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    Young Houston Actress Remembered

    21-year-old actress who died mysteriously in Houston celebrated for her spirit in a moving memorial service

    Clifford Pugh
    Jul 25, 2014 | 7:56 pm

    As a performer, Skye McCole Bartusiak thrilled audiences in such films as The Patriot and television shows like 24. But on Friday, in the shadow of a large wreath in the shape of a pink butterfly on the podium of Memorial Drive Presbyterian Church, the 21-year-old actress was remembered more for her warm spirit, sense of adventure and "uncontrollable contagious" laugh than her considerable acting talents.

    "If you want to remember her, remember that smile and remember that laugh," her brother Stephen Bartusiak told several hundred mourners at a service to honor her memory.

    "She was a fighter but she never gave up. Her successes were well documented but her challenges less so."

    Skye Cole Bartusiak died unexpectedly last weekend at a garage apartment adjoining her parents' home. Her mother told CNN that she had suffered periodic seizures in recent weeks. A spokesperson for the Harris County Medical Examiner's Office says the cause of death remains under investigation.

    Lynne Buckridge, pastor at Heights Presbyterian Church, where Bartusiak and her family were members, told mourners that throughout her life, the actress had battled acute pancreatitis, chronic back pain as a result of an injury when she appeared on Broadway in The Miracle Worker in 2003, and epileptic seizures.

    "Most 19 and 20 year-olds think they are 10 feet tall and bulletproof, but Skye recognized the realities of her own physical frailties," Buckridge said. "She was a person familiar with suffering."

    As a successful actress at such a young age — she was 7 when she became famous after starring opposite Mel Gibson in the 2000 hit movie, The Patriot — Bartusiak was "truly unique," Buckridge said.

    "I mean not just anybody can steal a scene right out from under Mel Gibson. (But) there was a depth and authenticity to this young woman. Skye was probably a bit of mystery in Hollywood. She didn't fit neatly into any of those Hollywood categories. Skye was a gifted thespian, but as everyone is this room knows, she was so much more than that."

    Her father, Don Bartusiak, said the family had received notes from friends and fans from around the world that used the same phrase to describe her — "She lit up the room."

    "Skye's ability to engage people emotionally was exceptional," he said.

    But she also was tough and brave, he said. "As an actress auditioning, Skye probably experienced more rejection in a decade than most people do in a lifetime. She was a fighter but she never gave up. Her successes were well documented but her challenges less so," he said.

    Her brother, Stephen, recalled a close relationship that included regular outings to see the alternative band 311. They were slated to attend a concert by the group in Houston next week. "So remember my sister for being that free-spirited, happy-go-lucky rasta girl," he said, as the audience laughed.

    "If you know what want to know what makes Skye happy, go out and plant a tree. Make it a place you can go to when you want to reflect. Make it a place where you write or where you think. But make it your safe place, because that's what Skye would want," he said.

    unspecified
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    Movie Review

    Boots Riley takes aim at fashion and social issues in I Love Boosters

    Alex Bentley
    May 26, 2026 | 11:00 am
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters
    Photo courtesy of Neon
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters.

    Boots Riley’s first feature film, 2018’s Sorry to Bother You, was an auspicious and audacious debut that challenged viewers both with its subject matter and the visuals it contained. Even though it took eight years for him to put out his second film, Riley hasn’t lost his knack for outrageousness in the almost inexplicable I Love Boosters.

    At its core, the movie is about three women - Corvette (Keke Palmer), Mariah (Taylour Paige), and Sade (Naomi Ackie) - who survive in the world by boosting (aka stealing) high-end fashion and reselling it for more affordable prices. In the surreal world in which the film takes place, their primary target is Metro Designers, a shop that deals in monochromatic clothes and is led by the eccentric CEO Christie Smith (Demi Moore).

    The women’s felonious-but-low-stakes mission is up-ended by the appearance of Jianhu (Poppy Liu), who possesses a machine that shoplifts much better than they ever could. The only difference is that Jianhu is looking to expose the shoddy working conditions in the Chinese factories where Metro Designers’ clothes are made. Inspired, the women join forces on a quest that is as bizarre as it is righteous.

    Riley, who both wrote and directed the film, loves his over-the-top visuals. There are eye-popping elements in almost every scene of the film, from the clothes in the Metro Designers stores to the oddly-slanted floors of Smith’s office to the bold masks worn by the group during one heist. Every weird thing on screen serves a purpose, though, even the transformation of Pinky Ring Guy (LaKeith Stanfield) from an object of Corvette’s desire into a soul-sucker with an unusual method.

    While not quite as pointed as Sorry to Bother You, which had Black characters affecting “white” voices to be more appealing to the general public, the film does take aim at a variety of different social issues. The idea of wealth inequality is front-and-center, with Corvette and her friends forced to squat in an abandoned restaurant. The treatment of Chinese factory workers, fashion industry practices and excesses, and more crop up over the course of the film.

    The latter half of the film gets crazier, if that’s even possible. Jianhu’s machine introduces sci-fi elements into the story, with the same circular contraption able to transport, disintegrate, and transform objects or people. Combined with the visuals and storyline, the film becomes something that is both wildly entertaining and also somewhat incomprehensible.

    While the movie has a large cast, Palmer is inarguably the star. With her effervescent acting style and an overall inviting demeanor, she sells every bonkers turn the film takes. Each of the supporting actors gets a moment to shine, but Paige, Ackie, and Moore have the most impact. Stanfield is memorable in a creepy kind of way, but he’s been better in other films.

    I Love Boosters is one of the more outlandish and interesting films to come out in 2026, a long-awaited return from Riley that demonstrates his strong storytelling and filmmaking voice. Even if it’s not clear exactly what’s happening at every turn, the acting and the audacity of the visuals keeps the film extremely watchable.

    ---

    I Love Boosters is now playing in theaters.

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