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    The best of FPSF

    Top 11 must-see music acts at Free Press Summer Fest

    Johnston Farrow
    Johnston Farrow
    Jun 1, 2017 | 6:06 pm

    Houston’s biggest summer music festival, Free Press Summer Fest, returns home to Eleanor Tinsley Park this weekend after its rain-soaked detour to NRG Park due to flooding last year.

    Now in its ninth year, the line-up might be seen as the kid brother to Austin City Limits’ huge annual draw, yet there are still plenty of good acts to see and discover with a bigger emphasis on local and regional artists that tend to skew towards a younger crowd with an emphasis on pop, EDM and hip-hop.

    Even if it’s not as revered as the bigger event in central Texas, the fact Houston has its very own summer music festival that attracts relevant, internationally known talent is a big win for the city. And there few better ways to spend a summer weekend than soaking up the rays, sipping a cold brew and taking in great music in the park.

    With over 50 acts to choose from across four stages and two days, deciding which act to see and at what time can prove to be the ultimate music fan dilemma. Thankfully, we at CultureMap are here to help audiophiles achieve maximum live music voltage with the top must-see acts on Saturday and Sunday.

    Saturday

    Hurray for the Riff Raff, Budweiser Stage, 1:20-2:10 p.m.

    Few bands come in with as much buzz as Hurray for the Riff Raff, which released the highly acclaimed album, The Navigator, in March. The New Orleans three-piece, fronted by the enigmatic Alynda Lee Segarra, performs story-based Americana with bits of folk and bar band blues, drawing on Segarra's experience of crisscrossing the country in her younger years via bus and rail after leaving her home in The Bronx, New York. Her melodic, acoustic driven tales are perfect for this early afternoon slot.

    The Struts, Budweiser Stage, 2:50-3:40 p.m.

    The Struts are one of the only straight-up rock acts on the FPSF line-up, but are an exciting addition. The British band's album Everybody Wants worked its way up modern rock radio charts with the rafter-shaking anthem, “Could Have Been Me.” Add a dash of Queen at their most populist, a large dose of world shattering grandeur of The Darkness, and T-Rex at the height of glam – The Struts will be the golden gods of FPSF.

    Miike Snow, Saturn Stage, 6:10-7 p.m.

    Originally known for writing pop hits for Britney Spears, Madonna and Kylie Minogue, the Swedish members of Miike Snow are much better as a trio, producing some of the coolest synth-laden indie rock of the last decade. Casual fans may know them for singles “Genghis Khan” and “Animal,” which come across like Peter, Bjorn and John laced with hip-hop beats. The band doesn’t tour America often, so this set will be a treat.

    Grouplove, Saturn Stage, 7:50-8:40 p.m.

    If you could package a party in a can, it would come out as the ecstatic Grouplove. Best known for its No. 1 hit, “Tongue Tied,” as well as “Ways to Go,” much of the band’s discography follows a similar vein of positive alt-rock threaded with electro flourishes. This set is sure to be one of the most fun of the weekend.

    Cage The Elephant, Saturn Stage, 9:30-11 p.m.

    Damn, these guys are on the radio all the time. Yes, they are overplayed, but don’t be fooled by those middling, airwave friendly singles forced into your ears by mainstream and modern rock radio. The Bowling Green act is one of the fiercest live acts in the game right now, fronted by unpredictable lead singer Matthew Shultz, who displays expert showmanship on stage. Expect the unexpected when Cage the Elephant closes out Saturday night’s festivities.

    Sunday

    Cherry Glazerr, Saturn Stage, 12-12:40 p.m.

    Armed with one of the best albums of 2017 in Apocalipstick, the Los Angeles outfit recalls the pinnacle of the '90s rock with spiky, urgent riffs delivered with semi-bored drawl from frontwoman Clementine Creevy. Think of a new generation raised on The Pixies and riot girl bands. Be one of the those who said you saw them before they blew up big. They won't be playing noon festival slots for long.

    Tove Lo, Budweiser Stage, 4:40-5:40 p.m.

    Sweden produces some of the hottest acts in the world and Tove Lo deserves to be on that list. Her 2015 single “Habits (Stay High)” had the distinction of being the only song about getting stoned and visiting sex clubs to ever dominate Top 40 radio. It’s her growing strength as a live performer and strong advocacy for female empowerment — she has taken to flashing audiences as a statement against double standards in the music industry — that will draw the crowds on Sunday afternoon.

    The Shins, Saturn Stage; Solange, Budweiser Stage, both 6:30-7:30 p.m.

    Okay, technically, this time slot is a toss-up. Houston's hometown R&B soulstress, Solange, is a great option on the Budweiser Stage for those who missed her fantastic performance at Super Bowl Live in February.

    For those more inclined to see a legendary indie act return to the live circuit, check out The Shins back after a long hiatus while lead songwriter James Mercer pursued other projects. They might not have maintained the creative peak as when they were the band who "will change your life," new album Heartworms​ is a worthy addition to a discography that contains two stone-cold indie rock classics in Oh, Inverted World and Chutes Too Narrow.

    Flume, Budweiser Stage, 8:40-10 p.m.

    The biggest EDM name at this year's bill will split the crowd during the shared time slot with Lorde, enticing the dancers away with some of the hottest productions in the DJ world. The Australian producer, much like The Chainsmokers, has made it big on heart-tugging synth lines, female guest star singers, and well-timed syncopated bass drops. He's sold out stadiums back home and was a major draw at other major festivals such as Coachella and Lollapalooza. Raver kids, you've been put on notice.

    Lorde, Saturn Stage, 8:30-9:40 p.m.

    FPSF organizers caught some flack for booking Lorde when the 2017 line-up was first announced, having had her on the bill only a few years ago. Now her headline slot seems downright prescient as the New Zealander is about to drop what is sure to be one of the biggest albums of the year following a much talked-about appearance on Saturday Night Live and the release of top-notch singles, "Green Light," and "Liability." In addition to some adorably awkward dance moves, expect to hear new songs alongside her biggest hits from the star-making 2013 album, Pure Heroine.

    Tickets for FPSF are still available at $148 plus fees for General Admission; $250 plus fees for VIP; or $999 for Platinum or at www.fpsf.com/tickets.

    Lorde.

    Austin City Limits Festival ACL Fest 2014 Weekend Two Lorde
    Photo by Daniel Cavazos
    Lorde.
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    Riley Green review

    Country singer Riley Green kicks off RodeoHouston with Toby Keith tribute

    Craig Hlavaty
    Mar 2, 2026 | 10:39 pm
    Riley Green RodeoHouston concert 2026
    Courtesy of Houston Livestock Show and Rodeo
    Country singer Riley Green opened RodeoHouston on Monday, March 2.

    Looking like a member of the Dutton clan that grew tired of the ranching business and got really into Toby Keith and duck hunting, Riley Green opened the 2026 edition of the Houston Livestock Show and Rodeo on Monday, March 2 in front of 59,250 attendees.

    The Alabama native and former college football quarterback — because of course he was — strikes a starched jeans balance between the tender, woo-pitchin’ of guys like Merle Haggard and George Jones and the deep, blinding romance of neo-traditionalists Tracy Lawrence and fellow 2026 RodeoHouston performer Tim McGraw, with a cowboy hat resting over his epic flow.

    Speaking of the Taylor Sheridan Television Universe (the TSTU), Green will soon be seen on the Sheridan-produced Yellowstone spin-off series Marshals, which premiered on CBS this past weekend, as a troubled former Navy SEAL.

    The ACM New Male Artist of the Year for 2020, the 37-year-old didn’t get around to playing RodeoHouston until just last year. When Green isn’t in a recording studio, performing onstage, starting a duck hunting brand, or conspicuously vacationing with his shirt off in a tropical climate near other young country stars, he retreats to his farm or deep into a far-flung swamp on a hunting excursion. That being said, if I ever start a country punk band, I’m going to call it Riley Green’s Forearms, because they seem to attract audiences as much as his music.

    Green’s show kicked off just after 9:20 pm with the man himself blowing into a duck call and launching into “Different ‘Round Here,” luckily out of earshot of any ducklings NRG Center potentially bedding down for the night.

    “Hell Of A Way To Go” came with a mid-song disclaimer that it was his grandfather who was a fan of Alabama football, lest any alumni in the crowd get things twisted, before switching it to up Texas.

    Green honored his mentor, Jamey Johnson, with a widescreen cover of the woolly singer-songwriter’s timeless “In Color”. Green’s earliest work was heavily influenced by Johnson, and the pair have become lasting friends.

    He and fellow country star Ella Langley have become inexorably linked since their 2024 chart-topping duet "You Look Like You Love Me” like a nu-country Conway and Loretta. Sadly, there was no convertible riding out onto the rodeo dirt with Langley riding shotgun to jump into the duet, but the female audience members filled in admirably in her stead. "There Was This Girl," his gold-certified debut single, followed it up.

    The late Toby Keith got some shine with a medley of his hits, including Green taking a turn at Keith’s 2002 anthem "Courtesy of the Red, White and Blue," which has earned something of a resurgence due to the USA hockey team singing it at the Winter Olympics.

    Green slowed things down and took a break on a stool for “Jesus Saves” and “Don’t Mind If I Do,” showing off his solo acoustic chops.

    The smoldering bedroom romp “Worst Way” got the biggest squeals of the night, with tall boys hoisted over cowboy hats, while his 2019 hit, "I Wish Grandpas Never Died" — the triple-platinum tribute to his late grandfathers, Lendon Bonds and Buford Green — brought the waterworks and a sea of smartphone flashlights through the stadium.

    Green made his way out of the building with his band’s take on Alabama’s “Dixieland Delight,” jumping into a Ford pickup and into a few thousand fans’ dreams.

    Setlist

    Different ‘Round Here
    Change My Mind
    Hell of a Way To Go
    In Color (Jamey Johnson cover)
    You Look Like You Love Me
    There Was This Girl
    Toby Keith Tribute Set


    • I Should’ve Been A Cowboy
    • Courtesy of the Red, White & Blue

    Jesus Saves
    Don’t Mind If I Do
    Worst Way
    I Wish Grandpas Never Died
    Bury Me in Dixie / Dixieland Delight

    Riley Green RodeoHouston concert 2026

    Courtesy of Houston Livestock Show and Rodeo

    Country singer Riley Green opened RodeoHouston on Monday, March 2.

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