His work most recently took him to Los Angeles, where he was the main writer for NFL Network's flagship show, NFL GameDay Morning. He has also directed content or written for CNN, Village Voice Media (where he served as columnist at Houston Press), New York Daily News, and Modern Luxury Media, where he was editor of Houston's first men's magazine. \u003Cbr/>Passionate about promoting Houston as the next great global city, he also co-hosts and co-produces the weekly CultureMap television and streaming segments on ABC13.\u003C/p>","identifier":"22243373","image":{"@type":"ImageObject","url":"https://houston.culturemap.com/media-library/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMzIyOTk0MS9vcmlnaW4uanBnIiwiZXhwaXJlc19hdCI6MTc2MzE0MTEwM30.SpKsPMbbo_XonejubDrsNYFeJ1ekjyalB_TuhZ_jDiA/image.jpg?width=210"},"name":"Steven Devadanam","url":"https://houston.culturemap.com/u/stevendevadanam"},"dateModified":"2022-10-07T15:21:02Z","datePublished":"2010-06-10T05:14:00Z","description":"showbiz senses","headline":"The Bell tolls on Tobey Maguire: Turn in the Spider-Man suit, please","image":{"@type":"ImageObject","height":600,"url":"https://houston.culturemap.com/media-library/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMTczMjk3OC9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTc0NTUwMzE0NX0.TijlKXhSuG32_EoXKtOZaTtJlSPyCqQurmTPsKfQTcg/image.png?width=210","width":1200},"keywords":["unspecified"],"mainEntityOfPage":{"@id":"https://houston.culturemap.com/news/entertainment/06-10-10-the-bell-tolls-on-tobey-maguire-turn-in-the-spider-man-suit","@type":"WebPage"},"publisher":{"@type":"Organization","logo":{"@type":"ImageObject","url":"https://houston.culturemap.com/media-library/eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJpbWFnZSI6Imh0dHBzOi8vYXNzZXRzLnJibC5tcy8zMTczMjk3OC9vcmlnaW4ucG5nIiwiZXhwaXJlc19hdCI6MTc0NTUwMzE0NX0.TijlKXhSuG32_EoXKtOZaTtJlSPyCqQurmTPsKfQTcg/image.png?width=210"},"name":"CultureMap Houston"},"url":"https://houston.culturemap.com/news/entertainment/06-10-10-the-bell-tolls-on-tobey-maguire-turn-in-the-spider-man-suit"}
The Bell tolls on Tobey Maguire: Turn in the Spider-Man suit, please - CultureMap Houston
showbiz senses
The Bell tolls on Tobey Maguire: Turn in the Spider-Man suit, please
It may be time to turn in the Spidey-Man costume, Tobey Maguire.
The British are coming! Tobey Maguire's title role as Spider-Man is being usurped in the new Spider-Man Reboot by the United Kingdom's Jamie Bell, who won fame in 2000 for his leading part in Billy Elliot. In America, he is also known as the former boyfriend of American actress Evan Rachel Wood, who is now linked to Marilyn Manson.
The 24-year-old Billingham, England native is in the upper age range for the part, as director Marc Webb is trying to give the franchise a fresh look by bringing the character of Peter Parker back to high school. Other candidates included Alden Ehrenreich, Frank Dillane, Andrew Garfield and Josh Hutcherson. Bell brings some serious acting accolades. He won the award for Best Actor in a Leading Role at the British Film Awards in 2000 for Billy Elliot, and has also starred in movies including King Kong, Jumper and Defiance.
A little British invasion is never minded, but realize that this is the fourth installment of the Spider-Man movie series. Sony is going to need a lot more than a charming accent to infuse the franchise with superior Spidey-senses. Is it possible that Webb is in a standoff competition with the makers of Shrek for who can create the most undesired summer sequels?
Columbia Pictures is officially "not commenting" on Bell's involvement with the production, which will be released on July 3, 2012.
There have been a number of films in the past decade or so that have confronted police brutality and/or corruption, detailing both fictional and real-life events. The seriousness of the topic has mostly kept stories confined strictly to the drama category, but the new film Rebel Ridgedares to take things into the action/thriller genre while still remaining thoughtful about the larger subject at hand.
As the film begins, Terry Richmond (Aaron Pierre) is traveling by bicycle down a country road when he is followed and then crashed into by a police cruiser. Over his objections, the two officers conduct a search of his backpack, where they find a large amount of cash that Terry was going to use to bail his cousin out of jail. Without due cause, the cops confiscate the money and leave Terry to fend for himself.
While clearly upset about his mistreatment and the injustice heaped upon him, Terry continues to try work within the system to get his cousin released, only to be stymied at every turn. Left with no other option, Terry decides to confront the small-town police department, led by Chief Sandy Burnne (Don Johnson). His background in the Marines, especially a certain set of skills he learned there, make him a formidable threat, even in the face of a group of highly-armed men.
Written and directed by Jeremy Saulnier (Green Room), the film is striking in how calm Terry remains, even when he decides to resort to violent means. In his multiple interactions with the police in the first half of the film, he remains in control of his emotions at all times, refusing to give the cops any extra reason to take their anger out on him. This behavior rings true to life, a subtle but strong commentary on the expectations put on Black people in such situations.
With a low-but-pulsating score and a carefully-crafted building of tension, Saulnier gives the audience permission to want to see Terry enact his revenge on the cops. And yet, the film is far from exploitative. At the same time as he’s growing angrier by the minute with the police, he’s working with Summer McBride (AnnaSophia Robb), a court employee, to free his cousin legally. The combination of the two storylines works well, especially when the story takes a turn in the final act.
Saulnier is careful to keep the action in the film relatively realistic. While there are some moments when Terry shows extraordinary abilities, they make sense given the character’s training and never turn him into an unstoppable superhero. Even more pointed is how Terry eschews the use of guns. There are multiple times when picking up a gun is an option, and yet he picks something else every time, a moral code not often seen in films such as these.
Pierre proves to be the perfect actor for this particular role. While he’s big enough to be intimidating and has eyes that seem to pierce the soul, it’s the level-headed demeanor that he brings to the role that makes it a great performance. Johnson has just the right amount of charisma and malevolence for his part, and Robb shows a maturity that may signal the start of the next phase of her career.
Rebel Ridge plays with ideas formed from real life and similar movies to become a stirring film that hits almost all the right notes. It doesn’t necessarily have any answers for the systemic problems it includes in its story, but the righteous anger it provokes make it highly memorable.