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    Better With Time

    Grown up boy bands bring out fine Houston women to gawk at Donnie Wahlberg's hotbod

    Jayme Lamm
    Jun 27, 2011 | 12:28 am
    • Photo by Jayme Lamm
    • Donnie Wahlberg
    • A fan shows true allegiance
      Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm
    • Photo by Jayme Lamm

    I was 8 when I went to my first concert, which just so happened to be New Kids on the Block. I was 8 ½ for my second one, which coincidentally was also NKOTB. Of course I went with my mother who accompanied me pretty much everywhere at the time.

    I think she single-handedly prevented one of the guys from falling in love with me back then, but I kind of let it go. Even at that young age, I knew the magnitude of the craziness that I was willingly walking into (and spending my allowance on) at the Hampton Coliseum.

    Nearly two decades later I found myself walking into the Toyota Center Saturday night to relive my youth at the New Kids on the Block and Backstreet Boys concert. This time, instead of my mom by my side, I had my wacky friend Beth adorned in her I heart Joey T-shirt. Whether you call it classic, vintage, or just too good to let go, the T-shirt was a sure-fire hit with the other crazed fans.

    Wondering how the concert was set up, I asked tour manager assistant, Katharina Gauss how it worked. Does New Kids on the Block go on stage first and then Backstreet Boys or vice versa?

    “No, they go on together. They share the stage. Like the ‘B’ in NKOTBSB,” she informed me. For a minute I was confused. I wanted to blame it on the whiskey, but it was probably my school-girlish excitement that prevented me from such concentration.

    I guess I forgot the valuable years that separated the two groups thinking at one time they were boy-band rivals, but alas, I was confusing my Jordan Knight crush with my Justin Timberlake and 'N Sync crush. Of course NKOTB and BSB could share a stage. And the “B”.

    Donnie dominates. It should be criminal for a 41-year-old to have a body like that.

    It’s funny how things change just like your parents and all the other adults warned they would. Growing up, I was in awe of (OK, obsessed with) with Jordan Knight. Out of all the New Kids, he was by far my favorite.

    And of course the one I knew I had a chance with. We had so much in common — he was the youngest of six kids, and I was an only child. He was born in May and I in November. At the age of 8 nothing really made sense, but I knew I loved him with my whole heart. I even told TJ Waller, my real-life boyfriend at the time that I could no longer be his girl. It didn’t feel right, what I was doing to Jordan, so I ended it with TJ immediately.

    But now … well now, I’ve grown up. I realized I had absolutely nothing in common with Knight. And while on paper it may have sounded like a match made in heaven, in my heart I knew it was never going to amount to anything.

    And besides, I’ve moved on. TO DONNIE WAHLBERG! The man is hawt. And not just on stage at a concert — I fell in love with him in my new favorite show Blue Bloods. He plays Danny Reagan, a sexy detective who happens to solve every single crime in all of NY.

    On stage (and in my heart), Donnie Wahlberg dominates. It should be criminal for a 41-year-old to have a body like that. Ripping off his tried and true Paul Pierce Celtics jersey for the last act was almost too much for this now legal girl fan to handle. I tried to think back and recall if any of the guys ripped their shirts off when I was 8, but sadly, I couldn’t recall. I even called my mom to see if she remembered, but no such luck.

    See the difference (and I’m sure both NKOTB and BSB can vouch for this) is that if they did rip their shirts off back in the day, we were only screaming for two reasons. Either they were about to throw an article of clothing into the crowd that if we were lucky enough to snag would give us the right to brag until the end of the school year about having or we were so young — and young girls scream at anything and everything.

    Ripping their clothes off today means only one thing — we can appreciate those manly, sweaty bodies that we now longed for — in a different way than when we were 8 of course.

    The guys put on a damn good show. Filling the the Toyota Center to 98 percent capacity was much more than most Houston Rockets games did the past few seasons. Making girls of almost every age swoon and bring out the bright magic markers and poster board for their I heart NKOTBSB signs was another notable factor. When’s the last time you saw a hot girl in sequins and hair scrunchies hold up a I heart Chase Budinger sign?

    Dear Donnie, Danny, Joe, Jordan, Jon, Nick, AJ, Brian and Howie,

    Quit playing games with my heart. I’ll be loving you forever.

    Sincerely, every girl in Houston.

    unspecified
    news/entertainment

    Movie Review

    Over-the-top thriller The Housemaid revels in camp, chaos, and excess

    Alex Bentley
    Dec 22, 2025 | 6:00 am
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

    moviesfilm
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