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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 13, 2019 | 1:00 pm

    The week before many local schools start is traditionally a slow one for live music in Houston. Not many folks are venturing out when school supplies need to be bought, apparently. But for those without kids or in need of blowing off steam before a new school year (ahem, teachers), there are a few options to get what you need, including a massive lawn show at White Oak Music Hall (see below).

    CultureMap's biggest, best, and most notable shows of the week include:

    Pedro the Lion
    Revered indie singer-songwriter David Bazan gained a dedicated base of fans following the early beginnings of his project Pedro of Lion, starting off as a Christian artist, before embracing a more adventurous indie sound. 1998's It's Hard to Find a Friend, was widely considered a classic upon it's release, it's quieter, low-fi production striking a chord among emo fans and alt-rockers alike.

    After three more well-received albums, including the fantastic Achilles' Heel in 2004, Bazan embarked on a solo career, never achieving those same heights. Thankfully, Pedro the Lion's back with this year's aptly-titled Phoenix, much to the delight of old fans and new. They'll be joined on stage by MewithoutYou, another cult fave with Christian roots.

    Pedro the Lion and Mewithoutyou co-headline at White Oak Music Hall, located at 2915 N. Main St., on Tuesday, August 13. The Interrupters, Dreamers, and Bikini Trill open. Tickets start at $24, plus fees. Doors open at 7 pm.

    Social Distortion and Flogging Molly
    One of the hardest-working acts in the business, punk band Social Distortion has been a going concern for over 40 years, led by the indomitable Mike Ness, the gravel-voiced, tattooed singer-guitarist that has seen the ups-and-downs of the music industry and drug addiction, and somehow still keeps mounting huge tours. First gaining massive popularity in the '90s with the wave of California punk acts taking over airwaves, Social D — a band whose sounds are built on melodies of the Clash mixed with Americana storytelling — continues to put on great shows even if the band's output has been spotty.

    Los Angeles act Flogging Molly has also steadily built a following on tireless touring, incorporating Celtic instruments and folk-rock into its punk ethos, much in the same vein of The Pogues. Tales of late, hazy nights and the working class endeared them to fans outside of their Irish sounds all the way back to their thrilling 2000 debut, Swagger, and their hit single, "Drunken Lullabies."

    Social Distortion and Flogging Molly co-headline Revention Music Center, located at 520 Texas Ave., on Wednesday, August 14. The Devil Makes Three and Le Butcherettes open. Tickets start at $49.50, plus fees. Doors open at 5:30 pm.

    CultureMap recommends: Lyle Lovett and His Large Band at Smart Financial
    Anyone who witnessed Lyle Lovett opening for George Strait during the largest show in NRG Stadium history knows the Houston-born musician has tremendous talent. He never sold a lot of records compared to his counterparts, but it was apparent from his classic debut, self-titled album that he would push country into new, forward-thinking directions with notes of Americana, R&B, and gospel, something that was sorely needed in a genre that relied on tradition to top the charts.

    He has been recognized for his ingenuity with four Grammy awards and the respect of the finest songwriters in the game. In an over-commercialized industry, that amounts for something. His latest album is his 2017 Greatest Hits collection. Expect to hear a lot of those when he makes his debut at Smart Financial Centre at Sugar Land.

    Lyle Lovett and His Large Band perform the Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Wednesday, August 14. Tickets start at $59.50, plus fees. Show starts at 8 pm.

    CultureMap show of the week: Vampire Weekend at White Oak Music Lawn
    Somewhere along the way, Vampire Weekend, those men of popped Polo collars, sweet melodies, and Afro-inspired rhythms, became one of the biggest bands in the world. Right out of the gate with their 2008 self-titled debut, the New York-based band was herald by music press as the next great hope for indie music, and it immediately catapulted them near the top of festival bills and theater-sized shows around the world.

    Two follow-ups, 2010's Contra and 2013's Modern Vampires of the City maintained their status as the kings of the indie circuit. But the sameness of their sound led the band to take a break and one member, Rostam Batmanglij, to depart to pursue a successful production and solo career. When they reemerged this year with the hyped Father of the Bride, it featured new sounds, including the Madchester-house influenced lead track "Harmony Hall," the Ezra Koenig-led band all the much better for it. Make no mistake: this will be one of the biggest shows of the summer.

    Vampire Weekend plays the White Oak Music Hall lawn, located at 2915 N. Main St., on Saturday, August 17. Special guests Christone "Kingfish" Ingram opens. Tickets start at $79.50, plus fees. Gates open at 6:30 pm.

    Grace VanderWaal
    We're questioning the decision why anyone would book a show featuring the 15-year-old phenom that won America's Got Talent the day before school starts, robbing much of the audience the opportunity but nonetheless, the show must go on for Grace VanderWaal, who rolls into town behind a new, more mature sounding single, "Waste My Time," and more skills in her ukulele-playing pinkie finger than most people do in their entire body.

    Her run as a 12-year-old on the Simon Cowell-led reality competition remains one of the high watermarks in this often low-tread form of television and we dare anyone to get through a recap of her coming out party without the use of a Kleenex.

    Grace VanderWaal is at Warehouse Live, located at 813 St. Emanuel St., on Sunday, August 18. Jade Johnson opens. Tickets start at $28.50, plus fees. Doors open at 8 pm.

    CultureMap show of the week: Vampire Weekend plays the White Oak Music Hall lawn on Saturday, August 17.

    Vampire Weekend
    Photo by Julio Enriquez
    CultureMap show of the week: Vampire Weekend plays the White Oak Music Hall lawn on Saturday, August 17.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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