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    Top Chef finale recap

    Top Chef recap: And the winning cheftestant is...

    Eric Sandler
    Jun 3, 2022 | 8:34 am
    The three finalists smile before service.
    The three finalists smile before service.
    Photo by David Moir Bravo

    The final episode of Top Chef Houston hit all the familiar notes of the show's previous finales. From the chefs selecting one of their former competitors as a sous chef to the judges cooking a pre-finale dinner for the cheftestants, Season 19’s conclusion played out exactly as fans of the show have come to expect.

    That feels true for the result, too. In the end, a season that’s been notable for its complete absence of drama between the contestants produced a winner that viewers could have seen coming from episode one. Buddha Lo, a Top Chef super fan, won the $250,000 and the career-making title.

    “A 15-year old boy in regional Australia has lived his dream,” Buddha said after learning of his victory. “I didn’t dream to be an astronaut. I didn’t dream of anything else. I dreamt to be right here.”

    The finale is notable for its complete lack of gimmicks or distractions. Each competitor has $1,500 and plenty of time to create the best four-course meal of their careers. Even if it felt likely that this result would occur, all three finalists rose to the challenge.

    Buddha took inspiration from his family members and his life in America to create a menu that balanced his impressive techniques with enough emotion to give the meal heft. He started with hamachi with caviar (for his brother), continued with panang curry with lobster and crab (for his mother), reached a high with Mongolian lamb with smoked eggplant (for his father), and concluded with pumpkin pie mille-feuille with maple caramel (a nod to Thanksgiving and life in America). Each course featured a precisely cut tuile that ended with stunning-looking leaves made from pumpkin.

    In the end, the worst criticism any of the judges made came from Eric Ripert, chef-owner of New York’s celebrated, three-star Michelin seafood restaurant Le Bernardin, who noted that Buddha’s techniques reminded him of dishes from the ’80s and ’90s. “He loves mastering those techniques,” Padma Lakshmi replied. “To him, that is play.” That observation settled the debate.

    Not that he didn’t have stiff competition in the finale from Evelyn Garcia. Over the course of the season, she surpassed Buddha with four Elimination Challenge wins to his three, including in the penultimate episode. She certainly had every opportunity to win, and she delivered a meal that the judges enjoyed from start to finish.

    Her meal began with scallop crudo with prickly pear and citrus broth and continued with shrimp and corn crystal dumplings. Then, she served braised goat in “curry mole” and concluded with a bunelo and panna cotta.

    The editing implied that Evelyn might have triumphed if she had added another sprinkle of salt to the scallops in her crudo, cooked her goat in that intriguing-sounding curry mole, and had a softer panna cotta, but those hints seem like the editors trying to add a little drama. Buddha’s focus, commitment, and sheer will pushed his meal over the top.

    Chef Sarah Welch served a meal inspired by her interests in reducing food waste and whole animal cooking. A series of small errors, including a rabbit ballotine that was either overcooked or undercooked depending on the slice, put her behind the other two competitors, but her self-deprecating humor added an important amount of levity to the episode.

    At judges’ table, it becomes clear(ish) that they preferred Buddha’s first and third courses to his competitors’ efforts. Evelyn took the second course with her dumplings. All three desserts achieved such a high level of excellence that the judges essentially declared the course a tie.

    “If you are the future of our industry, we are in really good hands,” head judge Tom Colicchio told all three finalists.

    Despite not winning, chef Evelyn achieved a lot by appearing on the show. She represented Houston well throughout the season, and her time on the show has sparked important changes to her culinary perspective. Dishes she served on the show — for example, her curry brisket from the barbecue challenge or the nopal relleno with shrimp purée from last week's episode — could become the sort of career-defining creations that bring diners to the door of her future restaurant.

    Like fellow Houstonian and Top Chef Season 18 finalist Dawn Burrell, she joined the elite club of cheftestants who never hear Padma tell them to pack their knives and go. Expect to see her make guest appearances in future seasons. And, more importantly, to make a mark on dining in Houston for years to come.

    “Coming this far and seeing myself evolve and change, I can walk away saying I gave it my all every single time. That I’m proud of,” Evelyn said through tears.

    We are, too, chef. Houston can’t wait to see what you do next.

    The three finalists smile before service.

    Top Chef Houston episode 14
    Photo by David Moir/Bravo
    The three finalists smile before service.
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    Movie Review

    Five Nights at Freddy’s 2 doesn't match the first movie's enthusiasm

    Alex Bentley
    Dec 4, 2025 | 3:45 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2.

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films like M3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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