountain/Netflix

George Clooney in Jay Kelly.

The life of a celebrity is paradoxical in that your life is lived in the public eye, yet who you really are is almost unknowable. Movie history is littered with films that try to dig into the private lives of real and fictional actors, with varying results. The latest film to try to unearth what it means to be famous is Jay Kelly.

In a perfect bit of casting, George Clooney stars in the title role as an actor who’s still world famous even if he’s edging toward the downside of his career. His coterie of helpers, including manager Ron (Adam Sandler) and publicist Liz (Laura Dern), make sure he is taken care of at every turn, often anticipating his needs before he realizes it.

A run-in with an old friend, Timothy (Billy Crudup), sends Jay spiraling, questioning not just the meaning of his 35-plus year career, but also his relationships with his two daughters, Jessica (Riley Keough) and Daisy (Grace Edwards). Jay’s attempt to manage the crisis pits his identity as a celebrity and as a father and friend against each other.

Written and directed by Noah Baumbach, and co-written by Emily Mortimer (who has a small role), the film has to walk the tightrope of making the audience like Jay even as he does and says things that might make him unlikable. There’s a very thin line between the character of Jay Kelly and the real life George Clooney; each is seemingly infinitely charming when dealing with the public, but they lead very different private lives.

Baumbach takes a light approach to the story, occasionally dipping into more serious territory but never going too deep. For some, this may seem like a copout, as if he’s merely pretending to want to explore what celebrity truly is. But as you see Jay navigate his way between his work, his family, and being out among the public, little details emerge that make him increasingly complex.

A lot of the film’s pleasure comes from the strong actors cast in relatively minor roles. There are not enough words to express what it means to have actors like Jim Broadbent as Jay’s mentor, or Greta Gerwig as Ron’s wife, or Stacy Keach as Jay’s father, or Patrick Wilson as a fellow longtime actor. Each of them and more lend an instant air of excellence to the film that elevates the story beyond its simple premise.

Clooney may be playing a version of himself, but as the film notes on multiple occasions, playing yourself is more difficult than it seems. He is deserving of an Oscar nomination, as is Sandler, who doesn’t give off even a whiff of insincerity as a man who has given perhaps a bit too much of himself in aid of another man’s career.

Jay Kelly is not a world-changing film, and some may accuse it of being another navel-gazing Hollywood story. But the forcefulness of Clooney’s performance, the long line of strong supporting actors, and the subtly effective storytelling by Baumbach and Mortimer (making her feature screenwriting debut) help it become much more than might be expected.

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Jay Kelly is now playing in select theaters. It debuts on Netflix on December 5.

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