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    Starring, Texas!

    Remember the name: Klein third-grader Audrey Paris Scott gets her acting startin Revenge of the Bridesmaids

    Cynthia Neely
    Jul 17, 2010 | 2:50 pm
    • A third grader this fall at Klein ISD, Audrey Paris Scott recently completed twomovies.
    • Audrey Paris Scott with her screen mother, actress Beth Broderick, in the ABCFamily movie, "Revenge of the Bridesmaid," which will air twice on Sunday night.
      Photo by Deneka Scott

    There must be something special in Houston’s hard old gumbo soil. The talent that grows and is nurtured here is stunning. Creative people, especially.

    When it comes to actresses, I can easily pluck examples of famous thespians who had upbringing in H-Town; Alexis Bledel (Gilmore Girls), Hilary Duff (Lizzie McGuire) and Renée Zellweger (Bridget Jones’s Diary). Each has had a huge share of the Hollywood spotlight due to their extraordinary talent.

    Right now, though, a brand new crop of little girl stars is shooting towards the big and small screens. One in particular is a tiny third-grader, well actually she’s heading into third grade, who can be seen in a TV movie Sunday and a big Disney film this fall. Heck, my Sam’s Club bag of cat litter weighs more than this actress!

    It’s all pretty hot stuff for a child who only began acting two years ago at the ripe old age of six.

    Let me introduce you to Audrey Paris Scott. You will be seeing a lot of her and this is her very first interview.

    First off, you won’t be surprised that she’s “gifted and talented” and a straight-A student at her Klein ISD elementary school in Spring. You kind of expect talented people to be smart. However, that she taught herself Scottish and Australian accents by watching videos? Or that multiple Oscar-winning director Randall Wallace (Braveheart) liked her performance so much he had lines scripted for her? Or that her TV movie director, Jim Hayman (Ugly Betty) ordered a camera, “Right now!” to capture her wee hand holding the dragonfly she’d caught for him on set?

    Watch Audrey Sunday (7 p.m. and again at 9:00 p.m.) in the ABC Family Channel movie, Revenge of the Bridesmaids. It opens with a flashback of four little girlfriends playing “wedding” together. These girls grow up to be the bridesmaids of the title. Audrey plays the younger version of Caitlyn (played as the adult by Virginia Williams). Audrey’s real-life mother, Deneka Scott, says it’s a great part. Her daughter gets to “show her bratty chops” in the childhood scenes that are a prelude to the bratty bridesmaids the girls become.

    When this movie was shot, Audrey was seven. Veteran director Jim Hayman wrote her a note extolling, “What a wonderful actress you are and how much fun. All your ideas, and your understanding of your character Caitlyn will help make ‘Revenge of the Bridesmaids’ a success. Thank you.”

    Since February, Audrey hasn’t gone more than two weeks without an audition. I know a lot of adult actors who would kill for that kind of attention.

    Audrey’s mom is the one who “discovered” her. At the time, the family was living in Spartanburg, South Carolina, and Deneka worked for the headquarters of Denny’s restaurants. She was responsible for casting Denny’s commercials from the client side, and was experienced at recognizing talent. By the time Audrey was six and the family had moved to Houston, she had tried the typical activities of ballet, gymnastics and soccer without falling in love with any of them. Deneka then considered acting as an activity. (Audrey told me she’d watched TV and said to herself, “I think I can do that.”) Deneka convinced instructor Elsa Ward to accept Audrey in her Saturday classes at Next Level Acting. (Normally, age seven is the school’s minimum.)

    Elsa is so glad she did and says, "Audrey Scott is a darling, phenomenally talented and highly professional young actress, who works hard at her craft in class and private lessons. She's achieved tremendous success, and we are so proud of her. We look forward to continuing to nurture this rising talent!"

    Audrey’s dad Joshua has been a big player in the little girl’s career, too. He found a posting on Craigslist for a child actress to play a young Diane Lane in an upcoming Disney film called Secretariat and submitted her. The family then left for vacation and when they returned, their home phone was burning up with messages from casting director Brinkley Maginnis. For Audrey. For the part. Director Randall Wallace had picked her himself.

    Secretariat is the true story of Penny Chenery, the woman who defied all odds by taking over her ailing father’s stables and ultimately fostering the first Triple Crown winner in 25 years of horse racing. Audrey plays the child Penny Chenery and Diane Lane is the adult.

    (By the way, Diane Lane starred in the 2008 thriller Untraceable which was co-written by Houstonian, and surgeon, Mark Brinker. But that’s another column.)

    Though Audrey was only on the Louisiana set of Secretariat for a couple of days, she made quite an impression on her director. Initially, she was supposed to be a photo double, but when Wallace heard her speak lines she became the actress for “Young Penny Chenery.”

    Audrey is too young to understand the gravity of all the star-power she’s meeting (like actor Scott Glenn in Secretariat) but her mom and dad sure do. It’s breathtaking.

    Back at home, she’s interested in more typical kid stuff — watching Scooby Do, iCarly, and Saturday Night Live. (“Saturday Night Live,” I asked? “That comes on much later than your nine-o-clock bedtime, doesn’t it ?” She patiently explained that on Saturday nights she’s allowed to stay up later. Hearing this, her dad clarified for the record that she watched an edited version of SNL on the DVR specifically to see Betty White. And even on Saturday nights, she’s “gone” by 10 p.m., he says.)

    While acting is fun, and so is staying at cool hotels on location, there is a downside. The food. From an adult standpoint, it’s exceptional. To Audrey, it’s not chicken nuggets.

    Should the youngster’s career taper off or Audrey lose interest, what would be the next best thing?

    “I’d be a massage therapist,” she ventured.

    Go figure.

    unspecified
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    Movie Review

    Avatar: Fire and Ash returns to Pandora with big action and bold visuals

    Alex Bentley
    Dec 18, 2025 | 5:00 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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