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    Live Music Now

    These are the 6 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jul 24, 2018 | 3:37 pm

    Let's hope the weather gods take it easy on Houston music fans by the end of the week, as big outdoor shows always run the risk pf being sweaty, scorching spectacles (not in a good way). The best thing about this week's live music selections is there is plenty of diversity to satiate any type of fan — with fan being the key word. Bring one, or a dozen, with you if venturing out to see any of following shows.

    Malkmus' Jicks bring the gold sounds
    Few performers are as revered in the indie-rock world as former Pavement frontman Stephen Malkmus. His work with that California band in the ’90s, featuring off-kilter melodies and an apathetical croon defined the next 20 years of the genre, pretty much creating modern hipsters in the process. Following the dissolution of that group, Malkmus pursued a successful career with his hand-selected act, The Jicks, producing seven albums that build on the foundation Pavement once laid down, adding more sounds to the palette. The band is touring behind its latest, Sparkle Hard, with promotional material that features a very unhipster-like Malkmus astride a horse for some reason.

    Stephen Malkmus and the Jicks perform at White Oak Music Hall, located at 2915 North Main St., on Thursday, July 26. Soccer Mommy opens. Tickets start at $22 in advance plus a $9.22 service charge. Doors open at 8 pm.

    CultureMap show of the week: Turnpike Troubadours, Corb Lund, and Shooter Jennings
    Fans of Americana music won’t want to miss a stacked lineup on the White Oak Music Hall lawn this Friday when Oklahoma’s Turnpike Troubadours come to town for a lawn show. The grizzled five-piece hasn’t put out a bad album, including last years A Long Way From Your Heart, and mixes a variety of sounds that wouldn’t be out of place in the Bayou City, including rock, bluegrass, country and folk. They’ll be joined by two acts that could headline their own tours, the talented Americana singer-songwriters Corb Lund and Shooter Jennings.

    The Turnpike Troubadours play White Oak Music Hall, located at 2915 North Main St., on Friday, July 27. Corb Lund and Shooter Jennings open. Tickets are $30 in advance plus a $11.54 service charge. Gates open at 6 pm.

    The English Beat goes on
    Known simply as The Beat back in their native U.K., The English Beat is best known in the U.S. for the early ’80s hit “Save it for Later,” which has been used in movies, TV, and commercials over the last decade. But the band started at the height of the second wave ska movement, when the group’s shows became legendary. They later achieved greater success across the pond when they shifted their sound towards the burgeoning New Wave movement. The group just released new album, Here We Go Love, some four decades after forming.

    The English Beat stomp into the Heights Theater, located at 339 W 19th St., on Friday, July 27. Ghost Town Steppas open. Tickets are $22 in advance plus a $6 service fee. Doors open at 7:30 pm.

    Logic takes off
    One of the fastest rising rappers from the last few years, Logic — aka Robert Bryson Hall II — scored the biggest of his many hits with the ubiquitous 2017 single, “1-800-273-8255,” from his Everybody album, which brought worthy attention to the National Suicide Prevention Lifeline. Not coincidentally, that album hit No. 1 on the Billboard charts, an amazing feat for someone who seemed to appear out of nowhere less than five years ago. Now he’s headlining large venues across the country, bringing his Frank Sinatra, Quentin Tarantino, and Wu-Tang influences with him.

    Logic headlines the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Saturday, July 28. Kyle and NF open. Tickets start at $25 for the lawn, $39.50 for reserved seating plus service fees. Gates open at 6 pm.

    CultureMap recommends: ’90s R&B queens En Vogue still got it
    Anyone lucky to catch En Vogue’s Day for Night set last December were treated to one of the best surprises of the weekend. The now three-piece, all-female, ’90s R&B legends, backed by what feels like a Sunday Baptist revival band, blew everyone out of the water with pipes that harked back to the good ol’ days when En Vogue ruled the charts with hits such as “Free Your Mind,” “Don’t Let Go (Love),” and “My Lovin’ (You’re Never Gonna Get It).” The full-length show will be straight fire.

    En Vogue plays the Arena Theatre, located at 7326 Southwest Freeway, on Saturday, July 28. Tickets start at $39.50 plus service fees. Show starts at 8:30 pm.

    Pitch perfect with Pentatonix
    The pinnacle of success for choir kids everywhere, there’s no denying the not-so-barbershop quintet Pentatonix has the talent to take down any acapella group in Pitch Perfect (or its seemingly too many sequels). It will be interesting to see how the Arlington, Texas-based group will fill a large-scale venue with only their pipes. They’re obviously giving hope to vocal students, though, with an impressive 10 million albums sold, most of them consisting of cover takes of modern pop songs. Their latest is PTX Presents: Top Pop, Vol. 1.

    Pentatonix performs at the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Drive in The Woodlands, on Sunday, July 29. Echosmith and Calum Scott open. Tickets start at $25 for the lawn, $29.50 for reserved seating plus service fees. Gates open at 7 pm.

    Stephen Malkmus and the Jicks perform at White Oak Music Hall on Thursday, July 26.

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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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