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    Young Houston Actress Remembered

    21-year-old actress who died mysteriously in Houston celebrated for her spirit in a moving memorial service

    Clifford Pugh
    Jul 25, 2014 | 7:56 pm

    As a performer, Skye McCole Bartusiak thrilled audiences in such films as The Patriot and television shows like 24. But on Friday, in the shadow of a large wreath in the shape of a pink butterfly on the podium of Memorial Drive Presbyterian Church, the 21-year-old actress was remembered more for her warm spirit, sense of adventure and "uncontrollable contagious" laugh than her considerable acting talents.

    "If you want to remember her, remember that smile and remember that laugh," her brother Stephen Bartusiak told several hundred mourners at a service to honor her memory.

    "She was a fighter but she never gave up. Her successes were well documented but her challenges less so."

    Skye Cole Bartusiak died unexpectedly last weekend at a garage apartment adjoining her parents' home. Her mother told CNN that she had suffered periodic seizures in recent weeks. A spokesperson for the Harris County Medical Examiner's Office says the cause of death remains under investigation.

    Lynne Buckridge, pastor at Heights Presbyterian Church, where Bartusiak and her family were members, told mourners that throughout her life, the actress had battled acute pancreatitis, chronic back pain as a result of an injury when she appeared on Broadway in The Miracle Worker in 2003, and epileptic seizures.

    "Most 19 and 20 year-olds think they are 10 feet tall and bulletproof, but Skye recognized the realities of her own physical frailties," Buckridge said. "She was a person familiar with suffering."

    As a successful actress at such a young age — she was 7 when she became famous after starring opposite Mel Gibson in the 2000 hit movie, The Patriot — Bartusiak was "truly unique," Buckridge said.

    "I mean not just anybody can steal a scene right out from under Mel Gibson. (But) there was a depth and authenticity to this young woman. Skye was probably a bit of mystery in Hollywood. She didn't fit neatly into any of those Hollywood categories. Skye was a gifted thespian, but as everyone is this room knows, she was so much more than that."

    Her father, Don Bartusiak, said the family had received notes from friends and fans from around the world that used the same phrase to describe her — "She lit up the room."

    "Skye's ability to engage people emotionally was exceptional," he said.

    But she also was tough and brave, he said. "As an actress auditioning, Skye probably experienced more rejection in a decade than most people do in a lifetime. She was a fighter but she never gave up. Her successes were well documented but her challenges less so," he said.

    Her brother, Stephen, recalled a close relationship that included regular outings to see the alternative band 311. They were slated to attend a concert by the group in Houston next week. "So remember my sister for being that free-spirited, happy-go-lucky rasta girl," he said, as the audience laughed.

    "If you know what want to know what makes Skye happy, go out and plant a tree. Make it a place you can go to when you want to reflect. Make it a place where you write or where you think. But make it your safe place, because that's what Skye would want," he said.

    unspecified
    news/entertainment

    Movie review

    Messy Frankenstein movie The Bride! stitches camp and confusion

    Alex Bentley
    Mar 9, 2026 | 3:45 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

    moviesfilmmaggie gyllenhaalannette beningchristian balejessie buckleypeter sarsgaardpenélope cruzmovie review
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