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    The Dedicated Playlist: Father's Day Edition

    Songs for Dad: Springsteen, Lennon & others riff on complicated familyrelationships

    Jim Beviglia
    Jun 18, 2011 | 8:11 pm
    • John Lennon, "Beautiful Boy (Darling Boy)"
      Photo by Yoko Ono
    • Bruce Springsteen, "Independence Day"
    • The Beatles, "She's Leaving Home"
    • Pink Floyd, "When The Tigers Broke Free"

    I know you might be expecting a list filled with tried-and-true, inspirational odes to Dear Old Dad. I was fortunate to get along great with my Dad, but there is no doubt that the father-child relationship can be a mighty complicated one. The songs I’ve chosen here are my favorite songs about fathers, even if they don’t always paint a rosy picture. In other words, anybody expecting “Butterfly Kisses” should look elsewhere.

    “Tears Of Rage” by The Band

    Richard Manuel sang the version that kicks off The Band’s debut album, but Bob Dylan contributed the pained lyrics. Dylan actually writes from the Dad’s point of view and expresses the hurt inflicted by an ungrateful daughter who has grown beyond his command. Manuel’s vocal is an absolute spine-tingler.

    “When The Tigers Broke Free” by Pink Floyd

    While Roger Waters based some of the character Pink from The Wall on Syd Barrett, he also included bits of his own autobiography, such as his father dying in World War II. This track, which recounts the details’ of Waters’ father’s demise at the Anzio Bridge, made the film but not the album, and it’s a harrowing and riveting track.

    “My Three Sons” by Elvis Costello

    OK, it’s time to lighten the mood just a bit. While Elvis admits to some of the mistakes that he’s made in his past life, he pledges to make amends to his progeny. It may be startling to some to hear the Sultan of Sneer getting all sentimental, but he does it in typically eloquent Costello fashion.

    “Papa Was A Rollin’ Stone” by The Temptations

    Of all the vocal groups to come out of Motown, perhaps none was more versatile than the Temps. Yes, they could drip some sugar if need be, but on this scorching classic they proved just how gritty they could get as well. It’s a terrific put-down of one of the all-time ne’er-do-well fathers in music history.

    “She’s Leaving Home” by The Beatles

    I know that the focus of this Sgt. Pepper’s beauty is the runaway girl, but the father’s righteous anger followed by the eventual realization that he’s pushed his daughter away is the real heartbreaker. Notice that the parents do all the talking in the song while the girl never actually speaks; it’s symbolic of the communication struggles that likely led to her departure.

    “Sometimes You Can’t Make It On Your Own” by U2

    Even though it won a Song of the Year Grammy, this isn’t really known as one of U2’s classics. It really should be. Bono wrote it as a tribute to his father and played it at his Dad’s funeral. It’s a towering song about how two people can be so much alike and not really know a thing about each other.

    “Ships” by Ian Hunter

    You get twenty demerits if you only know the Barry Manilow version. This song was written and first performed by Hunter, the former lead singer of glam rockers Mott The Hoople. The nautical metaphor is the perfect way to describe a father and a son who have drifted far from each other and can’t quote reconnect.

    “Biological Didn’t Bother” by Shaquille O’Neal

    Honestly, I had intended to include this one even before Shaq Diesel’s retirement, but the timing is certainly serendipitous. Say what you want about his extracurricular activities outside of hoops (Kazaam, anyone?), but there is no doubting the heartfelt emotion behind this ode to his adoptive father.

    “Independence Day” by Bruce Springsteen

    Nobody has written more songs about the frayed bonds between father and son than The Boss. This song, found on 1980’s The River, is my personal favorite from that esteemed group. Springsteen manages to balance out his hurt feelings with hard-won understanding about his father’s burden in life.

    "Old Man” by Art Garfunkel

    Randy Newman wrote it, but his own pitch-black version of a son watching with cold eyes as his father withers away in a hospital bed is a tough pill to swallow. Garfunkel manages to leaven the bile with his gorgeous vocals, and somehow he manages to find some empathy in those lyrics that look so bitter on the page.

    “Beautiful Boy (Darling Boy)” by John Lennon

    It’s always impossible to separate the songs on Double Fantasy from Lennon’s murder shortly after its release. Every song becomes almost unbearably poignant in context. This lovely ode to his then 5-year-old son Sean told his audience everything they needed to know about John’s new priorities in life, even though he didn’t get the chance to follow through with it.

    “Dinner At Eight” by Rufus Wainwright

    The story goes that Rufus got into a row with his father Loudon, a folk singer of renown in his own time, during a photo shoot for a magazine (“It was great until those old magazines/Got us started up again.”) The resulting song features what sounds like a lifetime of pent-up frustration from Wainwright set to a hauntingly beautiful melody.

    OK, Know-It-Alls, which odes to Dad did I omit that should have made the list?

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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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