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The Arthropologist

Getting to be Molly Ivins, a liberal girl's dream: Who doesn't want to kick assand beat down Shrub?

Nancy Wozny
Jun 13, 2012 | 4:52 pm
  • Sara Gaston as Molly Ivins
    Photo by Kaitlyn Walker
  • Molly Ivins
  • George W. Bush or "Shrub" as Molly Ivins called him.

Girls on the left, like me, all wanted to be Molly Ivins. The lady had first rate, Grade A, no nonsense sass. Her theatrical presence was the stuff of legends. She was a one-woman show. Now, she is one.

Main Street Theater (MST) is running Red Hot Patriot: The Kick-Ass Wit of Molly Ivins, which opens Thursday night and runs through July 1, at the Chelsea Market location. The woman who coined President George W. Bush's most beloved nickname, "shrub," had a lot to say in her brief 62 years on earth, and playwrights Margaret and Allison Engel do their best to get her best stuff in during the 75-minute play.

Sara Gaston gets to be Ivins. She is well known to Houston audiences in her many roles with MST and the Alley Theatre. She's appeared in film and TV, and appears on the web series Behind Closed Doors.

Gaston visited with me about living my dream — getting to be Molly.

CultureMap: When you found out you got this part, what was your next move?

Sara Gaston: I was offered the role several months before we were to begin rehearsal so mostly I waffled back and forth between being excited and being terrified! About two weeks before rehearsals started, I began to commit the lines to memory and started to do research in earnest.

CM: Where you a fan during Molly's life?

SG: I had heard of her, but really knew nothing about her until this process. Now I’m a huge fan. It’s a huge thrill to get to say these words.

CM: If you were new to her career, how did you catch up?

SG: Fortunately, the play does a great job of taking us on that journey. I also watched videos, read articles online, looked up pictures and got a couple of books for reference material. Patti Bean, our director, was also a great resource. Sharing what we had learned was a big part of the early rehearsal process.

CM: One woman shows that try to capture a life aren't easy to pull off. The dramatic arc can feel strained, because there is just so much to convey in one evening. And, with a life as large as Ivin's, that's no small task. What's your approach to the material?

SG: I kept reminding myself that this isn’t a biopic — it’s a piece of theater. Our job is to capture her spirit, because there’s no way to cover everything that made her incredible. I’ve been sort of marinating myself in her world for the last several weeks.

CM: How do you think the Engel sisters managed to condense a life into 75 minutes?

SG: I have no idea how they did it, but they did an amazing job. I feel that they really capture the essence of who she was as a person and not just as a political voice. People who aren’t familiar with her will really get to know her. I hope those people who do already know her will feel like they are catching up with an old friend.

CM: Ivins did have a way of talking that made us feel as if she was talking directly to us. As an actor, what's the challenge for you?

SG: I really wanted to avoid trying to focus on doing an impersonation of her and getting caught up in mannerisms, faces, things like that. I’m not her, but I can try to do her spirit justice.

CM: This is a political piece, there's no getting around that. The lady grew up with "Shrub" (George W. Bush), and pretty much skewered him his entire career. Did you have any issue with Ivins' politics to get around?

SG: From what I’ve learned, not at all. I’d say we have very similar viewpoints.

CM: The powerhouse Kathleen Turner played this role, and she is a brassy dame to begin with. Now, it's your turn. What's really fun about being Molly?

SG: Getting to say what you think! We get really caught up in being diplomatic — be nice, don’t burn bridges! It’s the sort of thing you’d like to say, but you edit yourself. Molly just let it fly. God bless her.

CM: Aside from this big, fat, fabulous role, what other role have you played that really made an impact on your life, and why?

SG: It's hard to pick one. Whenever you really tackle a role, that character begins to creep into your life and leaves a mark. And that's happened to me a lot of times. Recently, I played Mary Henley in an independent film based on the true story of a Houston serial killer. She was the mother of one of the 'apprentices' to the killer.

Going to that place, where, as a mother, you look at the person who was once your tiny baby and see a killer in his place, that was a really dark place.

CM: What to do you do when you are not preparing for a role?

SG: I coach actors. I love it because I get to share something I'm really passionate about. It's so rewarding to help an actor with a breakthrough, or guide them as they try to navigate this crazy business.

Sadly, I'm a terrible theater-goer. If I'm not in a play, I rarely go to the theater. When I need a break, I love to read — it's great to climb into another world.

Enjoy Molly Ivins on InnerVIEWS with Ernie Manouse:

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news/entertainment

Movie Review

Christopher Nolan's The Odyssey is technically stunning but lacks emotion

Alex Bentley
Jul 16, 2026 | 10:30 am
Matt Damon in The Odyssey
Photo by Melinda Sue Gordon/Universal Pictures
Matt Damon in The Odyssey.

For a story that is 3,000 years old and has been referenced innumerable times since the advent of the moving picture, it’s striking that The Odyssey has not been adapted into a film more often. Christopher Nolan’s new film is, depending on your definition, just the fourth time in film history that someone has attempted to tell the original story (oddly, the third film — The Return — came out just two years ago).

Matt Damon stars as Odysseus, who has been gone from his home of Ithaca for over 20 years. Waiting at home for him is his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland), as well as a hall full of suitors — most notably Antinous (Robert Pattinson) — who are hoping that Penelope will finally believe that Odysseus is dead and choose to marry one of them.

In typical Nolan fashion, the film goes back-and-forth in time often to show what has happened to Odysseus in the past two decades. His sea voyages with his crew have him attacking Troy using the legendary Trojan Horse; taking on the cyclops Polyphemus (Bill Irwin); trying to escape the clutches of the witch Circe (Samantha Morton); living with the nymph Calypso (Charlize Theron); communing with the vision of Athena (Zendaya); and more.

Nolan, who wrote and directed the epic film, has a clear reverence for the material and, perhaps more than any current filmmaker, has the chops to make the sprawling story feel coherent. With a plethora of characters who have names that take some time to understand for those not familiar with the ancient tale, it’s extremely tough to wrangle everything and everyone together, and Nolan and his team make that trick seem relatively easy.

However, there’s a difference between making the story comprehensible and making it compelling, and Nolan is not as successful on this front. As portrayed in this film, it’s difficult to care whether Odysseus ever finds his way home. His connection with Penelope and Telemachus is tenuous, at best, and his status as a hero is called into question on multiple occasions. Complicated protagonists are nothing new, but in a story where the hero’s journey is the whole point, Nolan fails to make the quest all encompassing.

That’s not to say that there aren’t some standout moments along the way. The sequence in Polyphemus’ cave is tremendous, as are a few other scenes in which Nolan’s reported reliance on practical effects make you wonder how the crew accomplished what they did. Damon has said this is the hardest movie he’s ever made, and that effort shows up in every scene, especially those on the water.

At 56 years old, Damon is getting close to elder statesman status in Hollywood, and he ably embodies the role of the respected and feared leader. Hathaway, Holland, and Pattinson get the next most screentime, and each makes their character interesting if not mesmerizing. The murderer’s row of the supporting cast — Theron, Lupita Nyong'o, Zendaya, Elliot Page, Morton, Jon Bernthal, John Leguizamo, and more — give each scene a nice sheen whether or not their individual arc makes sense.

While the technical achievements of Nolan and his team in The Odyssey are admirable and occasionally awe-inspiring, the story he lays out is not quite as overwhelming. The structure he chose to use doesn’t allow the story to overcome the episodic nature of Odysseus’ brutal journey, keeping big emotions mostly at bay.

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The Odyssey opens in theaters on July 17.

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