Tony Award Predictions

A Kinky Tony awards? Close race for Broadway's top prizes and the winners are....

Editors' Note: For the third year in a row, Hobby Center for the Performing Arts president and Tony Award voter Fran Macferran shares his take on the favorites at the 67th Annual Tony Awards Sunday night with CultureMap readers.

It’s that time of year again when Broadway is buzzing with new works and big names as the Tony Awards are quickly approaching. As a Tony voter, I have had the privilege to experience some of the best of Broadway this season, and get a preview of productions that could make their way to the Hobby Center here in Houston. My ballot has been cast; here is my breakdown of the top plays and musicals competing for the top awards.

The Leading Play-ers

Much like last year, there are many note-worthy actors and actresses who we know best from TV and film that have given stand-out performances on Broadway this year.

Among these veteran actors is Tom Hanks who proves he is a true character actor in Lucky Guy. In this gritty look at the world of tabloid journalism in 1980s New York City scripted by the late Nora Ephron, Hanks stars as Pulitzer Prize winning journalist Mike McAlary. Hanks easily translates his acting skills from screen to stage – not an easy task – and has a good shot at the win for Best Actor in a Play.

In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved.

The Best Actor trophy, however, has tough competition from David Hyde Pierce and Nathan Lane; both actors have previously won Tony Awards in this category. Pierce is nominated for his role as Vanya in Vanya and Sonia and Masha and Spike, which stands out as an unbelievable production. The entire cast is off the charts and is the very definition of an ensemble. It is rare to find an ensemble cast where all of the individual actors are so dynamic. Lane is nominated for his performance as Chauncey Miles in The Nance.

The two leading ladies in The Assembled Parties are unbelievable and really carry this phenomenal, off-the-charts-awesome show. Last season, Judith Light blew me away with her performance in Other Desert Cities, for which she won a Tony for Best Featured Actress in a Play, and she continues to amaze with her captivating portrayal of Faye in this family drama. This is her third year in a row to be nominated in the Best Featured Actress in a Play category, and I think she might continue as the reigning champion.

I think most Texans, no matter which side of the aisle they stand on, have a soft spot for former Gov. Ann Richards. In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved. Most plays don’t get a life out on the road, but I am hopeful this one does so more Texans can witness this transformational portrayal of Ann Richards.

The Famed and Familiar Musicals

Looking at the nominated musicals, we see not only beloved musicals and familiar names from the entertainment industry, but also several titles from movies and books. Though several names may be familiar, they certainly take on new identities in musical form and make a phenomenal impression.

Probably one of best-known titles is Annie, up for Best Revival of a Musical. In all my trips to Broadway and years as a Tony voter, this was my first time to see Annie! I’m glad I waited to see this revival’s run and experience Jane Lynch’s portrayal of Miss Hannigan, the character everyone loves to hate. This tried and true musical is worth a second chance for those who think they have already been, there, done that -especially if you get a chance to see it with Lynch.

Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

Also up for Best Revival of a Musical, and definitely my pick, is Pippin. The circus and acrobatic elements are awe-inspiring, and there are many wow factors throughout the show. As the Leading Player, Patina Miller filled the Tony Award winning shoes of original cast member, Ben Vereen, in tremendous fashion. Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

Another familiar name, this time from the bookshelf, is Matilda The Musical. Like my experience in Annie, there was one particular actor who stole the show. Bertie Carvel is amazing from the moment he appears on stage as Miss Trunchbull (a dramatic entrance which you must see yourself!), and is my pick to win for Best Performance by an Actor in a Musical. The show has been incredibly successful on London’s West End, and the Broadway incarnation definitely has the legs to stick around for quite a while. Hopefully, it will also make its way on tour to Houston.

It’s going to be a tight race between Matilda The Musical and Kinky Boots for Best Musical. Interestingly enough, both have British roots. I think Harvey Fierstein will win for Best Book of a Musical and Cyndi Lauper has a shot of winning in the Best Original Score category. These two might put Kinky Boots over the edge to win Best Musical.

Tony Award votes are cast by secret ballot, but there is of course a lot of speculation and buzz about who will take each award category. The rumored favorites below reflect my opinions only, and not necessarily even my personal favorites:

Best Musical: Kinky Boots or Matilda The Musical
Best Revival of a Musical: Pippin
Best Play: Lucky Guy or Vanya and Sonia and Masha and Spike
Best Revival of a Play: Golden Boy or The Trip to Bountiful
Best Performance by an Actor in a Leading Role in a Play: Tom Hanks, Lucky Guy
Best Performance by an Actress in a Leading Role in a Play: Holland Taylor, Ann or Cicely Tyson, The Trip to Bountiful
Best Performance by an Actor in a Leading Role in a Musical: Bertie Carvel, Matilda The Musical
Best Performance by an Actress in a Leading Role in a Musical: Patina Miller, Pippin

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The Gexa Energy Broadway at the Hobby Center 2013 – 2014 season begins in September with The Book of Mormon – a winner of nine Tony Awards, including Best Musical. For more information on the entire season, visit www.thehobbycenter.org.

Holland Taylor in a scene from Ann

Fran Macferran Tony Awards Predictions June 2013 Ave Bonar

Photo by © Ave Bonar

Holland Taylor in a scene from Ann

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lizzo concert review

Lizzo makes Houston feel 'Good as Hell' at sold-out Rodeo concert

Courtesy of Houston Livestock Show and Rodeo

Lizzo entered the rodeo in a tricked out SLAB.

Much like Mayor of Trill Town Bun B’s past rodeo shows, Lizzo’s sold-out Friday night show, closing out Black Heritage Day, was a rapturous celebration of Houston pride with a live jukebox.

The best rodeo shows are when no one sits down, even if their boots make their dogs holler, and when the show ends, everyone spills out of the stadium barefoot, or the menfolk carry the heels. No other city would allow you to eat chicken fried lobster, drink award-winning wine by the bottle, watch teenagers wrestle calves for cash, see kindergartens hold on to a sheep with a death grip, and stomp your Ariats to “Still Tippin’” with 70,000 other people within the span of six hours.

Along with Go Tejano Day, Black Heritage Day (which became a part of the RodeoHouston DNA in 1993) showcases the diversity found on the concrete and the hay off Kirby Drive every year. It’s a whole day of celebration on the grounds, including field trips, art installations, traveling museum exhibits, and an unofficial HBCU reunion event. As cowpokes in cowboy hats battled various beasts before the show, the big screen highlighted roving bands of women dressed in their finest rodeo attire. The sidewalks around NRG Stadium were a Friday night fashion show. Friday was also the kickoff of spring break for most Houston-area school districts, meaning the grounds will be insanely busy over the next week.

Proud Alief Elsik High School alum and University of Houston product Lizzo was supposed to have made her triumphant hometown rodeo debut back in 2020, but Covid-19 scuttled the second half of that season, including her appearance. Just a few weeks ago, she gushed on Late Night with Seth Meyers about how important the show would be to her, mentioning seeing John Mayer and Beyoncé during her teen years in town.

At 9:15 pm, just next door to the 8th Wonder of the World the “9th Wonder of the World” — Texas Southern University’s Ocean of Soul Marching Band — made its way onto the show floor to massive applause as a hype video of Houston landmarks played on the show screens. If RodeoHouston needs a house band — founded in 1969 — this is it. In fact, it should be legally mandated that they appear every year.

Before Lizzo even appeared, the show felt like a Super Bowl halftime show, with three SLABs driving out into the dirt, with the woman herself kicking off “About Damn Time” from the back seat of a fourth SLAB, clad in a black leather studded duster, surrounded by TSU dancers. This is the kind of big-budget spectacle that the rodeo salivates for. Backed by a mostly-female band onstage, the Ocean of Soul provided a constant brassy, bassy undercurrent.

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“This is the city that raised me,” Lizzo said, taking in the 69,362 souls in her midst.

She was met with a hurricane-force wall of screams as she launched into “Cuz I Love You,” ditching her black leather duster for a white tank top.

Houston’s own gospel pop quartet The Walls Group appeared just then for the Black National Anthem, “Lift Every Voice And Sing.” Lizzo and the Walls siblings then wove “Special” into “Total Praise.” We’d all buy a Lizzo gospel album, and you know it.

Her collaboration with Cardi B “Rumors” — flaunting rodeo lyrical standards — gave way to her own rendition 4 Non Blondes’ “What’s Up,” giving Linda Perry’s grunge pop classic a torch song glow-up.

Lizzo got back into her custom SLAB for her own “Yitty On Yo Tittys” from last summer’s My Face Hurts From Smiling album, complete with a human-sized dancing Labubu. The Ocean of Soul got its own interlude while keen eyes could see Lizzo side stage, tuning up her famous flute with a familiar line.

Wait, is that? Yes, by God, that’s Houston’s national anthem.

Soon Slim Thug, Mike Jones, and Paul Wall sauntered out for “Still Tippin’” as city pride began to sweat from the stadium walls, all while the Ocean of Soul kept strutting along. The professor emeritus’ of Houston's 2000s rap explosion, you look up from your phone and realize all these Houston rap standards are all over 20 years old now. Paul is a silver fox, Slim is a real estate magnate, and even people in Japan know Jones’ personal phone number.

“At the end of the day, I just want Houston to feel good as hell,” Lizzo said, tapping directly into “Good As Hell.” Was that a pregnant lady in a cowboy hat dancing on the big screen? How much more Houston can a fetus be?

The only truly Houston things left to do tonight were to sweat through your Wranglers in the parking lot, gaze at the Astrodome, sit in standstill traffic, and join the drive-thru parade at the closest Whataburger.

Setlist

With Texas Southern University’s Ocean Of Soul

About Damn Time
Juice
2 Be Loved (Am I Ready)
Soulmate
Cuz I Love You

With The Walls Group

Lift Every Voice And Sing
Special > Total Praise
Rumors > What’s Up

Tempo > Wobble
Boys (with Ocean Of Soul)
Mo City Don (Z-Ro Cover)
Yitty On Yo Tittys
Screwed (with Ocean Of Soul)
Still Tippin’ (with Slim Thug, Mike Jones, and Paul Wall)
Truth Hurts
Good As Hell (with Ocean Of Soul)

rodeohouston concert review lizzo