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    In the wake of MLS All-Star Game hype

    Thierry (handball) Henry could be the real star of this Houston soccer week

    David Theis
    Jul 30, 2010 | 9:37 pm
    • Thierry Henry is the biggest MLS import since David Beckham.
    • Can Brian Ching and the Houston Dynamo turn the momentum of the MLS All-StarGame into a big crowd Saturday night?

    Manchester United's visit to play the MLS All-Stars generated impressive buzz (if an unimpressive match), but none of the Red Devils will be the most prominent soccer player who visits Houston this week.

    Not with French striker Thierry Henry, newly signed with the New York Red Bulls, making his first MLS start against the Houston Dynamo Saturday night at 7:30.

    Henry has had one of the great careers in recent soccer history. On the club level, he starred in the Italian league at Juventus. But he really made his name when he transferred to Arsenal in the English Premier League. He became Arsenal’s all-time leader scorer, and his 174 goals in EPL competition make him the league’s third all-time leading scorer. He played for Barcelona the last four years, where he failed to distinguish himself.

    But of course, a footballer could be pretty damn good and still get lost in the crowd at Barcelona.

    As a 20-year-old, Henry was France’s leading scorer at the 1998 World Cup, which they won, and he became the smiling face of les bleus, and the poster-guy for French multiculturalism. (The Jean Le Pen crowd had to stop complaining that the racially mixed French team “didn’t look like France” when they became world champions. That attack returned after France bombed out of the 2010 World Cup.)

    Henry recently retired from the national team as France’s all-time leading scorer.

    He did finish his international career under something of a cloud, as committing a notorious but unpunished handball that allowed France to squeeze into South Africa ahead of Ireland. (All in all, Henry probably wishes he’d kept his hand pinned to his side.)

    But when French president Nicolas Sarkozy wanted to get to the bottom of the national team disaster, it was Henry he called to a “crisis meeting” at the Elysee palace. (I wonder what they really talked about? The glories and tribulations that go with being married to a model? (Henry is divorced from one model and engaged to another.)

    How much does Henry have left the tank? That’s a good question. At 32, he’s well past his prime, but he should still have enough game to make an impact here. After all, West Ham of the EPL was also bidding on his services, and he may have taken less money to play in New York.

    I’m pulling for him, within reason. Henry is one of the most elegant players to ever pull on a (soccer) boot, and I’m hoping to see some of his silky stylings at Robertson Stadium. I’m also looking forward to seeing the Dynamo win, and to chanting “hand ball” every time Henry gets anywhere near me.

    When will the Dynamo get a fancy European of their own? If you hold your breath until that happens, then you’ll turn bleu too.

    unspecified
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    Movie Review

    28 Years Later revives zombie franchise for new generation

    Alex Bentley
    Jun 20, 2025 | 5:00 pm
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later
    Photo by Miya Mizuno
    Aaron Taylor-Johnson and Alfie Williams in 28 Years Later.

    The 2000s brought two of the best zombie movies ever made in 28 Days Later and 28 Weeks Later. Both films, despite being made by different filmmakers, featured intense action with fast-moving zombies, harrowing sequences, and real emotional connections with their main characters. Now the original director and writer — Danny Boyle and Alex Garland — have returned with the first of a possible three sequels, 28 Years Later.

    The rage virus from the first two films that turns humans into insatiable monsters has successfully been contained to the United Kingdom, and one group of survivors has managed to band together on a small island off the coast of England. We’re introduced to the group through Jamie (Aaron Taylor-Johnson), his wife, Isla (Jodie Comer), and his son, Spike (Alfie Williams).

    Isla is sick with an unknown illness, while Jamie is set to take the 12-year-old Spike on his first trip to the mainland to hunt zombies. That trip not only gives Spike an education as to the different types of feral zombies that now populate England, but also a clue that other people have survived there. When he discovers that one of them may be a doctor, he makes plans to take his mother there in hopes of finding a cure for whatever ails her.

    While the first two films were notable for their brisk pace that kept the potency of the stories high, Boyle and Garland almost go in the opposite direction for much of this film. The first 90 minutes are relatively slow, with only a couple of sequences that raise the blood pressure. The final half hour or so go a long way toward filling that void, so it’s clear that the filmmakers were biding their time for the story to come in the sequel. A bit more balance in this film would have served them well, though.

    What they do show involves some weird, wild stuff that is objectively upsetting, even for fans of the genre. The zombies have evolved in strange ways, giving them a variety of body shapes and abilities to suit the environment in which they live. These storytelling choices may thrill some and have others scratching their heads. Another human character living on his own (played by Ralph Fiennes), appears to have gone the way of Colonel Kurtz in Apocalypse Now, with a revelation that is bone-chilling.

    Boyle, who’s directed everything from Trainspotting to Slumdog Millionaire, doesn’t have a signature style, and he makes some choices in this film that test your patience. He occasionally employs an odd technique in which the film stutters, for a lack of better term. It’s a bit jarring, especially since it doesn’t seem to improve the storytelling. He also inserts scenes from older films involving medieval warfare that emulate the bow-and-arrow weaponry used by characters in this film, but the exact connection he’s trying to make is unclear.

    The young Williams has a lot put on his shoulders in the film, and he proves to be up to the task of carrying the story. He isn’t precocious or annoying, instead reacting almost exactly like you’d expect a boy of his age to do when faced with extreme situations. Taylor-Johnson and Comer are good complements for him, drawing him out with their polar opposite characters. Fiennes makes a huge impression in the final act of the film, while Jack O’Connell makes a very brief appearance, teasing a bigger role to come.

    It’s difficult to fully judge 28 Years Later because it’s designed to only give you part of the story; part 2, The Bone Temple, is due in 2026, while a third film will follow if the first two do well. This film has its moments and winds up on the positive side of the ledger, but it’s also a frustrating experience that could have used a more stand-alone story.

    ---

    28 Years Later is now playing in theaters.

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