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    Midtown's Art Landscape

    Could the proposed Independent Arts Collaborative inhibit independent artscollaborations?

    Steven Devadanam
    Jul 24, 2011 | 10:30 am
    • In the past, Horse Head Theatre Co. has performed at bars.
      Photo by Anthony Rathbun
    • Barnevelder Movement/Arts Complex

    Plans for the Independent Arts Collaborative in Midtown has Houston's creative community celebrating a future art nexus to house such organizations as DiverseWorks, FotoFest, Main Street Theatre and Suchu Dance.

    But could the reshuffle impact fringe, artist-driven groups that currently use these organizations' leased spaces?

    Consider EaDo's Barnevelder Movement/Arts Complex, a 7,200-square-foot space with three fully-equipped dance studios and an 120-seat theatrical performance venue. Since its founding, the complex has been HQ to Suchu Dance, as well as host to myriad classes, rehearsals and performances by outsider dance and theater groups. With Suchu's move to the IAC, Barnevelder's lease risks a clean break, potentially leaving its former guest art groups out in the cold.

    "It's a little up in the air," Barnevelder's Louie Saletan tells CultureMap regarding whether he will keep the space open once the IAC is erected. "It depends on how much rehearsal space we'll be able to carve out. Ideally, it will close," he says before clarifying, "We definitely wouldn't do anything that would hurt the arts community or make it cost-probitive. It's extremely important that we maintain opportunities for all levels of art groups."

    Suddenly, the line between "independent" and "elite" art spaces has blurred.

    With projected rental costs similar to that of the Hobby Center's Zilkha Hall, the IAC would indeed be out of reach for theater companies that have performed at Barnevelder, such as Mildred's Umbrella, Stark Naked, Mosaic and Horse Head. Suddenly, the line between "independent" and "elite" art spaces has blurred.

    "If the cost is similar to the Hobby Center, then none of the smaller companies will ever be able to afford renting a theater in that space," says Kevin Holden of Horse Head. "Other than the Alley and Stages, everyone will be really hard-pressed to afford something on the scale of the Hobby Center. Losing Barnevelder would be a setback."

    Discussions on the IAC began six years ago. By the time the new collaborative opens its doors, it could face brisk competition for lease tenants from another fresh-faced arts complex being planned by University of St. Thomas that features a large theater, black box theater and multi-functional conference center designed by Studio Red Architects. As the IAC negotiates reshuffling venues, could its original mission have already been eclipsed by other initiatives like UST's Performing Arts and Conference Center and the nascent Spring Street Studios?

    Still, the looming IAC hardly represents a dark era for small arts groups. "Perhaps there's opportunities for the small theater companies to be involved in the progression of the new space, doing work as a partial resident," says Holden. "It's such a very big project, and it seems too early to either get your hopes up or get irritated. Regardless of whether we'll be welcome there, the community's always at a shortage of quality spaces to perform at."
    Leave it to the inventive, nomadic arts organizations to summon the creativity to find the new infrastructure and venues that enable their continued contribution to the local arts community.
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    In the spotlight

    Houston reels in new rank among 10 best cities for filmmakers in 2026

    Amber Heckler
    Feb 27, 2026 | 4:00 pm
    Filmmaking, best cities for filmmakers
    Photo by Kyle Loftus on Unsplash
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    Houston has just snapped up new recognition as the No. 10 best place to live and work as a filmmaker in North America, according to MovieMaker Magazine's annual report, "The Best Places to Live and Work as a Moviemaker in 2026."

    The Bayou City has made improvements after ranking 12th in the magazine's 2025 list.

    The annual list ranks the best cities in the U.S. and Canada for individuals to live while working in the film industry, based on production spending, tax incentives, cost of living, the prevalence of "local film scenes," and additional factors. The list is divided into two categories: 25 big cities and 10 smaller cities or towns.

    The spotlighted cities are the places where the publication believes filmmakers "have the best chance of both succeeding in the famously difficult entertainment industry, and making [their] own art."

    For up-and-coming filmmakers that want to live in Texas, MovieMaker says doing it in Houston is "more sustainable than ever" thanks to incentives like the Texas Moving Image Industry Incentive Program, which increased its production grant rebate from 22.5 percent to up to 31 percent for qualified in-state spending. The report also said Houston has an "arms-wide-open" approach for filmmakers.

    "As the biggest city in Texas, and fourth biggest city in America, Houston has nearly every type of location, from cityscapes to piney woods to rolling hills to nearby farmland," the report said. "It’s close to Galveston Island and the Gulf of Mexico, and car commercials love the absence of billboard advertising."

    MovieMaker also highlighted Houston's diversity, its low cost of living compared to the national average, and its local festivals like the Houston Cinema Arts Festival and Houston Latino Film Festival.

    "The city has enough film crew for two to three sizable features, and recent shoots have included the thrillers Eleven Days, with Taylor Kitsch, and A Love, from director Courtney Glaude, Tyler Perry Studios’ executive creator of Scripted and Unscripted," the report said. "Houston is also notable for a strong contingent of films with budgets under $1 million."

    Elsewhere in Texas, Austin ranked as the No. 5 best place to live and work as a filmmaker in North America. Dallas ranked seventh, while neighboring Fort Worth ranked 12th. San Antonio appeared as No. 14, and El Paso landed 25th on the list.

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