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    Fitz Makeover

    Big changes for iconic Houston concert venue — beer garden, more parking and better bathrooms!

    Elizabeth Rhodes
    Aug 12, 2015 | 10:15 am

    Following last week's announcement that promotion company Pegstar will no longer host shows at Fitzgerald's — believed to be the city's oldest music venue — many Houstonians feared the worst: The venue was shutting down.

    While Pegstar's final show at the beloved venue will in fact take place on August 29, current Fitzgerald's sound engineer Lauren Oakes — who has worked there since 2004 — will take over and supervise major renovations of the building.

    So what exactly is changing?

    According to Fitzgerald's spokesperson Dutch Small, the building, which was constructed in 1918 and owned by Sara Fitzgerald since the early '70s, will be completely gutted and renovated as soon as the current tenant vacates.

    "Fitzgerald's is not going to become an unrecognizably different place," Small adds. "It will still be Fitzgerald's, it just will no longer be grimy and gritty."

    "We're taking out all the 100-year-old wiring and rewiring the whole building," Small says. "We're completely renovating all of the bathrooms and taking all of the rotten wood off of the exterior and replacing it. The second story balcony will be rebuilt and will wrap around the building.

    "We're going to have a beer garden. We're tearing down several of the houses that are adjacent and turning it into a parking, as well as completely resurfacing the entire parking lot. Most importantly to music fans, we're going to have a significant upgrade of the PA system so the sound and the acoustics — the sonic experience — will be vastly superior."

    Other improvements include a better air-conditioning system, an industrial elevator to assist bands with load-in — bands currently have to carry their equipment up a flight of exterior stairs — and a better backstage area to accommodate the artists.

    "Fitzgerald's is not going to become an unrecognizably different place," Small adds. "It will still be Fitzgerald's, it just will no longer be grimy and gritty."

    Concert celebration

    According to Small, a huge celebratory concert — the artists have yet to be announced — will take place when the venue reopens, currently set for October 3.

    "We've got target dates, but there are realities that no one can control surrounding them," he says. "The reality is that we're not in control of the city, we're not in control of the permitting process, we're not in control of what we find within those rotten walls, we're not in control of a whole lot of things that are going to be part and parcel of this restoration process and it could be that we miss our deadline, but I believe that because everyone loves the venue so much, they would rather see a delay in opening than see it done badly or incompletely."

    "It's Houston's live music church," Oakes says. "We're just making it what it always should have been."

    With Austin-based concert promotion group Transmission — known for Fun Fun Fun Fest and more than 700 events around Austin in 2014 alone — will take over booking shows for Fitzgerald's following the venue's reopening. As for the types of shows that the venue will host, you can expect changes, but nothing earth-shattering, according to Small.

    "We know that Fitzgerald's is a sacred place in the city of Houston," Small says. "We have all grown up there, and not just us, but our audience. It's not going to suddenly become a metal club, it's not going to suddenly become a hip-hop club, it's not going to suddenly become an EDM club. It's going to be Fitzgerald's.

    "We will, as a result of our improved facilities, be able to accommodate bigger acts. That's the most noticeable change in the programming is that the names will be somewhat bigger, but also, because we are all personally involved and have great relationships with local artists, the venue will still remain fully engaged in developing local talent."

    As someone who has frequented the venue since the age of 15, I'm personally excited for all of the changes. Who hasn't had a terrible experience in Fitzgerald's bathrooms or worried that their tire might blow out in their miniscule parking lot?

    Yes, things will be different, but Oakes — who said she's been paying attention to what needs to be fixed at the venue for more than a decade — assures that these changes are all for the best.

    "It's Houston's live music church," Oakes says. "We're just making it what it always should have been."

    A big renovation is planned for the iconic club Fitzgerald's.

    Fitzgerald's Houston place exterior
    Photo via fitzlive.com
    A big renovation is planned for the iconic club Fitzgerald's.
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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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