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    Apparently, Andy Cohen's visit didn't register

    Winning the gay fray: How to make Houston gayer than Dallas

    Fayza A. Elmostehi
    Aug 1, 2010 | 11:04 am
    • Not even the Bunnies on the Bayou could convince The Daily Beast to includeHouston on the list of America's Gayest Cities.
      Photo by Dalton DeHart
    • Now imagine these boys strolling along the Ship Channel. Brings a tear to theeye, doesn't it?
    • You'll see more of this than the American flag in Montrose.
      diogenesii.wordpress.com

    On the vast spectrum of gayness, Houston occupies quite a colorful position.

    Our city's highest elected official is an effervescent lesbian.

    The hetero hip and the homo hipster alike wine, dine and party in Montrose and beyond.

    The Houston Gay Pride Parade is the largest pride event in this neck of the American woods.

    Our stage space for theatrical performances is second only to the Big Apple (fine, not quite, but it is bigger than other Texas scenes, at least).

     Houston's (woeful) local installation of the nation's pastime even celebrated an entire day dedicated to the gay at Minute Maid Park.

    Hell, after Houston's typical dash of rain and a splash of sun, the skies are virtually branded with a rainbow cocktail of the pride movement's primary symbol.

    Let's start with the man in the mirror here. Houston is the next big thing hurtling down the gay-to-play field.

    And yet, we're not gay enough for you, The Daily Beast?

    Apparently not. In The Daily Beast's questionable list of the Gayest Cities in America, Houston was shockingly stonewalled. To add Kmart to Comme des Garcons, our blonder neighbor to the north inexplicably made the parade. And there's no way we'll even nibble on the tart idea that the homoland security in Dallas is tighter than ours.

    So how do we left this wrong?

     Fleet Week, Ship Channel-Style
    Those milkshake-white suits bring all the seaman to the shipyard. Straight or gay, there's no harm in a little sailor sightseeing. And stimulating the economy never looked so good in tight pants.

     Cher the Wealth
    The icons of the homosexual cosmos have been remiss in their responsibilities, and it shows. In the absence of appearances by Cher or Kylie Minogue, the gaping holes register Alexander McQueen-sized chasms in our mirror-dancing repertoires.

    We certainly hope Melissa Etheridge pulled a Lady Gaga and had a gay ol' time after her show in town last night. It's the least she could do.

    Accountability is key. We must force these role models to step up to the plate and shine.
     
     Have a Gay? Give a Gay!
    Nobody knows gay like San Francisco. So let's stick our pride in our Prada man purses, and call in for reinforcements. There's no sense in restricting exchange programs to students. And in the disciples of Harvey Milk we trust.

    There's work to be done here, Houston. We simply can't let Dallas get away with this.

    While perhaps it's not obvious to us, the rest of the country thinks Houston needs to wave its pride flag higher. So let's put our heads together and gay it up. Yes, we can!

    Dear reader, how would you further gayify our city?
     

    unspecified
    news/entertainment

    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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