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    Aftershocks

    Pony rides & penis size, Real Housewives of Washington D.C. stays sophisticated

    Theodore Bale
    Joseph Campana
    Aug 13, 2010 | 10:37 am
    • OK, the horse wasn't this small on the Real Housewives of D.C.
    • But when Michaele Salahi is the 44-year-old birthday girl it's still a littlemuch.
    • The Real Housewives of D.C. is off to quite the beginning.

    It may not have been a night of honesty on The Real Housewives of D.C., but it was a night of intimate moments. Pony rides, penis size, recycled Crisco, Sunday supper and a champagne cork in the ass were just the start.

    As the second episode unfolds, we don’t yet know enough about these women to truly tell how lively they really are. But the things they do are keeping us rapt.

    So many children dream of opening their eyes to find a beautiful pony as a birthday surprise. Indeed, it was a little surprising and a little too revealing to see this fantasy play itself out with a 44-year-old birthday girl. After hubby Tareq Salahi offers Michaele one choice from an array of designer bags, purses, glasses and other treats, he leads her outside.

    As she floats her perfectly coiffed and über-fake blond tresses out to their gracious yard, what is that coming around the corner? A gorgeous dappled gray horse? She names it “Sparkle.” Then she looks out to the horizon as if she might whip off her ostentatious beige wrap and ride, Lady Godiva-like, across the fair city and pose with the other monuments at the mall. The shopping mall, we mean.

    In spite of a CIA presence, there’s a little too much information in McLean at the home of Mary Schmidt Amons, whose 23 year-old daughter has returned to the roost after a bad breakup bringing her bruised pride and an incontinent dog. Luckily, there’s hired help for multilingual Mary.

    “Since Rosa doesn’t understand English very well, I speak to her in Spanish,” Mary confides, after referring to “mucho mess.” Thank goodness for Rosetta Stone. We can only assume they're soon to market a special housewives edition that includes “shampoo the carpet,” “scrub my walls,” and “pick up after my daughter’s hairy pooping dog.”

    Stacie Scott Turner is hell-bent on testing out new acquaintances at an intimate Sunday soul-food supper at the house of her charming Aunt Frances.

    “You get what you get. And you never know what you gonna’ get,” Stacie says of a meal with her family. Still, she has words of warning for at least one of her castmates. “Cat better not step out there with that English perceived-as-rude-but-trying-not-to-be mess because they will call her out in a second,” she snaps.

    It’s clear how out-of-place Cat feels. Everyone wonders if she thinks she’s in a restaurant. Cat “sends back” a glass of wine, saying “I opened a bottle that looks like it’s been here for 100 years.”

    Perhaps it occurs to her how rude this might seem. It certainly did to everyone else. But she has a unique perspective: “I wasn’t going to make myself ill by being polite,” she scoffs.

    Perhaps being polite would be a risk for the often-rude Cat. Finally, she scarfs some collard greens and then bolts at the end with just a “yummy, yummy, right, I’ve got to hit the road,” before the door nearly hits her ass on the way out.

    The men retreat to a basement decorated with rustic ceramic beer steins and a smart little cocktail tray. It’s all masculine but too tidy to be a man-cave. Stacie’s husband Jason shares what sounds like top-secret information: “I have a patent on the first piece of technology that uses volume to measure the size of different body parts.”

    Haven’t we all been waiting for a device that might accurately measure our body parts? If only we knew the exact size of our ears, our fingers, our pinky toes. It turns out Jason has something more particular in mind when he announces his new invention is called the Penile Volumetric Measuring Device.

    “Slippage is real,” he exclaims of ill-fitting condoms. With the right technology, now they can fit like snug shoes. We couldn’t resist surfing the web during a commercial break to find out more about this intriguing patent. Apparently, it employs a device filled with fluid (water, we hope) and has a place where you “put” the body part you want to measure. We’re thrilled to hear that it has water-tight barriers, clean-freaks that we are.

    The patent application states also that, “in a preferred embodiment, the body part being measured is an erect penis.”

    Lynda’s classy boyfriend Ebong says in a video diary that he’s a little uncomfortable to be talking with three men about the size of a penis. That’s strange-all the men we’ve ever met love to discuss that subject matter, especially when it comes to themselves. With Jason’s invention, they could finally obtain some quantitative data to support their claims.

    Ebong isn’t buying it for his own personal volume, explaining, “We’ll ask Lynda and see what she thinks.” Mary’s husband Rich is odd man out in this little sit-down, and asks if now “is the time for the white men to leave the room.” It seems he doesn’t want to engage in such “small” talk.

    Meanwhile, upstairs Southern Belle Lynda, who hails from southern Georgia, is extolling the virtues of recycling Crisco, in the kitchen at least.

    After all this man-talk, it’s no surprise later in the episode when Tareq whips out a sabre to open a bottle of champagne at birthday bash for the sweet and stylish Paul Wharton. Tareq inadvertently pops Michaele’s frenemy Lynda in the posterior, and There was nowhere to go but down. In just moments the ladies are having one of those “Excuse me!” —“No, excuse me!” —“No excuse me!" fights about remarks Lynda made last week regarding Michaele’s weight.

    We’re always hungry for another mindless squabble sponsored by Bravo, and this tiff hits the spot. But we’re still left wondering if this show isn’t lacking a little meat on its bones. So far another winning franchise, Top Chef, packs more of a punch in the capitol city. Next week, they’ll be cooking at CIA headquarters. What have the housewives done for us lately?

    Is there a Danielle or a Kelly or a Kim waiting in the wings to seize the spotlight? Stacie and Mary name Bravo’s Bethenny Frankel as their model housewife. We love Bethenny, but this seems like a safe choice. We suspect real drama lies elsewhere. Early polling indicates that either Michaele or Cat is just a quick gallop away from really cracking up.

    And we can’t wait.

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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