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    The Dedicated Playlist: Father's Day Edition

    Songs for Dad: Springsteen, Lennon & others riff on complicated familyrelationships

    Jim Beviglia
    Jun 18, 2011 | 8:11 pm
    • John Lennon, "Beautiful Boy (Darling Boy)"
      Photo by Yoko Ono
    • Bruce Springsteen, "Independence Day"
    • The Beatles, "She's Leaving Home"
    • Pink Floyd, "When The Tigers Broke Free"

    I know you might be expecting a list filled with tried-and-true, inspirational odes to Dear Old Dad. I was fortunate to get along great with my Dad, but there is no doubt that the father-child relationship can be a mighty complicated one. The songs I’ve chosen here are my favorite songs about fathers, even if they don’t always paint a rosy picture. In other words, anybody expecting “Butterfly Kisses” should look elsewhere.

    “Tears Of Rage” by The Band

    Richard Manuel sang the version that kicks off The Band’s debut album, but Bob Dylan contributed the pained lyrics. Dylan actually writes from the Dad’s point of view and expresses the hurt inflicted by an ungrateful daughter who has grown beyond his command. Manuel’s vocal is an absolute spine-tingler.

    “When The Tigers Broke Free” by Pink Floyd

    While Roger Waters based some of the character Pink from The Wall on Syd Barrett, he also included bits of his own autobiography, such as his father dying in World War II. This track, which recounts the details’ of Waters’ father’s demise at the Anzio Bridge, made the film but not the album, and it’s a harrowing and riveting track.

    “My Three Sons” by Elvis Costello

    OK, it’s time to lighten the mood just a bit. While Elvis admits to some of the mistakes that he’s made in his past life, he pledges to make amends to his progeny. It may be startling to some to hear the Sultan of Sneer getting all sentimental, but he does it in typically eloquent Costello fashion.

    “Papa Was A Rollin’ Stone” by The Temptations

    Of all the vocal groups to come out of Motown, perhaps none was more versatile than the Temps. Yes, they could drip some sugar if need be, but on this scorching classic they proved just how gritty they could get as well. It’s a terrific put-down of one of the all-time ne’er-do-well fathers in music history.

    “She’s Leaving Home” by The Beatles

    I know that the focus of this Sgt. Pepper’s beauty is the runaway girl, but the father’s righteous anger followed by the eventual realization that he’s pushed his daughter away is the real heartbreaker. Notice that the parents do all the talking in the song while the girl never actually speaks; it’s symbolic of the communication struggles that likely led to her departure.

    “Sometimes You Can’t Make It On Your Own” by U2

    Even though it won a Song of the Year Grammy, this isn’t really known as one of U2’s classics. It really should be. Bono wrote it as a tribute to his father and played it at his Dad’s funeral. It’s a towering song about how two people can be so much alike and not really know a thing about each other.

    “Ships” by Ian Hunter

    You get twenty demerits if you only know the Barry Manilow version. This song was written and first performed by Hunter, the former lead singer of glam rockers Mott The Hoople. The nautical metaphor is the perfect way to describe a father and a son who have drifted far from each other and can’t quote reconnect.

    “Biological Didn’t Bother” by Shaquille O’Neal

    Honestly, I had intended to include this one even before Shaq Diesel’s retirement, but the timing is certainly serendipitous. Say what you want about his extracurricular activities outside of hoops (Kazaam, anyone?), but there is no doubting the heartfelt emotion behind this ode to his adoptive father.

    “Independence Day” by Bruce Springsteen

    Nobody has written more songs about the frayed bonds between father and son than The Boss. This song, found on 1980’s The River, is my personal favorite from that esteemed group. Springsteen manages to balance out his hurt feelings with hard-won understanding about his father’s burden in life.

    "Old Man” by Art Garfunkel

    Randy Newman wrote it, but his own pitch-black version of a son watching with cold eyes as his father withers away in a hospital bed is a tough pill to swallow. Garfunkel manages to leaven the bile with his gorgeous vocals, and somehow he manages to find some empathy in those lyrics that look so bitter on the page.

    “Beautiful Boy (Darling Boy)” by John Lennon

    It’s always impossible to separate the songs on Double Fantasy from Lennon’s murder shortly after its release. Every song becomes almost unbearably poignant in context. This lovely ode to his then 5-year-old son Sean told his audience everything they needed to know about John’s new priorities in life, even though he didn’t get the chance to follow through with it.

    “Dinner At Eight” by Rufus Wainwright

    The story goes that Rufus got into a row with his father Loudon, a folk singer of renown in his own time, during a photo shoot for a magazine (“It was great until those old magazines/Got us started up again.”) The resulting song features what sounds like a lifetime of pent-up frustration from Wainwright set to a hauntingly beautiful melody.

    OK, Know-It-Alls, which odes to Dad did I omit that should have made the list?

    unspecified
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    Movie Review

    Shaun the Sheep welcomes spooky season with PG-scary new movie

    Alex Bentley
    Sep 18, 2026 | 2:30 pm
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
    Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
    Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

    Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

    His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

    However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

    Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

    With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

    The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

    Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

    ---

    Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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