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    The Quarterback Spin

    No Cowboys sacrifice: Tony Romo's U.S. Open withdrawal was just another chokejob

    Chris Baldwin
    Jun 13, 2010 | 12:21 am
    • Tony Romo didn't give up his U.S. Open golf dream for football. He's alreadylost it.
    • Whether it's football or golf, his job or his passion, Tony Romo finds a way tolose in the very end.

    It's about time someone told the truth about what really happened to Tony Romo at the Woodlands this week.

    The Dallas Cowboys quarterback drew mad praise for putting team above self when he withdrew from the U.S. Open qualifier in Houston's shadow to attend an organized team activity workout session back in Jerry Jones world.

    Many commentators are raving about how the move shows that Romo is finally grown up. It's being touted as the next step for the guy who went to Cabo with Jessica Simpson the week before a playoff game.

    Only, it wasn't any sacrifice.

    What's been lost in the story is that Romo had already blown any chance of making the U.S. Open field on a wet day at Carlton Woods Country Club.

    Only the top two finishers at the 36-hole qualifier advance to Pebble Beach, only the best two get to experience the next Tiger Woods circus — and Tony Romo had as much a chance of making the top two as a Miss USA contestant has of winning the Scripps National Spelling Bee.

    Sure, Romo posted a 71 in his first round that put him in a tie for 10th. But by the time weather halted play in the second round, sport's greatest choker had blown that success.

    I made it to the Woodlands in time to see Romo go quadruple bogey, bogey, triple bogey, shot into the water to the start his second 18.

    The Cowboys OTA the next day didn't force Romo to lose out on a U.S. Open chance. It simply allowed him to avoid embarrassment.

    Dallas coach Wade Phillips had already said that Romo could miss one of these early stripped-down practices for golf.

    Still, Romo disingenuously tried (and largely succeeded) in spinning the story another way.

    "My dream is to win the Super Bowl," Romo said, making it seem like he was putting football before golf — rather than humiliation. By withdrawing, Romo saved himself from having a sure-to-be horrific second round score become a matter of record.

    Look, Romo is one of the good guys in pro sports. A friend of mine runs the PR for the athlete-beloved Tahoe celebrity golf tournament and he always raves about Romo's low-key, everyman demeanor. I witnessed Romo patiently sign for the fans who treked out to the Woodlands.

    None of this changes the fact that Romo is also this era's greatest choke artist. It doesn't matter if he's holding an extra point, playing an underdog Giants team in the playoffs when the Cowboys are the NFC Super Bowl favorite or trying to finish a golf tournament, Tony finds a way to snatch defeat from the jaws of victory. That's what he is all about.

    Nothing changed in Romo's Woodlands adventure. He did what he always does — stumbled when the goal came into view.

     

     Relive Romo's moment of truth:

     

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    Movie Review

    New Superman movie forges into the future while honoring the past

    Alex Bentley
    Jul 11, 2025 | 3:30 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which — in a great joke — comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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