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    Movie Review

    Gay-centric Fire Island hilariously rejects and reinforces rom-com stereotypes

    Alex Bentley
    Jun 3, 2022 | 10:20 am
    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.play icon
    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.
    Photo by Jeong Park courtesy of Searchlight Pictures

    Unlike more repressed periods in history, it is no longer taboo to have gay characters in major movies. And while the number of lead characters who are LGBTQ+ has steadily increased in recent years, few mainstream films have centered their story around gay culture. If the new Hulu film Fire Island and the upcoming Bros are any indication, 2022 appears to be the tipping point for those kinds of stories.

    Fire Island centers on a group of friends who are taking their annual trip to the titular location, situated just south of Long Island in New York. Noah (Joel Kim Booster) and best friend Howie (Bowen Yang), along with Keegan (Tomas Matos), Max (Torian Miller), and Luke (Matt Rogers), always stay at the house of their friend Erin (Margaret Cho).

    The week they go to Fire Island is kind of like spring break and Mardi Gras mixed into one for the gay community, with men coming from far and wide to let loose and hook up. Noah, who has a freer attitude about sex than Howie, is determined to find his friend a one-night stand while they are there. One such man, Charlie (James Scully), appears to be a good prospect, but it’s Charlie’s friend Will (Conrad Ricamora) who ends up complicating matters for Noah himself.

    Directed by Andrew Ahn (Driveways) and written by Kim Booster, the film alternately repudiates and reinforces the stereotypes of romantic comedies. On one hand, the idea of monogamy seems to be anathema to nearly everyone in the film, with some characters switching their interest in other men at the drop of a hat. On the other hand, the filmmakers clearly follow the rom-com rules of two people hating each other at first only to realize how much they like each other later, something that’s been a staple throughout film history.

    If you weren’t already comfortable with the sight of glistening, half-to-totally-nude men, the film forces you get there quickly. Almost from the moment the group steps on the ferry to get to the island, shirts become optional. Every get-together/party throughout the week adheres to the same dress code, and there are even glimpses of men having sex that goes beyond what’s typically been shown in previous gay-centric films.

    But even as they immerse the audience in this one aspect of gay culture, the filmmakers do a great job of establishing the two main friend groups in the movie. They use several hilarious recurring jokes, set up a couple of mildly villainous characters, and keep the dynamics light while still allowing for some conflict. Not all of it is 100 percent believable, but because they take the time to get to know the important people in the story, everything the characters do is relatable.

    The film also takes on race and class issues to a certain degree. There are a few scenes that address the “otherness” of Noah and Howie, who are both Asian, further showing their bond in a world that is dominated by white men. The difference between the haves and the have-nots on Fire Island is demonstrated in the types of houses and parties different groups have at their disposal, but the filmmakers never choose the heavy-handed route in those scenes, either.

    Kim Booster is a stand-up comedian who’s been building up a nice acting career in the last few years. This is by far his highest profile role to date, and he knocks it out of the park. Yang, who’s quickly become one of the go-to cast members on Saturday Night Live, is equally good, especially because his role is toned down from the ones he plays on SNL. All of the supporting actors do well, but Cho, Ricamora, and Matos make the biggest impressions.

    Every character in Fire Island is gay and thankfully none of them are saddled with any drama beyond the romantic/sexual ones they cause for themselves. The film plays out in similar fashion to other rom-coms you’ve seen before, but it stands out due to the characters and the big laughs they provide throughout.

    ---

    Fire Island debuts on Hulu on June 3.

    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.

    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island
    Photo by Jeong Park/courtesy of Searchlight Pictures
    Margaret Cho, Tomas Matos, Bowen Yang, Joel Kim Booster, and Matt Rogers in Fire Island.
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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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