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    Scalpers groan as ducats sell under face

    Not exactly a frenzy: Tickets to Lady Gaga's sold-out Houston shows are easy tocome by

    Chris Baldwin
    Jul 25, 2010 | 6:51 pm
    • Lady Gaga may be the ultimate showwoman, but she's not a scalper's best friend.
    • If you wanted to get into Lady Gaga's Sunday night show at the Toyota Center,you could — often for less than face value.
      Courtesy photo

    Lady Gaga's two Toyota Center shows have officially been sold out almost from the moment the ducats became available for purchase. But as any scalper, veteran concert goer or trend follower can tell you, not all sell outs are created equal.

    It takes a continuing buzz to turn a sold-out show into a sought-after juggernaut — an overwhelming desire from people who didn't get tickets to still get in. These are the super shows that becomes a scalpers' great white whale and Gaga isn't coming anywhere close to delivering on that promise in Houston.

    As I walked by the Toyota Center late this afternoon after attending the Houston Astros' game, I was offered two prime lower level seats (16th row) for Gaga's show tonight for $100 each — well under the face value of the tickets. Sure, the guy started out by asking for $200 apiece (which still isn't that bad considering that good lower level seats retailed for close to two bills). But one of the easiest scalper negotiations ever cut that in half in a matter of moments.

    When I told the guy that I really wasn't interested in buying Lady Gaga tickets (apparently, the two toddlers in my entourage weren't enough of a giveaway) and that I worked in the media, he just shook his head.

    "Gaga is killing us," he said. "She might have some crazy fans, but there's not as many of them as I thought. This is one of the more disappointing nights since I've been in the business. I was really counting on this with how horrible the Astros are selling for us this year too."

    A check of StubHub.com — the "secondary" online ticket market giant — showed more of the same. Two seats in section 107, row 19 were going for $155 each when the Gaga show was less than three hours away. StubHub sellers are still asking for around $240 per ticket for those type of seats for Monday night's concert — with one delusional seller trying to peddle off two third-row seats for $499 each. (Seats almost always go down the closer you get to the actual event on ticket broker websites).

    For all the hype over Gaga's Bayou City appearance, it's becoming harder and harder for anyone to argue that these are some of the most significant concerts Houston has seen.

    Of course, it could be argued — with face value starting at $49.50 for the worst seats — that Gaga tickets being overpriced from the beginning is what really killed the scalping market, and some of the buzz. The worldwide malaise that's been gripping the concert market — forcing even big acts to cancel shows — makes any sell outs (no matter how soft) a little more impressive as well.

    You couldn't doubt the dedication of 100-plus fans ( a good-sized crowd, if not a corpse flower-worthy one) with general admission floor seats who lined up in the 95-degree afternoon heat to wait until the doors opened to sprint to the best possible spots. Many were decked out in costumes and body paint, awaiting a glimpse of the object of their worship.

    "You have to be young to like Lady Gaga," 19-year-old Jessica Spiers said. "But not so young that our parents are going to be buying us $300 seats like all those Justin Bieber kids. And when you're young without mommy and daddy's credit card, you don't have money to pay extra.

    "We paid enough. Lady Gaga fans aren't dumb. We have common sense."

    Spiers paused to excuse herself for a moment. Some of the black paint on her forehead was running into her eyes.

    unspecified
    news/entertainment

    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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