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    First Ikea, now tunes

    Invading America: Swedish music streaming site Spotify poised to outplayRhapsody, iTunes & Pandora

    Fayza A. Elmostehi
    Jul 14, 2011 | 5:04 pm

    It isn't every day that an online music provider really makes ripples — let alone waves.

    After all, they're a dime a dozen. From the ubiquitous iTunes (with its iCloud possibilities and its half-hearted social network Ping) to the well-loved subscription-only Rhapsody to the streaming customization of Pandora to iHeart Radio to Last.fm to Rdio — oh my!

    There's certainly no shortage of digital melody makers out there for you to choose from.

    But there's actually something to de-bud your ears for when it comes to Spotify. The Swedish musical maven seemingly combines everything you love about listening to borrowed music in every location where you want to listen — and it's finally landed on U.S. cyber soil.

    Featuring free, premium, and unlimited options, Spotify aims to colonize the American music scene and implement an international new order. The "music sharer's paradise" streams your songs to a desktop program or a smartphone app seamlessly, and it does the job quickly, in high quality, and without downloading a megabyte of data to your device.

    It also seeks to do what music sharing sites have failed to do in the past — to make listening social.

    Sean Parker, the former Napster prodigy and a current Spotify investor, wrote in a note on Facebook, "Spotify is removing the barriers to sharing music with friends so that music can move freely and find its fans organically. Since Spotify takes music viral, listening to music online is finally going to be a social experience. (Just like it's always been offline.)"

    With what is, in essence, millions upon millions of CD-quality tracks available to you at the click of a mouse on any device you choose, and an easy interface for reviewing (and taking) friend recommendations, Spotify may be just the meal to satiate a mobile music lover's appetite.

    Except that Spotify was introduced in Europe first (in 2008!). Which means your preferred username — no matter how nuanced it may be — could already be taken by someone an ocean away.

    But if you connect Spotify up to Facebook and Twitter, that minor detail is hardly noticeable.

    Oh, and it doesn't have any Arcade Fire yet. In case you were, um, wondering.

    Unlike most new tech product launches, Spotify isn't in beta, it isn't half-baked, and it's not lacking content. It's fully cooked and ready to be served up to the big dogs.

    Can it survive in our options-ridden online streaming space? Will you switch to Spotify? Sound off in the comments.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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