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    The Expendables vs. Eat Pray Love

    Stallone decks Roberts at the box office: Greased biceps win over archedeyebrows

    Tarra Gaines
    Aug 15, 2010 | 10:41 pm
    • Sylvester Stallone was king of the box office this weekend.
    • Julia Roberts' "Eat Pray Love" was No. 2.
    • "The Expendables"
    • "Eat Pray Love"

    This weekend, I did my ovarian duty and went to see Eat Pray Love with a group of female friends. I’ve never read Elizabeth Gilbert’s book and while I like Julia Roberts, it really wasn’t this summer's must-see movie for me. In fact, there were only two reasons I went.

    One, my best friend in the group recently moved out to Sugar Land, and though I disapprove of this lifestyle choice, I’m trying to support her by trudging out to suburbia to see a movie with her occasionally.

    And two, Sylvester Stallone. I read Saturday morning that The Expendables, and its cast of aging to has-been action stars had bested Eat Pray Love in box office receipts the night before and my uterus felt this was wrong.

    Back in July an Expendables fan video surfaced on YouTube titled “The Expendables Call To Arms.” Along with many shots of the stars of the movie looking manly while shooting and blowing things up, the trailer spread the dire warning that if Julia’s movie makes more money than Sly’s, women would suddenly rule Hollywood and the future will hold only sparkly vampires and romantic comedies.

    This idea is, of course, absurd, evidenced by movie screens littered by the many superhero, action hero, and pudgy/geeky loser-heroes who win the heart of the blond babe with zero percent body fat. And some of these movies I do enjoy. Two X chromosomes do not prevent me from getting a thrill watching shit get blown up as much as the next guy, but occasionally we have to vote with our pocketbooks for explosion-less movies.

    The problem is that I didn’t find Eat Pray Love particularly good, but neither did I find it all that bad. Yes, it’s long and overly self-obsessed — one critic dubbed it "Sit Watch Snooze" — but like Sex and the City 2 before it, this is not the crime against humanity the critics make it out to be.

    Do chick flicks not have a right to be as annoyingly self-indulgent as the male buddy movie or bromance? The main difference is this summer, the female heroes decide to go to exotic locations to find themselves, instead of putting on a superhero mask or greasing up their biceps like their male counterparts. Should I resent real Liz or fictional Carrie for traveling the globe in an attempt to solve their existential dilemmas? I will, when men start resenting Tony Stark for flying the globe in a shiny red and gold suit to work through his mortality issues.

    O.K, I might resent Robert’s Liz a little, but only for her too many flashbacks of her hot, but really whiny exes and her flawlessly arched eyebrows. How does one find time for proper eyebrow maintenance during months of scrubbing floors and meditating at an Indian ashram?

    Unfortunately, for this contest of the sexes, the Stafford theater was only about half full of mostly women. While leaving, I didn’t hear my fellow movie goers raving about Eat Pray Love, though in the restroom I did overhear two older women discussing Gilbert’s appearance on Oprah and what a good episode that had been.

    The women I was with enjoyed it, but chatting in the lobby we mostly discussed our own lives, not the filmed version of Gilbert’s. But then, taking a lesson from the film, a few of us went for ice cream afterwards without guilt.

    The final tally gave the weekend to Stallone with a $35,030,000 gross to Roberts’ $23,700,000. So XY wins this round, but watch out guys. Those Twilight tweens and teens are growing up fast.

    I do have to agree with “Expendables Call to Arms” about one thing. Eat Pray Love really does need some commas in that title. Punctuation knows no gender.

    See the "Expendables Call to Arms" trailer that said manhood would be threatened if Eat Pray Love triumphed:

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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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