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    Art Power

    A hidden skyspace at the University of Texas? James Turrell spreads the dazzling lights love

    Tyler Rudick
    Jun 26, 2013 | 11:46 am

    As James Turrell continues his three-pronged attack on the art world this summer — with simultaneous retrospectives at the Solomon R. Guggenheim, Los Angeles County Museum of Art (LACMA) and the Museum of Fine Arts, Houston — a quiet storm of construction is underway at the University of Texas at Austin, where the acclaimed light artist is finishing up his next Lone Star State skyspace.

    With a fall opening date looming just on the horizon, the Austin project has flown under the radar in recent months as Turrell enjoys an unprecedented level of national media attention, including a New York Times Magazine cover story and piece on CBS This Morning that both highlighted the Houston project.

    But perched high atop the roof of the university's recently-constructed Student Activity Center, Turrell’s relatively small-scale UT skyspace almost seems to revel in its low profile.

    “This is a far different project than the huge Twilight Epiphany space at Rice University,” Andrée Bober, director of the university’s Landmarks public art program, tells CultureMap.

    “Students won’t just happen upon it , but will have to seek it out on their own."

    “I think ours is a very intimate and immersive piece, more like Turrell’s work at the Live Oak Meeting House in Houston.”

    The as-of-yet-unnamed project at UT will seat just under 30 guests and, like Twilight Epiphany, will feature light shows for both sunrise and sunset. As of June, the skyspace’s benches, walls and unique elliptical oculus are complete. Turrell — who has worked on the project for nearly a decade and received $600,000 to design the space — is expected to program the lighting sequences at the end of the summer.

    Helping to see both the University of Texas and Rice projects to fruition has been Austin-based arts supporter Suzanne Deal Booth, a former protege of Houston arts legend Dominique de Menil who worked as an assistant for Turrell during his last major retrospective at the Whitney Museum in 1980.

    Booth's decades-long friendship with the artist has helped to realize other Texas commissions in private collections as well as a large piece at Austin's Dimensional Fund Advisors, an investment firm founded by her husband, noted businessman David G. Booth.

    “This piece James has created for UT is almost like a hidden treasure,” Suzanne Deal Booth says. “Students won’t just happen upon it, but will have to seek it out on their own. It’s a truly marvelous piece.”

    James Turrell will have a new skyspace opening at UT Austin this fall.

    James Turrell rooftop Skyspace University of Texas at Austin at night
    Rendering by Overland Partners|Architects
    James Turrell will have a new skyspace opening at UT Austin this fall.
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    Movie Review

    Chris Pratt fights for his innocence in popcorn thriller Mercy

    Alex Bentley
    Jan 23, 2026 | 2:00 pm
    Chris Pratt in Mercy
    Photo courtesy Amazon Content Services
    Chris Pratt in Mercy.

    It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

    The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

    Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

    Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

    On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

    More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

    If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

    ---

    Mercy is now playing in theaters.

    moviesfilmchris prattrebecca fergusonmovie review
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