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    Warhol or The Beast?

    The art by the sea: Galleries of wonder dot the Texas Gulf Coast from Rockportto Beaumont

    Steven Devadanam
    May 31, 2010 | 7:35 am
    • Jesus Bautista Moroles, "Lighthouse Fountain," 2002
    • John Alexander, "The Beast, Arnhem Land, Northern Australia," 2001 (detail)
    • The Fulton Mansion in Rockport
    • Stark Museum of Art in Orange, Texas
    • Collage from the Museum of the Gulf Coast's Robert Rauschenberg Gallery
    • A portrait of Princess Caroline of Monaco in "Being Andy Warhol," on view June13-Aug. 15 at the Museum of the Gulf Coast in Port Arthur

    Coastal waters have long been incubators of artists' enclaves. And although the Texas Gulf Coast is no French Riviera, the area still brings a lot to the table. This summer, take the plunge and navigate the waters of these art communities.

    Rockport

    Named one of the "Top Ten Art Colonies" in the United States by Coastal Living Magazine, Rockport is less than a three-and-a--half-hour drive away, but offers an authenticity and natural beauty that makes it feel much farther. Aransas County has been an art colony since the late 1800s, and in 1948, the Fulton School of Painting was founded. More than 15 galleries dot the town's grid, which is just enough to fill a weekend getaway. On July 3 and 4, the Rockport Center for the Arts is host to the 41st Annual Art Festival, featuring over 120 artists, as well as live music.

    The center boasts a seaside sculpture garden — don't miss the work of National Medal of Arts Award Recipient and Rockport resident, Jesus Moroles.

    If you've got a flair for historic architecture and the decorative arts, take a turn by the Fulton Mansion, a restored mansard roof villa dating to 1877. Family portraits, gas lamps and starfish collections offer insight on Gilded Age life on the Gulf. Stroll around the majestic, windswept oaks dotting the property. The crashing waves of a nearby beach will be waiting for you when you're finished.

    Orange

    At the Stark Museum of Art, paintings, sculpture and prints from the 19th and 20th centuries highlight the stunning land, dramatic people and diverse wildlife of the American West. The earthy collection makes a thoughtful juxtaposition to the clean lines of architect Ernesto G. Liebrecht's design. The current temporary exhibition, "Blooms: Floral Art in the Stark Collections" is unapologetically pretty, featuring a collection of paintings so earnest that Houston art spaces would never dare to display them.

    Of a higher pedigree are works by naturalist artist John James Audubon, housed in the permanent collection galleries.

    Port Arthur

    A landmark in the Golden Triangle, the Museum of the Gulf Coast spotlights the rich array of talent across the plain. A highlight is the Robert Rauschenberg Gallery, containing 21 works by the combine-obsessed artist. This collection underscores the tumultuous state of pop culture in 1960s America, with images of Martin Luther King, Jr., the Vietnam War, Janis Joplin and J.F.K.

    The gallery is unique for its display of works created between 1985 and 1991 — long after the reign of Pop Art — called Rauschenberg's "Overseas Cultural Interchange," with each work focussing on a different nation, from Cuba to Germany to Malaysia. Of special interest to Houstonians is the display of posters the artist designed for the Houston Grand Opera.

    Opening June 13, the exhibition "Being Andy Warhol" presents a series of photographs taken by the pop art prince during the 1970s and 1980s. The collection illustrates the artist's preoccupation with fame, his use of the camera both as a social equalizer and social diary and his construction of identity as a commodity. These 18 black-and-white photographs lend a glimpse into the elusive artist's public life, his social circle and the artistic phenomenon he curated.

    The June 13 opening will be accompanied by a screening of the 2002 documentary Andy Warhol: The Complete Picture at 2 p.m. The exhibition remains on view through August 15.

    Beaumont

    It's more than refineries and a pitstop on the way to Louisiana border casinos. As the current exhibition of Beaumont-born John Alexander at Houston's McClain Gallery may attest, the region implies a singular mystique deriving from its swampy landscape and heavy industry. This summer, the Art Museum of Southeast Texas on Main Street features the temporary exhibition, "Rusty Scruby: Playing in the Sand." Scruby's sculptural installations meditate on life by the sea, informed by his childhood on Kwajalein Island, a secret U.S. military base in the middle of the South Pacific, and now his studio in Beaumont.

    The museum's permanent collection is also worth a gander. Don't leave the premise without staring Alexander's The Beast in the eye.

    Craving something off the beaten path? Underground art enthusiasts should make the short drive north of the city to the Ice House Museum and Cultural Center in Silsbee. The galleries there offer a mix of fringe craft art and travelling exhibitions by contemporary artists. In August, the Ice House will hold its annual "Piney Woods Artist Competition," which will be judged this year by Alexis McCarthy, director of the Beaumont Art League.

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    Movie Review

    Robert Pattinson and Zendaya face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 3, 2026 | 3:00 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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