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    Young Houston Actress Remembered

    21-year-old actress who died mysteriously in Houston celebrated for her spirit in a moving memorial service

    Clifford Pugh
    Jul 25, 2014 | 7:56 pm

    As a performer, Skye McCole Bartusiak thrilled audiences in such films as The Patriot and television shows like 24. But on Friday, in the shadow of a large wreath in the shape of a pink butterfly on the podium of Memorial Drive Presbyterian Church, the 21-year-old actress was remembered more for her warm spirit, sense of adventure and "uncontrollable contagious" laugh than her considerable acting talents.

    "If you want to remember her, remember that smile and remember that laugh," her brother Stephen Bartusiak told several hundred mourners at a service to honor her memory.

    "She was a fighter but she never gave up. Her successes were well documented but her challenges less so."

    Skye Cole Bartusiak died unexpectedly last weekend at a garage apartment adjoining her parents' home. Her mother told CNN that she had suffered periodic seizures in recent weeks. A spokesperson for the Harris County Medical Examiner's Office says the cause of death remains under investigation.

    Lynne Buckridge, pastor at Heights Presbyterian Church, where Bartusiak and her family were members, told mourners that throughout her life, the actress had battled acute pancreatitis, chronic back pain as a result of an injury when she appeared on Broadway in The Miracle Worker in 2003, and epileptic seizures.

    "Most 19 and 20 year-olds think they are 10 feet tall and bulletproof, but Skye recognized the realities of her own physical frailties," Buckridge said. "She was a person familiar with suffering."

    As a successful actress at such a young age — she was 7 when she became famous after starring opposite Mel Gibson in the 2000 hit movie, The Patriot — Bartusiak was "truly unique," Buckridge said.

    "I mean not just anybody can steal a scene right out from under Mel Gibson. (But) there was a depth and authenticity to this young woman. Skye was probably a bit of mystery in Hollywood. She didn't fit neatly into any of those Hollywood categories. Skye was a gifted thespian, but as everyone is this room knows, she was so much more than that."

    Her father, Don Bartusiak, said the family had received notes from friends and fans from around the world that used the same phrase to describe her — "She lit up the room."

    "Skye's ability to engage people emotionally was exceptional," he said.

    But she also was tough and brave, he said. "As an actress auditioning, Skye probably experienced more rejection in a decade than most people do in a lifetime. She was a fighter but she never gave up. Her successes were well documented but her challenges less so," he said.

    Her brother, Stephen, recalled a close relationship that included regular outings to see the alternative band 311. They were slated to attend a concert by the group in Houston next week. "So remember my sister for being that free-spirited, happy-go-lucky rasta girl," he said, as the audience laughed.

    "If you know what want to know what makes Skye happy, go out and plant a tree. Make it a place you can go to when you want to reflect. Make it a place where you write or where you think. But make it your safe place, because that's what Skye would want," he said.

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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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