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    Tony Award Predictions

    And the winners at the Tony Awards are.....Broadway's biggest night promises to be a nail-biter

    Fran Macferran
    Jun 5, 2015 | 2:25 pm

    Editors' Note: In a CultureMap tradition, Hobby Center for the Performing Arts president and Tony Awards voter Fran Macferran shares his take on the favorites for this year's awards.

    The 69th Annual Tony Awards are upon us and this year's race promises to be a nail-biter. The show, which airs Sunday night on CBS, will showcase an incredible array of new and revived works that are receiving a lot of buzz from both the press and audiences alike.

    This marks my ninth year as a Tony voter and a member of The Broadway League (the national association for the Broadway industry), and I continue to relish the opportunity to see the amazing works that could make their way from New York to the Hobby Center one day.

    I've cast my ballot for who I think is the best, and now I give to you my preview of the rumored favorites and which races are going to be tight.

    A Boy Playing Detective vs. a Sadistic Sock Puppet

    The Curious Incident of the Dog in the Night-Time tells the story of a teenage boy, Christopher Boone (played by newcomer Alex Sharp), with an incredible mind, but a bit of trouble with the real world, who must find a way to prove his innocence when he's accused of a crime. This is the one to beat.

    The show has ties to the Houston area through its playwright, Robert Askins, who is from Cypress, which also happens to be the setting for the play.

    The British import — one of two featured in the race for Best Play — is a unique story that is crafted in such a visually compelling way that it easily pulls its audience into the world of its protagonist.

    Another show chronicling the life of a teenage boy takes a much darker approach. Hand to God is a show about sex, violence and religion, much of which is caused by sadistic sock puppet named Tyrone. Hand to God is a dark show, frighteningly dark, but it never pretends for a moment that it is anything other than exactly what it is.

    The show has ties to the Houston area through its playwright, Robert Askins, who is from Cypress, which also happens to be the setting for the play. It's not surprising that the controversial content of the show has garnered it much attention. It will be interesting to see how the show plays outside of New York.

    Reviving a Man

    The top contenders for Best Revival of a Play are anchored by incredibly talented lead actors and ensembles giving these two the edge over the competition. The Elephant Man and Skylight are dramatically different stories, but thanks to each show's remarkable cast, I see it being a race between these two.

    The Elephant Man features Bradley Cooper, one the sexiest actors around, in the title role. What's so interesting about his performance is how he transforms into this disfigured character without the aid of prosthetics or makeup, using only his body and facial expressions. Cooper does a terrific job convincing the audience that he is the character.

    The Best Man for the Job

    The race for Best Performance By an Actor in a Leading Role in a Play is a tough one. We have star-powered performances with nominees like Bill Nighy in Skylight and Bradley Cooper in The Elephant Man, but then you also have newcomer Alex Sharp from The Curious incident of the Dog in the Night-Time who turned in an amazing performance in a challenging role. This one is anyone's race and it will be interesting to see who comes out on top.

    Choosing a Queen

    Talk about star power. The race for Best Performance By an Actress in a Leading Role in a Play, which includes nominees Helen Mirren for The Audience, Geneva Carr for Hand to God and Carey Mulligan for Skylight, is going to be a close one. However, I think Mirren has the edge here with her performance as Queen Elizabeth II, which she is superb in.

    Featured — Play

    In the race for Best Performance By an Actor in a Featured Role in a Play one man who has been getting a lot of attention is Micah Stock for his role in It's Only a Play. In his Broadway debut role, he holds his own on stage with a powerful ensemble cast including Nathan Lane, Stockard Channing, Matthew Broderick and F. Murray Abraham.

    A number of the nominated performances stand out in the race for Best Performance By an Actress in a Featured Role in a Play, but I like Patricia Clarkson for her role in The Elephant Man. It's a courageous move for any actress to tackle the role of this vulnerable character. That said, I must also mention the courageous performance of Julie White as an aging, drug-addicted prostitute in Airline Highway as another strong contender.

    The American Musical

    The race for Best Musical finds two shows — An American in Paris and Fun Home — each with an equally large number of nominations (12 each). However, An American in Paris really has the edge over its competition in this category. This show is the quintessential Broadway musical with beautiful music and lyrics and stunning costumes all giving it strength. Telling the story of a soldier and a beautiful French girl and filled with classic Gershwin music, this show is the one to beat.

    Another competitor in the race for Best Musical garnering the attention of the press is Something Rotten!, a show that combines Shakespeare, the Renaissance and two disgruntled playwrights setting out to write the very first musical.

    The juxtaposition of Something Rotten! and An American in Paris gave the voters a yin and yang in this category pitting a traditional Broadway show against something completely different.

    Reviving the King a Second Time

    The obvious leader for Best Revival Of a Musical is The King and I. First of all, everything that Lincoln Center Theater produces is just incredibly well-crafted, and The King and I is no exception.

    King is a huge, visually compelling production featuring star-powered singers including six-time Tony nominee, Kelli O'Hara. The set is incredible. The show is wowing both critics and audiences alike and has already announced it will go on tour in 2016. I know that any production from Lincoln Center that goes out on tour is going to be top-notch and a winner for our audiences.

    Another Close One

    Best Performance By an Actor in a Leading Role in a Musical is another toss-up. The men in this category all turned out incredible performances in their respective roles. It's also another race with star power including nominations for Michael Cerveris in Fun Home and Brian d'Arcy James in Something Rotten!

    Leading Ladies

    The actresses up for Best Performance By an Actress in a Leading Role in a Musical are all incredible, but I think it's a race between three of theatre's leading ladies — Kristin Chenoweth for On the Twentieth Century, Kelli O'Hara for The King and I and Chita Rivera for The Visit. As a grand dame of the theater, Rivera — who last won for Kiss of the Spider Woman in 1996 — may have a slight edge over the others.

    Featured — Musicals

    The men seem to have all the tight races this year! The category for Best Performance By an Actor in a Featured Role in a Musical is another one that's simply too close to call. It is interesting to note that Something Rotten! garnered nominations for two of its actors in this category — Christian Borle and Brad Oscar.

    Also interesting, the race for Best Performance By an Actress in a Featured Role in a Musical includes three actresses from Fun Home, giving it a statistical edge over the competition. It also features the only nomination for Gigi with Victoria Clark, who was wonderful in her role.

    A Couple to Watch

    It will be interesting to see how voters respond to Sting's debut on Broadway with music and lyrics for The Last Ship, up for Best Original Score (Music and/or Lyrics) Written for the Theatre. While Broadway is not a familiar genre for Sting, he even appeared in the cast for a brief stretch in December — not unlike Billie Joe Armstrong did with the character of St. Jimmy throughout the run of American Idiot — and reports were that he did a powerful job both on stage and with the music.

    Another one to watch is Best Choreography, which really means the designing of sequences of movement. This one will be another tight race with five really dynamic, unique performances. You have On the Town, which is old school Broadway and all about the dancing, and then something like The Curious Incident of the Dog in the Night-Time, which is so unique and is more about movement than actual dance. Also, Something Rotten! is so much fun and features cleaver choreography and An American in Paris, which features ballet and really beautiful dance.

    There's no doubt this year's Tony Awards will be a race that keeps you on the edge of your seat and really just a joy to watch with all of the featured performances, not to mention Kristin Chenoweth and Alan Cumming as hosts. It's an evening you don’t want to miss!

    The picks below reflect my opinions only, and not necessarily even my personal favorites nor do they necessarily reflect how I voted.

    Best Play: The Curious Incident of the Dog in the Night-Time
    Best Musical: An American in Paris
    Best Revival Of a Play: Toss up between The Elephant Man and Skylight
    Best Revival Of a Musical: The King and I
    Best Performance By an Actor in a Leading Role in a Play: Too close to call
    Best Performance By an Actress in a Leading Role in a Play: Helen Mirren for The Audience
    Best Performance By an Actor in a Leading Role in a Musical: Too close to call
    Best Performance By an Actress in a Leading Role in a Musical: Race between Kristin Chenoweth for On the Twentieth Century, Kelli O'Hara for The King and I and Chita Rivera for The Visit
    Best Performance By an Actor in a Featured Role in a Play: Micah Stock for It's Only a Play
    Best Performance By an Actress in a Featured Role in a Play: Patricia Clarkson for The Elephant Man
    Best Performance By an Actor in a Featured Role in a Musical: Too close to call
    Best Performance By an Actress in a Featured Role in a Musical: Victoria Clark for Gigi

    The Broadway at The Hobby Center 2015-2016 Season begins in October with Pippin — a winner of four Tony Awards, including Best Musical Revival. For more information on the entire season, click here.

    Cypress-born Robert Askins wrote the Tony-nominated Hand To God.

    Robert Askins author of Hand to God
    Broadway.com
    Cypress-born Robert Askins wrote the Tony-nominated Hand To God.
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    welcome home, wes

    Wes Anderson's Houston homecoming supports historic theater restoration

    Craig D. Lindsey
    Jul 20, 2026 | 12:30 pm
    Wes Anderson's Houston homecoming supports historic theater restoration

    A fancy, eccentric-looking crowd showed up for the Wes Anderson Homecoming Soirée, held on Friday, July 17, at the Hobby Center for the Performing Arts’s Zilkha Hall.

    Fans of the Houston-born, Oscar-winning auteur paid hundreds of dollars to attend this benefit event. Guys dressed up like characters from The Royal Tenenbaums. Others wore red skull caps and low-top Adidas, like the characters from The Life Aquatic with Steve Zissou. Some people working the event even wore “Lobby Boy” hats, looking like the bellboy character from The Grand Budapest Hotel.

    The people gathered for two reasons: 1) to get a chance to see Anderson in person; and 2) to raise money to renovate and restore the Garden Oaks Theater, a project spearheaded by local nonprofit Arthouse Houston. Top-tier “Founders Experience” ticketholders got a chance to meet Anderson onstage for pics. The St. John's School alum also received a proclamation from Mayor John Whitmire declaring it “Wes Anderson Day.”

    After that, he and actor/fellow SJS alum Michael Maggart (who has appeared in several Anderson films) held a half-hour discussion where they reminisced about making Rushmore here in Houston, Anderson’s days working at the Bookstop on W. Alabama (now a Trader Joe’s), and how he and frequent collaborator Owen Wilson used to sneak into the River Oaks Theatre. (It involved pretending to lose a pair of glasses.)

    Of course, the conversation shifted to Anderson coming back home to support the Garden Oaks project. “I always say you can't build an old building,” Anderson said. “First of all, I mean, a beautiful old place has history, and has people's experiences tied into it, and it has stories involved in it. And I think an old cinema — these things are kind of endangered all over the world, and it's not just an architectural thing. It's not even just a community thing. It's a sort of delivery system for something that’s, to me, deeply important to our country.

    “It’s one thing we can access these things on all these devices,” he continued. “It's a different thing when you go to a place that's designed to help you share the experience of a movie together. It's such a powerful art form. And, anyway, for me, it's worth making a bit of an effort to try to save a place like the Garden Oaks.”

    After the convo, he introduced the quintet of films he curated for the event. (Unfortunately the DCP file for his 2007 short Hotel Chevalier had some technical difficulties and was cut short.) “We wanted to do a screening here, and I don't have a new movie to show,” he said. “I don't have something hot off the presses. So, I thought I'd put together a little something that just was different from what anybody else will see. So it's a sort of mixture… This is just for Texas, this little collection.”

    He eventually left the stage, leaving Arthouse Houston co-founder/director Maureen McNamara and Houston Public Media host Ernie Manouse to auction off perks & gifts and encourage the audience in helping revive another legendary, local movie palace. Among other items, attendees bid for treasures such as a special John Waters backstage VIP experience at his upcoming Christmas Show, dinner with John Cameron Mitchell, and a rare set of photo portraits of a young Anderson and friends, circa Bottle Rocket. Others paid $5,000 for select seats in the future theater and $5,000 to restore one foot of the venue's neon sign.

    Wes Anderson homecoming soiree

    Photo by Alan Nguyen

    Mayor John Whitmire declared Friday as Wes Anderson day in the director's honor.

    So far, the effort has raised approximately $1.3 million of the $4 million required to begin the renovation project. The organization needs to raise $4 million by July 30 for the project to move forward. Those interested in securing naming rights will find more information here.

    “River Oaks has 245 seats,” McNamara informed the crowd. “The Garden has over 700, and that is a place that we don't have in Houston. We have a need for that, for premieres, for performances in your life, for music, for a dynamic learning & exhibition space… So, we're building new on the shoulders of our history. I hope you guys will join us, and we need people to join us in a big way today.”

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