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    Guy Love Returns

    The ultimate bromance: Scrubs duo reunite in new film — and it feels so good

    Ryan Lakich
    Jul 18, 2014 | 1:42 pm

    Longtime fans of Scrubs had lots to talk about las year when Zach Braff started a Kickstarter campaign to fund the film Wish I Was Here.

    While diehard fans of Braff were excited to help fund the movie — especially one that would reunite him with his on-screen (and real life) best friend Donald Faison — others debated whether an established actor and Hollywood director should take advantage of crowdfunding instead of using traditional funding methods.

    Despite heated debates, Braff produced Wish I Was Here, which opened in Houston today. And in a way, the alternative route Braff sought to fund the movie mirrors its plot.

    “Working with (Braff) is like hanging out with him,” says Faison. “And it’s easy for him to direct me, because he just has to go, ‘Do that thing that you do!’ And that’s it.”

    In the film, Mandy Patinkin plays an aging father who chastises his sons, played by Braff, and Josh Gad, for not adhering to the traditional lifestyle of a man being the breadwinner of the family. Playing a 35-year-old father struggling to become an actor, Braff's character has to decide between his dreams or sacrificing them to provide for his wife and kids when money's tight.

    Similarly, Braff explains that making the film without sacrificing its soul is what pushed him to seek alternate funding in the first place.

    “People said, ‘Yeah, we’ll make it if you do this, but maybe if you change that,’ so I was ready to just throw it on the shelf. But then the Veronica Mars Kickstarter took off and I thought that was interesting. I have an amazing and loyal Internet fanbase, so I thought it might work.”

    And it did. Within three days of the campaign launch, fans contributed $2 million, meeting the initial goal. After a full month, the Kickstarter campaign closed with a total of $3 million raised to fund the movie.

    The fun part

    Now, pleasing — and thanking — those fans is a primary focus of Braff’s. For the past few months, he's been on tour, screening the film for many of its backers.

    “This is the fun part. I get to share it with the people who believed in me,” Braff tells CultureMap. “Making it was extremely hard: editing it, finishing it and getting it ready for the Sundance Film Festival. It was all harrowing, but now is the fun part. I get to travel the country and show it to the people who backed it, do Q&A’s with them and meet them.”

    "No studio wants to pay to make this film, but every actor I go to says, 'Yes!' Actors love these films," Braff says.

    “Everything that he promised he would do in the Kickstarter is in the movie,” echoes Faison, who helped promote the Kickstarter campaign before knowing what his role would be in the film. “I knew that in some way I was going to be in the movie, but I had no clue what the part was going to be,” explains Faison. “When I did the Kickstarter thing, that was just doing my buddy a favor because I didn’t know if the movie was going to get made.”

    In Wish I Was Here, Braff and Faison are reunited for the first time since Scrubs ended its run in 2010. While Braff's character attempts to connect with his kids, he takes them to an Aston Martin dealership where Faison plays a salesman reluctant to give them a test drive.

    “Working with him is like hanging out with him,” says Faison. “And it’s easy for him to direct me, because he just has to go, ‘Do that thing that you do!’ And that’s it. It’s great to get to work with a friend. I’m one of the luckiest actors in Hollywood because I have a friend who also directs.”

    Braff didn’t have trouble attracting the rest of the film's all-star cast, which includes Patinkin, Gad and Kate Hudson. “No studio wants to pay to make this film, but every actor I go to says, 'Yes!' Actors love these films. No one wants to pay to make them, but actors love doing them because you get a chance to act and not just look at a green screen and watch things blow up,” says Braff.

    “No one is making these films anymore. If you like personal art films, they’re dying a quick death. If it’s not crowdfunding, we need to quickly come up with a way for some of these stories to be told or they’ll be gone.”

    Wish I Was Here, written, directed and starring Zach Braff, enters theaters this Friday.

    Pierce Gagnon, Zach Braff and Joey King in Wish I Was Here
    Photo byMerie Weismiller Wallace, SMPSP Focus Features
    Wish I Was Here, written, directed and starring Zach Braff, enters theaters this Friday.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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