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    Tony Award Predictions

    A Kinky Tony awards? Close race for Broadway's top prizes and the winners are....

    Fran Macferran
    Jun 8, 2013 | 2:34 pm

    Editors' Note: For the third year in a row, Hobby Center for the Performing Arts president and Tony Award voter Fran Macferran shares his take on the favorites at the 67th Annual Tony Awards Sunday night with CultureMap readers.

    It’s that time of year again when Broadway is buzzing with new works and big names as the Tony Awards are quickly approaching. As a Tony voter, I have had the privilege to experience some of the best of Broadway this season, and get a preview of productions that could make their way to the Hobby Center here in Houston. My ballot has been cast; here is my breakdown of the top plays and musicals competing for the top awards.

    The Leading Play-ers

    Much like last year, there are many note-worthy actors and actresses who we know best from TV and film that have given stand-out performances on Broadway this year.

    Among these veteran actors is Tom Hanks who proves he is a true character actor in Lucky Guy. In this gritty look at the world of tabloid journalism in 1980s New York City scripted by the late Nora Ephron, Hanks stars as Pulitzer Prize winning journalist Mike McAlary. Hanks easily translates his acting skills from screen to stage – not an easy task – and has a good shot at the win for Best Actor in a Play.

    In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved.

    The Best Actor trophy, however, has tough competition from David Hyde Pierce and Nathan Lane; both actors have previously won Tony Awards in this category. Pierce is nominated for his role as Vanya in Vanya and Sonia and Masha and Spike, which stands out as an unbelievable production. The entire cast is off the charts and is the very definition of an ensemble. It is rare to find an ensemble cast where all of the individual actors are so dynamic. Lane is nominated for his performance as Chauncey Miles in The Nance.

    The two leading ladies in The Assembled Parties are unbelievable and really carry this phenomenal, off-the-charts-awesome show. Last season, Judith Light blew me away with her performance in Other Desert Cities, for which she won a Tony for Best Featured Actress in a Play, and she continues to amaze with her captivating portrayal of Faye in this family drama. This is her third year in a row to be nominated in the Best Featured Actress in a Play category, and I think she might continue as the reigning champion.

    I think most Texans, no matter which side of the aisle they stand on, have a soft spot for former Gov. Ann Richards. In Ann, Holland Taylor brings her back to life in a spectacular and uncanny performance. Her nomination for Best Performance by an Actress in a Play is incredibly well-deserved. Most plays don’t get a life out on the road, but I am hopeful this one does so more Texans can witness this transformational portrayal of Ann Richards.

    The Famed and Familiar Musicals

    Looking at the nominated musicals, we see not only beloved musicals and familiar names from the entertainment industry, but also several titles from movies and books. Though several names may be familiar, they certainly take on new identities in musical form and make a phenomenal impression.

    Probably one of best-known titles is Annie, up for Best Revival of a Musical. In all my trips to Broadway and years as a Tony voter, this was my first time to see Annie! I’m glad I waited to see this revival’s run and experience Jane Lynch’s portrayal of Miss Hannigan, the character everyone loves to hate. This tried and true musical is worth a second chance for those who think they have already been, there, done that -especially if you get a chance to see it with Lynch.

    Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

    Also up for Best Revival of a Musical, and definitely my pick, is Pippin. The circus and acrobatic elements are awe-inspiring, and there are many wow factors throughout the show. As the Leading Player, Patina Miller filled the Tony Award winning shoes of original cast member, Ben Vereen, in tremendous fashion. Pippin has already announced a national tour and I am hoping it will make a stop in Houston.

    Another familiar name, this time from the bookshelf, is Matilda The Musical. Like my experience in Annie, there was one particular actor who stole the show. Bertie Carvel is amazing from the moment he appears on stage as Miss Trunchbull (a dramatic entrance which you must see yourself!), and is my pick to win for Best Performance by an Actor in a Musical. The show has been incredibly successful on London’s West End, and the Broadway incarnation definitely has the legs to stick around for quite a while. Hopefully, it will also make its way on tour to Houston.

    It’s going to be a tight race between Matilda The Musical and Kinky Boots for Best Musical. Interestingly enough, both have British roots. I think Harvey Fierstein will win for Best Book of a Musical and Cyndi Lauper has a shot of winning in the Best Original Score category. These two might put Kinky Boots over the edge to win Best Musical.

    Tony Award votes are cast by secret ballot, but there is of course a lot of speculation and buzz about who will take each award category. The rumored favorites below reflect my opinions only, and not necessarily even my personal favorites:

    Best Musical: Kinky Boots or Matilda The Musical
    Best Revival of a Musical: Pippin
    Best Play: Lucky Guy or Vanya and Sonia and Masha and Spike
    Best Revival of a Play: Golden Boy or The Trip to Bountiful
    Best Performance by an Actor in a Leading Role in a Play: Tom Hanks, Lucky Guy
    Best Performance by an Actress in a Leading Role in a Play: Holland Taylor, Ann or Cicely Tyson, The Trip to Bountiful
    Best Performance by an Actor in a Leading Role in a Musical: Bertie Carvel, Matilda The Musical
    Best Performance by an Actress in a Leading Role in a Musical: Patina Miller, Pippin

    ----------

    The Gexa Energy Broadway at the Hobby Center 2013 – 2014 season begins in September with The Book of Mormon – a winner of nine Tony Awards, including Best Musical. For more information on the entire season, visit www.thehobbycenter.org.

    Holland Taylor in a scene from Ann

    Fran Macferran Tony Awards Predictions June 2013 Ave Bonar
    Photo by © Ave Bonar
    Holland Taylor in a scene from Ann
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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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