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    Music Matters

    He's the Chuck Norris of blues-based guitar rock: Don't miss tonight's RobertPlant concert

    Michael D. Clark
    Jul 24, 2010 | 6:00 am

    A life-long friend of mine who is usually quite knowledgeable about all things rock n' roll (although he does have an unnatural affection for Cher which, for a heterosexual man, is a bit disturbing) told me that he wasn't going to see Robert Plant in Texas because the Led Zeppelin classics featured in the show are now too "countri-fied."

    I am normally a calm man who invites an intellectual back-'n-forth on the arts... but this unfettered attack on one of the greatest rock n' roll gods to ever walk the earth made me want to knee my good friend in groin.

    Twice.

    Instead, I composed myself and wrote him this email. Later I realized my response was not only the reason my hopelessly demented ex-friend (just kiddin', dude) should go see the 61-year-old king of falsetto blues-rock emoting... it's the reason all rock fans in Houston should be there.

    Dear Doofus,

    (OK, I added that salutation just now. The rest is pretty much word-for-word though. I swear.)

    You shouldn't hate on Plant for changing the arrangements of the Zep songs. He doesn't play with Zep any more so it makes sense that he wouldn't play them the same way.

    I think an artist who takes the times to make changes to past songs is far more interesting than an artist who keeps playing the same tired tunes the exact same way as if he's on auto-pilot.

    Plant has always been an artist who performs his music in a manner consistent with the sounds that interest him at that moment.

    Back with Zep, that was a very big, blues-based rock juggernaut. Then,, when he and (for Led Zeppelin guitarist Jimmy) Page reunited in the mid-90s, the songs were heavily influenced by Indian and Middle Eastern music.

    Lately, Plant has been recording with Alison Krauss (and winning armfuls of Grammys for their 2008 album "Raising Sand") so it only makes sense that there would be some country and bluegrass influence.

    I love it. I think it keeps Plant interesting and (more importantly) keeps him interested in playing the music.

    I have never been disappointed by a Robert Plant concert yet. It should be great.

    Take care,

    MDC

    P.S. Calling Plant "countri-fied" makes you sound about as smart as a garden gnome, ya Cher lover!!!

    To put it simply, Robert Plant is the Chuck Norris of blues-based guitar rock. If you want to see living rock n' roll history, you will not miss this show.

    And don't give me any yak-yak about the ticket prices. Lawn seats are $9.37.

    This is the first time Plant fans have been able to see him perform for less than $10 since the early days of Led Zeppelin over 40 years ago.

    Saturday

    Robert Plant, opening act Betty Levette

    8 p.m. at Cynthia Woods Mitchell Pavillion

    Tickets:$9.37-$150

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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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