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    Inside Houston's music party

    Stranger Danger, heatstroke and Girl Talk's Miley Cyrus kiss (off) — justanother day at Summer Fest

    Wilbert Chinchilla
    Jun 6, 2010 | 1:32 pm
    • Just a boring scene at a Girl Talk show.
    • Yeah ... you don't want to get in the Astro van.
    • The security was a little tighter than this around Girl Talk's stage.

    By a twist of fate, I am covering Free Press Summer Fest where new friends are made, I get denied my dream and I finally understand why some people love live music so much. Let's start out with the creepy stuff.

    I begin walking away from my parked car to Eleanor Tinsley park when all of a sudden an Astro van pulls up besides me and the driver leans out to ask, "Do you need a cab?" I quickly reply, "No I am fine. I am broke too." The driver shoots back, "That's OK, theres no charge," and he stays in the middle of the street with his emergency lights blinking to see where I am walking.

    Now at this moment, I don't need to be a rocket scientist to realize many things:

    1) Astro vans are never cabs. Especially ones with no cab decal or call number on the side.

    2) I have never received, nor will receive a free cab ride in my life.

    3) The last time anyone has seen an Astro van was on the news when someone was abducted and murdered.

    As I haul ass to the festival after realizing this was a definite "Stranger Danger" situation, I became parched. Luckily, I saw on the festival's Web site that there is free water. I hate to break it to the 10-plus people I saw pass out during day one, water is the hottest commodity next to portable bathrooms. So locating this free water — which is free if you spend your day looking for 10 recycled water bottles to trade for water — is a bit of a struggle if you are going through heat stroke.

    After spending my first hour looking for water, I revert to my Mayan instincts of survival — I (technically) steal water.

    Returning to the Main Stage around 3:30 pm, I saw Mix Master Mike spin some really cool Top 40 songs of the past and present that's a definite fantastic start to day one. This first set is also definitely the way to scope out some eye candy.

    My goals for the day are to stay hydrated and dance on stage with Girl Talk. So far, I channeled Darwinism to achieve goal one. Eventually, even that doesn't work out because it's 97 degrees outside and sweat soaks through my shirt even when I'm not moving. I decided to take a nap back at my school (the University of Houston-Downtown) where there is free air conditioning, a water fountain, and a couch. While walking. I feel very inebriated, maybe too drunk to even make it to my school (from the festival).

    Yet I have had no drugs or alcohol. I thought I could sleep for half an hour and simply wake up.

    Into the night

    I had a great nap. It is now 7 p.m. My alarm didn't go off. Shit. After waking up, I met a friend and we both go to the fest together. While catching up, she talks about meeting more friends of hers at the festival and mentions how they all want to say Hi.

    One by two by three, I meet about eight new people who I nothing about. As the chit-chat commences, I tell them about oversleeping and how I have to make this article as interesting as possible. "I want to dance on stage with Girl Talk. It's the only way," I say.

    (Sidebar: I have been a fan of Girl Talk, a.k.a. Greg Gillls, since watching RIP: A Remix Manifesto where Girl Talk and music mashups were a focal point. I have also seen the various YouTube videos of his concerts where fans are more than spectators, they are performers.)

    As more new friends join, I hear the sounds of The Detroit Cobras, a rock group that covers old rock songs and makes them relevant again. Although the crowd doesn't seem to enjoy this band, I dig the spaghetti western feel of their songs that kind of mellows out the crowd a bit. That cool down is needed for the next and final act of the night, Girl Talk.

    With my friend and my new friends alike, I venture out into the pit to try and set the pace for the performance — maybe even get on stage?

    I didn't have a chance to go see Girl Talk in his earlier Houston appearance, so I prepare for my live mashup hymen to be broken by Girl Talk. His mashups are amazing. His most interesting one includes the Smashing Pumpkins. He manages to take Miley Cyrus' I Can't Be Tamed beat and melody it with rap (I believe Jay-Z), producing something that sounds way better — and less stupid — than the original.

    As Girl Talk continually zips from Bon Jovi to Britney Spears, I continually search for an entrance to the stage. During the show my new friends teach me concert techniques for making space like moshing, and the ballerina — in which you extend and curve your arms in front of yourself for space.

    I find an opening ... and there are guards. I approach and ask if I can go on stage. Apparently only "Fancy Pants" wristband holders, staff, and the stage crew can go up. I'm shot down. Goal two is unaccomplished, and there is no way I can take down the hulking guard in front of me.

    Regrouping

    I go back to my new circle of friends and tell them the news. Sad faces commence, but then joy as Girl Talk creates mashups and a wondrous dance party that feels like forever. After a mashup of the always crowd pleasing "Shout" by The Isley Brothers, Girl Talk plays Imagine by John Lennon.

    In this moment, the entire Houston crowd is in sync, undamaged and unified to simply listen and then react to Lennon's closing line, "and the world will live as one."

    As I continue to speak with my new friends, they tell me they love going to shows because it's their high. I think that's it: What a great way to look at life.

    Despite the smell of marijuana inside the pit, there isn't any reason why someone can't just enjoy the highs of life. For Houston, that high seems to be music. An art instead of an industry. I used to think Houston would never be able to have nice things like a music festival, but Free Press Summer Fest and its stellar lineup has proven me wrong.

    In the gigantically-small bubble that is Houston, we all seem to know each one another somehow. So when we unify, it seems like we have always been on the same wavelength.

    So much so, we run into other people that were dancing next to us at our recovery dinner.

    If only Houston held a mashup dance party every day of the week.

    But, I wonder ... what the hell would have happened if I had gotten into that van?

    Some Bands To Consider at Day Two of Summer Fest:

    Caddywhompus

    Muhammad Ali

    Giant Princess

    unspecified
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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