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    Movie Review

    Bodies Bodies Bodies hit the floor in hilarious horror comedy

    Alex Bentley
    Aug 10, 2022 | 1:07 pm
    Maria Bakalova and Amandla Stenberg in Bodies Bodies Bodies
    Maria Bakalova and Amandla Stenberg in Bodies Bodies Bodies.
    Photo by Gwen Capistran

    People behaving badly can sometimes be among the most entertaining types of films, as the spectacle of them giving in to their basest instincts is great escapism for many who would rarely, if ever, dare to indulge in such activities. That kind of story also gives the audience permission to pass judgment over the characters, condemning their actions while still being entertained by the malfeasance.

    The filmmakers behind Bodies Bodies Bodies know this, and they load their story with all sorts of scenarios that the audience can second-guess. A group of entitled twenty-something friends has gathered for a hurricane party, hoping to have some blackout revelry as the storm rolls through. The group includes Sophie (Amandla Stenberg) and her girlfriend Bee (Maria Bakalova), couple David (Pete Davidson) and Emma (Chase Sui Wonders), new couple Alice (Rachel Sennott) and Greg (Lee Pace), and the solo Jordan (Myha’la Herrold).

    Along with the drinking and the drugs, they decide to play a game called “Bodies Bodies Bodies,” in which the lights are turned off, one person is secretly designated as “the killer,” and that person “kills” someone else simply by touching them. But when one of them actually turns up dead, confusion about the circumstances of that person’s death reigns supreme, and it’s not long before people starting turning on each other.

    Directed by Halina Reijn and written by Sarah DeLappe, the film is a really fun play on the horror/comedy genre, accompanied by some nice digs at modern-day youth culture. The filmmakers establish early on that the group has a lot of internal strife, and the level of trust among them is relatively low for people who claim to be friends. Old rifts rise to the surface quickly, especially when things start to hit the fan.

    We don’t get to know any of the characters that well, but that’s a plus for the story they’re trying to tell. Characters have over-the-top reactions to both small and big things, indicating both a hidden history among the group and the impetuousness of youth. Among the many hilarious things about the movie is the way it pokes fun at the psyches of members of Generation Z, using buzzwords like “triggered,” “safe space,” and others.

    Though the film has some horror movie trappings — remote location, spotty cell service, blackouts — it’s clear that it’s not playing by strict horror movie rules. Sparse lighting in the form of glowsticks and smartphone flashlights ups the tension, often keeping the audience literally and figuratively in the dark, but the scenes induce laughter as much as they do fear. Violent acts that occur can be intense, but the petty infighting that accompanies the scenes helps lighten the mood.

    The young cast is led by higher-profile actors like Stenberg, Davidson, and Bakalova, but they become a true ensemble as the film goes along. Davidson plays true to his Saturday Night Live persona, which is perfect for his role. Sennott stands out thanks to her character’s hysterics, and she steals many of the scenes she’s in. Pace is the odd man out as the oldest one of the group, but the age difference — and his performance — plays well for the story.

    Bodies Bodies Bodies is a great antidote to a summer blockbuster season in which many films didn’t live up to their promise. It does a lot with a little, showcasing its cast and clever story to the utmost.

    ---

    Bodies Bodies Bodies opens in theaters on August 12.

    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies.

    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies
    Photo by Eric Chakeen
    Amandla Stenberg, Maria Bakalova, Chase Sui Wonders, and Rachel Sennott in Bodies Bodies Bodies.
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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