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    Highway Tunes

    Summer Road Mix: The best 2010 songs for a road trip warrior

    Jim Beviglia
    Jul 7, 2010 | 12:37 pm
    • Yes, you want these guys in your car. MGMT's "Congratulations" is a must play.
    • Forget where the open road will take you, it's all about what you're listeningto along the way.
    • Gaslight Anthem has a lot of Springsteen in their sound — which make themperfect for the road.
    • The boys from Vampire Weekend are made for summer.

    As you get ready to hit the road for you summer vacation destination, you need to have the proper tune-age to ease you on down that road (and drown out the kids/in-laws/insert-your-own-annoyance-here screaming in the back seat.)

    With that in mind, here is a list of the best songs of what’s been a particularly fruitful first six months of 2010. Now get downloading, or else prepare to, heaven forbid, make conversation in the car.

    “Crown On The Ground” by Sleigh Bells

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    We’re going to start off with a little cheat here, because this was actually released as a single last year. But we’ll allow it because the album which contains it came out just last month, and because its thunderously catchy beat might act as a homemade hydraulic system for your car.

    “Bloodbuzz, Ohio” by The National

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    Quite simply the best song from the best album released so far this year. Plus it gives us a one-two start from bands based out of Brooklyn, even though The National’s darkly compelling beauty bears little similarity to Sleigh Bells in-your-face bounce.

    “Horchata” by Vampire Weekend

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    This was a band made for the summer, and the breezy, marimba-fueled groove they concoct here practically conjures up warm breezes by the force of its will. It’s only when you listen closer that you notice the melancholy aftertaste of Ezra Koenigs’s lyrics.

    “Kiss Like Your Kiss” by Lucinda Williams with Elvis Costello

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    I guess it’s impossible to avoid vampires this summer, so let’s slow it down a bit with this lovely duet from the True Blood soundtrack. When these two vets harmonize, they summon heartache that you don’t need to be undead to feel.

    “Melancholy Hill” by Gorillaz

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    "Plastic Beach" was a triumph for Damon Albarn’s comic-book collective. Here he steers clear of the hip-hop and guest stars that permeate much of the album and delivers a picture-perfect pop song, all wistful and gorgeous.

    “Bushwick Blues” by Delta Spirit

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    It’s unusual to hear an indie band leave cynicism at the door, but this single is full of open-hearted romanticism, and it’s quite refreshing. Coupled with the tightness of their guitar attack, you’ve got an irresistible track that deserves a big audience.

    “Crash Years” by The New Pornographers

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    If a mad scientist went into a lab with the intention of creating a band that was made for car stereos, he would likely come out with these Canadian power-poppers. With Neko Case on lead vocals, this one has more hooks than a pirate convention.

    “The Suburbs” by Arcade Fire

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    They’ve been slowly leaking tracks online, whetting everyone’s appetite for the early August release of their third full-length. For my money, this moody song, with piano borrowed from 10CC and suburban outlook borrowed from David Lynch, is the best of those four killer preview tracks.

    “Congratulations” by MGMT

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    Many people didn’t know what to make of the prog-rock moves of this buzzy duo’s second album. Too bad, because it’s a trippy winner. But if you’re one of the timid, you can stick with this song, the album’s title track and most accessible song of the bunch, a clever ode to the pitfalls of believing your own press clippings.

    “You Must Be Out Of Your Mind” by Magnetic Fields

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    Summer can’t be all roses and sunshine. You need a little bit of Stephin Merritt’s acerbic humor, here combined with a Baroque-pop arrangement and his unerringly catchy songwriting skills, to balance things out.

    “Hurricane J” by The Hold Steady

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    This Minnesota band’s latest set was a bit of a step backward as a whole from the heights they had reached on their previous albums. This song, however, a hard-charging tribute to a girl whose self-sabotage knows no bounds, is an undeniable winner.

    “Old Haunts” by Gaslight Anthem

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    Like the Hold Steady, this group has a lot of Springsteen in its sound. On this swaggering rocker they find a groove all their own, as frontman Brian Fallon spits out verses warning about the dead ends of nostalgia.

    “The Ghost Inside” by Broken Bells

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    You’d never guess that James Mercer could be funky from his work with The Shins. Thanks to the influence of producer and collaborator Brian Burton, aka Danger Mouse, Mercer channels Prince on this bumping track, even pulling out a knockout falsetto.

    “Take Care” by Beach House

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    What better way for a summer mix to go out than with a band named Beach House? This is also the perfect closer because of its dreamy atmospherics and the way Victoria Legrand’s voice cuts through it all with the sweet promise, “I’ll take care of you.”

    If that doesn’t cure you of road rage, you’re beyond help, my friend. Have a great summer!

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    news/entertainment

    Movie Review

    Fun visuals can't save The Magic Faraway Tree's meager plot

    Alex Bentley
    Aug 24, 2026 | 10:30 am
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
    Photo courtesy of Vertical Entertainment
    Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

    With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

    The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids — Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) — are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

    Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

    Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

    Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

    There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

    A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

    With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

    ---

    The Magic Faraway Tree is now playing in theaters.

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