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    here comes the sun

    Legendary Houston DJ presents Loveletter to his hometown with can't-miss, star-studded performance

    Steven Devadanam
    Jul 22, 2022 | 6:00 am
    DJ Sun performs his Loveletter on Saturday, July 23 at Moores Opera House.
    DJ Sun performs his Loveletter on Saturday, July 23 at Moores Opera House.
    Photo by Mark Sabinin

    Cool, cosmopolitan, and more chill than his signature smooth sounds, DJ Sun has been a fixture in Houston’s music scene since the mid-’90s, boasting a diverse and loyal fan base that far transcends the city.

    A respected purveyor of soul, lounge, and groove, DJ Sun (born Andre Sam-Sin) first nurtured his following with his Soular Grooves radio show on KPFT nearly 30 years ago, as well as his wildly popular DJ sets and residencies (his jam-packed Friday night sets at The Flat in Montrose are a local tradition).

    Now, the DJ/producer/musician/host is set to release his third studio album, a figurative love note to his fans, Houston, and the world. Loveletter drops on Saturday, July 23. To mark the release that same day, the talented DJ and a cast of elite musicians will perform Loveletter: Red Hook to Rotterdam, a multi-disciplinary show at the University of Houston’s Moores Opera House.

    The ensemble includes a 14-piece orchestra conducted by the acclaimed Marlon Chen, rapper Fat Tony, spoken word by Houston Poet Laureate Outspoken Bean and DJ Sun’s daughter SAM-SIN, and renowned Houston native Chris Dave — who has drummed for superstars Beyoncé, Adele, and D’Angelo and whom famed drummer Questlove of The Roots calls “the most dangerous drummer alive” — and his band The Drumhedz.

    Also adding serious star power is bassist Tim Ruiz, a three-time Grammy Award winner with famed Tejano band La Mafia. Notably, Dave, Ruiz, and Chen (currently the music director of the Manila Symphony Orchestra) are graduates of the High School for the Performing and Visual Arts.

    Other names include Louis Morales (lead singer of reggae band DEM) and astrologer Jasmine Richardson. To add to the immersive experience, corresponding videos and projections will be created by Justice Tirapelli-Jamail and Tamirah Collins. Navarro Stark serves as the event’s creative director.

    Tickets for the star-studded performance are a mere $5 and are available online.

    Fans can expect Sun’s trademark Lo-Fi grooves, clever and tasty samples, and atmospheric, retro vibe — made all the more lush and immersive with the orchestra and corresponding visual displays in a refined setting.

    A top-tier production, this Loveletter showcase is co-produced by the Blaffer Art Museum at the University of Houston and should rightly command a top-tier ticket price. But the benevolent DJ and UH grad — born in the Netherlands, raised in Suriname, and now decades-long Houstonian — ensured through a UH grant and his own investment that prices would be accessible to all, as a thank-you.

    “Houston has just been amazing to me — not just good, but amazing — because of the diversity that we have here,” DJ Sun tells CultureMap. “I call this a Loveletter because really, we could all use that right now.”

    -----

    DJ Sun and company perform Loveletter: Red Hook to Rotterdam at the Moores Opera House at the University of Houston (3333 Cullen Blvd.) on Saturday, July 23. Doors open at 6:30 pm; concert begins at 8 pm. Individual tickets are $5 and can be purchased online or by phone at 713-743-3388.

    Houston legend DJ Sun presents his lush multi-disciplinary, Loveletter on Saturday, July 23.

    DJ Sun Houston
    Photo by Mark Sabinin
    Houston legend DJ Sun presents his lush multi-disciplinary, Loveletter on Saturday, July 23.
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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