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    The Review is In

    Rim job tips and Tupperware hookers: Dixie riotously blows away TUTS' family-friendly image

    Joel Luks
    Jun 7, 2013 | 11:32 am
    Dixie's Tupperware Party
    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16.
    Photo by Bradford Rogne

    Rimming races? Yes, she went there, took a picture, got the T-shirt and tweeted all about it. Oh. My. Word. I. die.

    I am not the kind of chap who blushes at dirty jokes or ribald play on words. In fact, I've inappropriately "opened mouth and inserted foot" on more than one occasion, only to wonder, what the hell I was thinking. But nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming courtesy of one fast-talking southern dame who tells it like it is — and doesn't apologize for it. What you see is what you get.

    You have no choice but love on Dixie Longate, the trailer chic gentlewoman hailing from a classy trailer park suburb in Mobile, Ala., who's the star of Dixie's Tupperware Party, presented by Theatre Under the Stars through June 16.

    Nothing could've prepared me for the run on inventory of double entendres and sexual innuendos that just kept on coming.

    It isn't easy to discern where her real story ends and fiction begins — and what's scripted and what's improv — in this two-hour, one-woman show that gets going when the leading gal pours Jack Daniel's into a no-spill tumbler with a bendy straw. Turn the drinking vessel upside down and . . . the happy liquid stays put, preventing leaks like a tight vagina, Dixie jokes.

    The show-and-tell sales demonstration is the real deal, y'all. Audiences members, which she endearingly calls hookers, are encouraged to pore over printed Tupperware catalogs, circle their favorites and purchase them at the end of the non-stop comedy fiasco — cash, checks and credit card accepted.

    Tupperware Warning

    Tip: Whatever you do, don't call the containers, bowls. Make no mistake about it. These are food storage solutions for the home that carry lifetime warranties. Moreover, some of the products are on display at museums, have earned design awards and are studied in business schools as examples of a successful marketing strategy.

    Yet amid the delightfully lewd homily that includes how to perform fellatio, the best way to cook and carry vodka-spiked Jell-O shots and suggestions on keeping that cucumber crisp and firm in the ice box (or next to your bed) — because there's no use for flaccid and slimy cylindrical produce— Dixie's Tupperware Party goes beyond the riotous farce setup to detail a journey of female empowerment from the 1950s to today.

    There's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend.

    After all, it was a divorcee, Georgia-native Brownie Wise, who first conceived of a domestic, social function (those tupperware parties) as a means to morph from a housewife into a bread winner for her family. The successful entrepreneur became the first woman to be featured on the cover of Business Week when she was hired as the vice president of Tupperware home parties for Stanley Home Products.

    A New Hampshire man, Earl Silas Tupper, may be credited with introducing Tupper Plastics to the market in 1946. And sure, it's his patronymic that's now a household name. But the real achievement belongs to Wise.

    Longate's story follows along the same line. She earned the title of America's No. 1 Personal Seller of Tupperware because of her uncanny ability to move "plastic crap" after surviving three ex-husbands, who are all deceased, raising three children, Wynona, Dwayne and Absorbine Jr., and doing hard time in the slammer.

    What launched as an Ars Nova production in New York presented by the New York International Fringe Festival off Broadway, a work of playwright Kris Andersson and director Patrick Richwood, is causing quite a hoopla in theater circles, earning a Drama Desk Award nomination. With this run, TUTS set in motion a series of more intimate pieces staged at the Hobby Center's smaller theater, the 500-seat Zilkha Hall.

    It's a move that broadens the local company's reputation from its current standing as a family-friendly art presenter to one who isn't afraid to walk on the wild side with mature, risqué works.

    Dixie's Tupperware Party may seem like its all lucrative naughty fun and drinking games. Plastic bowls plus inebriated women typically equals loads of Tupperware orders. But there's substance to the show and depth to this amicable, enterprising lady, who's instantly everyone's friend, the kind of who's an indispensable addition to an all-night carouse that ends when you pass out next to an aromatic dumpster — and the kind of kindred spirit who uplifts you when you are down in the dumps.

    You could say that Dixie Longate is a modern definition of the American dream.

    ___

    Theatre Under the Stars presents Dixie's Tupperware Party at the Hobby Center for the Performing Arts through June 16. Tickets start at $24 and can be purchased online or by calling 713-558-8887.

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    Movie Review

    Timothée Chalamet cements star status in new movie Marty Supreme

    Alex Bentley
    Dec 23, 2025 | 4:30 pm
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also earned an Oscar nomination for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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