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    June's real sporting magic

    Forget soccer: From the longest match to the Queen to Maria Sharapova, you'remissing an epic Wimbledon

    Joseph Campana
    Jun 27, 2010 | 9:34 am
    • Maria Sharapova is through to the fourth round, setting up an epic match with...
    • Serena Williams.
    • Roger Federer may not be as done as everyone thinks he is.
      Photo courtesy of Roger Federer
    • John Isner went from winning the longest match in tennis history to losing theshortest one of this year's Wimbledon.

    Nothing beats Wimbledon in June. The first day of summer, strawberry season, and even my birthday all pale in comparison.

    Every Wimbledon is a Wimbledon to watch (and maybe now that the U.S. is out of the World Cup, people will start paying attention to the tourney they've been missing).

    Wimbledon makes good players great, great players legendary. It’s hard to forget the recent dominance of the Williams sisters, the epics between Roger Federer and Rafael Nadal (who said no thanks to meeting the Queen this week to focus on his game), and last year’s marathon between Federer and Andy Roddick.

    Even better, Wimbledon is a huge relief from the French Open. To be charitable, the French Open is fickle.

    The relief of Federer’s win last year and the supremacy of Rafael Nadal put a spring in one’s step at Roland Garros. But how many one-hit wonders, who should have been no-hit wonders, has the French Open produced? On the men’s side Gaston Gaudio and on the women’s side Anastasia Myskina, Ana Ivanovic, and this year’s surprise winner Francesca Schiavone.

    Don’t believe me? Schiavone dive-bombed out of Wimbledon with a loss to Vera Dushevina on the very first day of the tournament. Schiavone is a real scrapper — deeply dedicated, very athletic, and willing to fight for every point. But you can’t expect an opponent on grass, especially a superior opponent, to sink into the fickle red clay.

    Even six-time winner Federer very nearly lost on the first day to unranked Alejandro Falla in five hard-fought sets. Too many spectators and commentators see the death knell of a career in the slightest wobble in Federer’s game.

    Federer may be rusty, waning, distracted, or disturbed by the prospect of a resurgent Nadal. But if Federer, the wizard of Wimbledon, nearly tumbled out in round one, chalk it up to the rigor of this tournament: Tennis’s greatest testing ground.

    If that isn't evidence enough, America's serving sensation John Isner and opponent Nichloas Mahut of France completed an 11-hour-and-five-minute match with a mind boggling score of 6-4, 3-6, 6-7, 7-6, 70-68. That's right, readers: 70-68. The match stretched over two days. The players outlasted the light one day tied at 59-59 in a truly epic fifth set that took over eight hours.

    That final set taken by itself would rank high on the list of the longest matches in tennis history. The statistics are just shocking but here's my favorite. Isner served 112 aces while Mahut served 103. And that was still the first round. Just imagine what's next. (Isner can't, he promptly lost his next match, which turned out to be the shortest match at this year's Wimbledon.)

    Wimbledon's clearly for warriors, and what’s special about this year is the kind of uncertainty that surrounds it — a swimmer stuck in shark tank with blood in the water could relate.

    This is not a question of red clay or green grass. Rather, there's a “Twilight of the Gods” feel about the court. The old guard is fading, perhaps done in by persistent over scheduling that leads to exhaustion and injury. Change is on the way, but a new order has yet to emerge. This is as true of the players as of the sport.

    Over this next week, many storylines will emerge. On the women’s side, emergent challengers of the last years Jelena Jankovic and even Maria Sharapova, seemed to be in various states of disrepair. But both are through to the fourth round with Sharapova set to met Serena Williams in an epic Monday match. Belgians and major winners Kim Clijsters and Justine Henin have returned to good form after brief retirements, but now they have to play each other in the fourth round.

    So it seems we should all be grateful for last year’s champion Serena Williams and her sister five-time champion Venus Williams. Maybe not too grateful: It can certainly go to their heads. But these two may represent the last great swan song of American tennis. Watching them work at Wimbledon is a privilege.

    Venus more than anyone of late has been queen of this court. She’s designed for grass — lanky, swift, and decisive with a booming serve. Her statistics here are just plan sick. It may be greedy to want her to win a sixth title because she’s been the best player this whole year.

    In both the Australian and French Open, Venus was clearly the one to beat. In both tournaments, her will or concentration or energy lapsed at just the wrong moment. So, my vote’s for Venus and my hope is that the women’s side of the sport straightens itself out, and new stars, with some lasting power, arrive.

    As for the men? It’s hard not to root for a Federer-Nadal final again, but many are predicting this is Federer’s year to be knocked out early.

    Americans are rooting for Andy Roddick to repeat his trip to the final, even if he has to go through Federer. But as healthy as the men’s game seems to be — with hungry challengers everywhere — it’s hard to see who will emerge to seize the crown from Federer and Nadal. One or the other seems odds on favorite this year.

    When I started watching tennis, Pete Sampras, Andre Agassi, Steffi Graf, and Monica Seles were still dominant. Federer and the Williams were waiting in the wings. I’m excited to watch yet another Wimbledon unfold with favorite players I’ve watched for years.

    But, in spite of Isner's inhuman display of stamina, I’m left wondering who’s waiting in the wings now. And I’m wondering even more what the United States Tennis Association is doing about it.

    unspecified
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    Movie Review

    Star TV producer James L. Brooks stumbles with meandering movie Ella McCay

    Alex Bentley
    Dec 12, 2025 | 2:30 pm
    Emma Mackey in Ella McCay
    Photo courtesy of 20th Century Studios
    Emma Mackey in Ella McCay.

    The impact that writer/director/producer James L. Brooks has made on Hollywood cannot be understated. The 85-year-old created The Mary Tyler Moore Show, personally won three Oscars for Terms of Endearment, and was one of the driving forces behind The Simpsons, among many other credits. Now, 15 years after his last movie, he’s back in the directing chair with Ella McCay.

    The similarly-named Emma Mackey plays Ella, a 34-year-old lieutenant governor of an unnamed state in 2008 who’s on the verge of becoming governor when Governor Bill (Albert Brooks) gets picked to be a member of the president’s Cabinet. What should be a happy time is sullied by her needy husband, Ryan (Jack Lowden), her agoraphobic brother, Casey (Spike Fearn), and her perpetually-cheating father, Eddie (Woody Harrelson).

    Despite the trio of men competing to bring her down, Ella remains an unapologetic optimist, an attitude bolstered by her aunt Helen (Jamie Lee Curtis), her assistant Estelle (Julie Kavner), and her police escort, Trooper Nash (Kumail Nanjiani). The film follows her over a few days as she navigates the perils of governing, the distractions her family brings, and the expectations being thrust upon her by many different people.

    Brooks, who wrote and directed the film, is all over the place with his storytelling. What at first seems to be a straightforward story about Ella and her various issues soon starts meandering into areas that, while related to Ella, don’t make the film better. Prime among them are her brother and father, who are given a relatively small amount of screentime in comparison to the importance they have in her life. This is compounded by a confounding subplot in which Casey tries to win back his girlfriend, Susan (Ayo Edebiri).

    Then there’s the whole political side of the story, which never finds its focus and is stuck in the past. Though it’s never stated explicitly, Ella and Governor Bill appear to be Democrats, especially given a signature program Ella pushes to help mothers in need. But if Brooks was trying to provide an antidote to the current real world politics, he doesn’t succeed, as Ella’s full goals are never clear. He also inexplicably shows her boring her fellow lawmakers to tears, a strange trait to give the person for whom the audience is supposed to be rooting.

    What saves the movie from being an all-out train wreck is the performances of Mackey and Curtis. Mackey, best known for the Netflix show Sex Education, has an assured confidence to her that keeps the character interesting and likable even when the story goes downhill. Curtis, who has tended to go over-the-top with her roles in recent years, tones it down, offering a warm place of comfort for Ella to turn to when she needs it. The two complement each other very well and are the best parts of the movie by far.

    Brooks puts much more effort into his female actors, including Kavner, who, even though she serves as an unnecessary narrator, gets most of the best laugh lines in the film. Harrelson is capable of playing a great cad, but his character here isn’t fleshed out enough. Fearn is super annoying in his role, and Lowden isn’t much better, although that could be mostly due to what his character is called to do. Were it not for the always-great Brooks and Nanjiani, the movie might be devoid of good male performances.

    Brooks has made many great TV shows and movies in his 60+ year career, but Ella McCay is a far cry from his best. The only positive that comes out of it is the boosting of Mackey, who proves herself capable of not only leading a film, but also elevating one that would otherwise be a slog to get through.

    ---

    Ella McCay opens in theaters on December 12.

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