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    The Review is In

    Rim job tips and Tupperware hookers: Dixie riotously blows away TUTS' family-friendly image

    Joel Luks
    Jun 7, 2013 | 11:32 am
    Dixie's Tupperware Party
    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16.
    Photo by Bradford Rogne

    Rimming races? Yes, she went there, took a picture, got the T-shirt and tweeted all about it. Oh. My. Word. I. die.

    I am not the kind of chap who blushes at dirty jokes or ribald play on words. In fact, I've inappropriately "opened mouth and inserted foot" on more than one occasion, only to wonder, what the hell I was thinking. But nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming courtesy of one fast-talking southern dame who tells it like it is — and doesn't apologize for it. What you see is what you get.

    You have no choice but love on Dixie Longate, the trailer chic gentlewoman hailing from a classy trailer park suburb in Mobile, Ala., who's the star of Dixie's Tupperware Party, presented by Theatre Under the Stars through June 16.

    Nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming.

    It isn't easy to discern where her real story ends and fiction begins — and what's scripted and what's improv — in this two-hour, one-woman show that gets going when the leading gal pours Jack Daniel's into a no-spill tumbler with a bendy straw. Turn the drinking vessel upside down and . . . the happy liquid stays put, preventing leaks like a tight vagina, Dixie jokes.

    The show-and-tell sales demonstration is the real deal, y'all. Audiences members, which she endearingly calls hookers, are encouraged to pore over printed Tupperware catalogs, circle their favorites and purchase them at the end of the non-stop comedy fiasco — cash, checks and credit card accepted.

    Tupperware Warning

    Tip: Whatever you do, don't call the containers, bowls. Make no mistake about it. These are food storage solutions for the home that carry lifetime warranties. Moreover, some of the products are on display at museums, have earned design awards and are studied in business schools as examples of a successful marketing strategy.

    Yet amid the delightfully lewd homily that includes how to perform fellatio, the best way to cook and carry vodka-spiked Jell-O shots and suggestions on keeping that cucumber crisp and firm in the ice box (or next to your bed) — because there's no use for flaccid and slimy cylindrical produce— Dixie's Tupperware Party goes beyond the riotous farce setup to detail a journey of female empowerment from the 1950s to today.

    There's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend.

    After all, it was a divorcee, Georgia-native Brownie Wise, who first conceived of a domestic, social function (those tupperware parties) as a means to morph from a housewife into a bread winner for her family. The successful entrepreneur became the first woman to be featured on the cover of Business Week when she was hired as the vice president of Tupperware home parties for Stanley Home Products.

    A New Hampshire man, Earl Silas Tupper, may be credited with introducing Tupper Plastics to the market in 1946. And sure, it's his patronymic that's now a household name. But the real achievement belongs to Wise.

    Longate's story follows along the same line. She earned the title of America's No. 1 Personal Seller of Tupperware because of her uncanny ability to move "plastic crap" after surviving three ex-husbands, who are all deceased, raising three children, Wynona, Dwayne and Absorbine Jr., and doing hard time in the slammer.

    What launched as an Ars Nova production in New York presented by the New York International Fringe Festival off Broadway, a work of playwright Kris Andersson and director Patrick Richwood, is causing quite a hoopla in theater circles, earning a Drama Desk Award nomination. With this run, TUTS set in motion a series of more intimate pieces staged at the Hobby Center's smaller theater, the 500-seat Zilkha Hall.

    It's a move that broadens the local company's reputation from its current standing as a family-friendly art presenter to one who isn't afraid to walk on the wild side with mature, risqué works.

    Dixie's Tupperware Party may seem like its all lucrative naughty fun and drinking games. Plastic bowls plus inebriated women typically equals loads of Tupperware orders. But there's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend, the kind of who's an indispensable addition to an all-night carouse that ends when you pass out next to an aromatic dumpster — and the kind of kindred spirit who uplifts you when you are down in the dumps.

    You could say that Dixie Longate is a modern definition of the American dream.

    ___

    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16. Tickets start at $24 and can be purchased online or by calling 713-558-8887.

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    news/entertainment

    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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    news/entertainment

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